Massie-Laberge, C., Cossette, I. and Wanderley, M. M. “Hearing the Gesture: Perception of Body Actions in Romantic Piano Performances.” In proceedings of ICMPC 2016 Int. Conf. for Music Perception and Cognition, San Francisco, USA, 2016.
Massie-Laberge, C., Cossette, I. and Wanderley, M. M. “Motion Kinematics and Auditors’ Perception of Expressive Gesture in Romantic Piano Performances”. In proceedings of ICMPC 2016 Int. Conf. for Music Perception and Cognition, San Francisco, USA, 2016.
Massie-Laberge, C., Cossette, I. and Wanderley, M. M. “Motion Analysis of Romantic Piano Performances: Incidence of the Musical Structure on Expressive Gestures.” Porto Int. Conf. on Musical Gesture as Creative Interface, Universidade Católica Portuguesa, Porto, Portugal, 2016.
Marandola, F., Marin, F., Mansour, K. B., Massie-Laberge, C. and Wanderley, M. M. “Xylophone Performing Techniques: A Cross Comparison of Stroke and Gaze Patterns of Performers from Cameroon, Canada and France.” Porto Int. Conf. on Musical Gesture as Creative Interface, Universidade Católica Portuguesa, Porto, Portugal, 2016.
Massie-Laberge, C., Cossette, I. and Wanderley, M. M. “Hearing the Gesture: The Significance of Body Actions in Romantic Piano Performances.” Int. Symposium international LTM21 / AEM21, McGill University, Montreal, Canada, 2015.
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Massie-Laberge, C. and Cossette, I. “Between traditional teaching strategies and modernity: Is it time to use technology in the teaching of expressivity?” Midwestern Music Cognition Symposium, Ohio State University, Columbus, Ohio, 2013.
Massie-Laberge, C. and Cossette, I. “Teaching Expressivity: Current Practices in the Instrumental Studio.” Workshop, CIRMMT, Schulich School of Music, McGill University, Montreal, Canada, 2013.