~~NOTOC~~ {{template>summary |name=Steven R. Livingstone| |caption=Steven R. Livingstone| |image=steven_r_livingstone.png| |program=Postdoctoral Fellow in Psychology and Music Technology| |supervisor=Prof. [[people:Marcelo M. Wanderley]], Prof. [[people:Caroline Palmer]]| |website=http://www.itee.uq.edu.au/~srl| |email=| }} ===== Curriculum Vitae ===== * [[http://www.itee.uq.edu.au/~srl/LivingstoneSR_CV.pdf|Curriculum Vitae]] ===== Research Interests ===== * Facial expressions in music performance * Emotional response to music * Computational modelling of music and emotion * Evolutionary origins of music ===== Academic Background ===== * Ph.D. in Computer Science, September 2008. The University of Queensland. Thesis: Changing musical emotions through score and performance with a computational rule system. * B.Inf.Tech first class honours in Information Technology, December 2003. The University of Queensland * B.S. in Physics, December 2000. The University of Queensland. ===== Projects ===== * Facial expressions in emotional song and speech * Computational modelling of music and emotion ====== Publications ====== ===== Book Chapters ===== * Livingstone, S. R., & Thompson, W. F. (2009). L'apparition de la musique de la théorie d'esprit. In Marc Richelle & Xavier Seron (Eds.). Musique et Evolution. Belgium: Pierre MARDAGA Press. In press. ===== Journal Papers ===== * Thompson, W.F., Russo, F. A., & Livingstone, S. R. (in press). Facial expressions of singers influence perceived pitch relations. //Psychonomic Bulletin and Review//. [[http://www.itee.uq.edu.au/~srl/Thompson_PBR_2010.pdf|Download PDF (postprint)]]. * Livingstone, S. R., Muhlberger, R., Brown, A. R., & Thompson, W.F. (2010, in press). Changing Musical Emotion: A Computational Rule System for Modifying Score and Performance. //Computer Music Journal, 34//, 41-64. [[http://www.itee.uq.edu.au/~srl/Livingstone_CMJ_2010.pdf|Download PDF (postprint)]]. * Livingstone, S.R., Thompson, W.F., & Russo, F. A. (2009). Facial expressions and emotional singing: A study of perception and production with motion capture and electromyography. //Music Perception, 26//, 475-488. [[http://www.itee.uq.edu.au/~srl/2009_Facial_Expressions_and_Emotional_Singing.pdf|Download PDF]]. * Livingstone, S. R. & Thompson, W. F. (2009). The emergence of music from the Theory of Mind. //Musicae Scientiae, Special Issue 2009/10// "Music and Evolution", 83-115. [[http://www.itee.uq.edu.au/~srl/2009_The_emergence_of_music_from_the_theory_of_mind.pdf|Download PDF]]. * Livingstone, S. R., Muhlberger, R., Brown, A. R., & Loch, A. (2007). Controlling Musical Emotionality: An Affective Computational Architecture for Influencing Musical Emotion. //Digital Creativity, 18//, 43-54. [[http://www.itee.uq.edu.au/~srl/Controlling_Musical_Emotionality.pdf|Download PDF (postprint)]]. * Livingstone, S. R. & Thompson, W. F. (2006). Multi-modal affective interaction: A comment on musical origins. //Music Perception, 24//, 89-94. [[http://www.itee.uq.edu.au/%7Esrl/Multimodal_Affective_Interaction_A_Comment_on_Musical_Origins.pdf|Download PDF]]. ===== Peer-Reviewed Conference Papers ===== * Livingstone, S. R., Schubert, E., Loehr, J. D., Palmer, C. (2009). Emotional arousal and the automatic detection of musical phrase boundaries. Second International Symposium on Performance Science * Livingstone, S. R., Brown, A. R., Muhlberger, R. (2005). Influencing the Perceived Emotions of Music with Intent. Third International Conference on Generative Systems. [[http://www.itee.uq.edu.au/%7Esrl/3rd_Iteration.pdf|Download PDF]]. * Livingstone, S. R. & Brown, A. R. (2005). Dynamic Response: Real-Time Adaptation for Music Emotion. Australasian Conference on Interactive Entertainment. [[http://www.itee.uq.edu.au/%7Esrl/IE_2005.pdf|Download PDF]]. * Livingstone, S. R., Muhlberger, R., Brown, A. R. (2005). Playing with Affect: Music Performance with Awareness of Score and Audience. Australasian Computer Music Conference. [[http://www.itee.uq.edu.au/%7Esrl/ACMC_05.pdf|Download PDF]]. * Henricksen, K. Livingstone, S. R., Indulska, J. (2004). Towards a hybrid approach to context modelling, reasoning and interoperation. Ubicomp’2004, First International Workshop on Advanced Context Modelling, Reasoning And Management. [[http://www.itee.uq.edu.au/%7Esrl/HybridModel.pdf|Download PDF]]. ===== Conference and Workshop Presentations ===== * Livingstone, S. R., Palmer, C., Thompson, W. F., & Wanderley, M. (2010). Facial expressions in speech and singing. Paper to be presented at the Third International Conference on Music and Gesture, Montreal, Canada. * Livingstone, S. R., Loehr, J. D., Palmer, C., & Schubert, E. (2009). Emotional arousal corresponds with musical phrase structure. BRAMS Annual Scientific Day, Montreal, Canada. * Livingstone, S. R., Thompson, W.F., Chan, L., & Russo, F.A. (2009). Facial expressions in emotional song. Paper presented at the Society for Music Perception and Cognition conference. Indianapolis, IN. * Livingstone, S. R. (2009). Changing musical emotion. Workshop on Expressive Performance, Montreal, Canada. * Livingstone, S. R. (2009). Changing musical emotion through score and performance with a computational rule system. Second Music Perception and Cognition Student Colloquium, Montreal, Canada. * Livingstone, S. R., Thompson, W.F., & Russo, F.A. (2009). Facial expressions in emotional singing. Workshop on Music, Motion and Emotion, Montreal, Canada. * Thompson, W. F., Livingstone, S. R., Palmer, C. (2008). Using motion capture to investigate vocal emotional communication, Leipzig, Germany. * Livingstone, S. R., Muhlberger, R., Brown, A. R. (2006). Influencing perceived musical emotions: The importance of performative and structural aspects in a rule system. Music as Human Communication: An HCSNet Workshop on the Science of Music Perception, Performance and Cognition. * Livingstone, S. R., Muhlberger, R., Brown, A. R. (2006). Music, speech and a Theory of Mind: Investigations with a computational model of musical emotions. HCSNet Workshop on Human and Machine Speech. * Livingstone, S. R., Muhlberger, R., Brown, A. R. (2006). The music-emotion lifecycle. HCSNet Workshop on Perception and Action.