Differences

This shows you the differences between two versions of the page.

--- bib [2016/08/24 09:20]
Joseph Malloch
+++ bib [2021/01/19 01:19] (current)
Joseph Malloch
@@ Line 1: / Line 1: @@
 ======Books======
+  @book{Holland_2018,
+    editor = {Simon Holland and Tom Mudd and Katie Wilkie-McKenna and Andrew McPherson and Marcelo ~M. Wanderley},
+    title = {New Directions in Music and Human-Computer Interaction},
+    publisher = {Springer International Publishing},
+    year = {2019},
+    isbn = {978-3-319-92068-9},
+    doi = {10.1007/978-3-319-92069-6},
+    url = {https://www.springer.com/us/book/9783319920689}}
   @book{Wanderley_2014_CMJ,
@@ Line 49: / Line 58: @@
     publisher = {IRCAM},
     year = {2000},
-    url = {http://www.music.mcgill.ca/~mwanderley/Trends}}
+    url = {http://www-media.idmil.org/media/Trends_Ircam/DOS/SOMM.pdf}}
 ======Book Chapters======
+  @incollection{Malloch_2019_Chapter,
+    author = {Joseph Malloch and J{\'e}r{\'e}mie Garcia and Marcelo ~M. Wanderley and Wendy ~E. Mackay and Michel Beaudouin-Lafon and St{\'e}phane Huot},
+    title = {A Design Workbench for Interactive Music Systems},
+    editor = {Simon Holland and Tom Mudd and Katie Wilkie-McKenna and Andrew McPherson and Marcelo ~M. Wanderley},
+    publisher = {Springer International Publishing},
+    booktitle = {New Directions in Music and Human-Computer Interaction},
+    pages = {},
+    year = {2019}}
+  @incollection{Malloch_2016_Chapter,
+    author = {Joseph Malloch and Marcelo ~M. Wanderley},
+    title = {Embodied Cognition and Digital Musical Instruments: Design and Performance},
+    editor = {Micheline Lesaffre and Marc Leman and Pieter-Jan Maes},
+    publisher = {Routledge},
+    booktitle = {The Routledge Companion to Embodied Music Interaction},
+    pages = {},
+    year = {2016}}
+  @incollection{Birnbaum_2016_Chapter,
+    author = {David Birnbaum and Rebecca Fiebrink and Joseph Malloch and Marcelo ~M. Wanderley},
+    title = {Towards a Dimension Space for Musical Devices},
+    editor = {Alexander Refsum Jensenius and Michael Lyons},
+    publisher = {Springer Verlag},
+    booktitle = {A {NIME} Reader – Fifteen Years of New Interfaces for Musical Expression},
+    pages = {},
+    year = {2016},
+    keywords = {dimension_space}}
   @incollection{Wanderley_2013_Chapter,
@@ Line 140: / Line 177: @@
 ======PhD Theses======
+=====2017=====
+  @phdthesis{Hattwick_2017_phdthesis,
+    author = {Ian Hattwick},
+    month = {November},
+    school = {McGill University},
+    supervisor = {Marcelo ~M. Wanderley},
+    title = {Creating Novel Digital Interfaces for Professional Artistic Productions in Collaborative Art-Science Research Projects},
+    defended = {November 08, 2017},
+    year = {2017}}
+  @phdthesis{Santos_2017_phdhesis,
+    author = {Thais Fernandes Santos},
+    month = {June},
+    school = {Universidade Federal de Minas Gerais (UFMG)},
+    supervisor = {Mauricio Alves Loureiro and Marcelo ~M. Wanderley},
+    title = {The Relationship between Ancillary Gestures and Musical Phrase Organization: Application to Flute Performance},
+    defended = {June 06, 2017},
+    year = {2017}}
 =====2016=====
@@ Line 192: / Line 249: @@
     supervisor = {Marcelo ~M. Wanderley},
     title = {A Framework and Tools for Mapping of Digital Musical Instruments},
+    defended = {November 04, 2013},
     year = {2013},
     keywords = {libmapper, t-stick, spine, prostheses}}
@@ Line 217: / Line 275: @@
   @phdthesis{Palacio-Quintin_2012_phdthesis,
     author = {Cl{\'e}o Palacio-Quintin},
     month = {May},
     department = {Music Composition},
@@ Line 252: / Line 310: @@
   @phdthesis{Bouenard_2009_phdthesis,
     author = {Alexandre Bou{\"e}nard},
     month = {December},
     school = {European University of Brittany},
@@ Line 258: / Line 316: @@
     title = {Synthesis of Music Performances: Virtual Character Animation as a Controller of Sound Synthesis},
     defended = {December 10, 2009},
-    year = {2009}}
+    year = {2009},
+    keywords = {movement_analysis_and_synthesis}}
   @phdthesis{Marshall_2009_phdthesis,
@@ Line 366: / Line 425: @@
   @mastersthesis{Germain_2011_mastersthesis,
     address = {Montreal, Canada},
-    author = {Fran{\cc}ois Germain},
+    author = {Fran{\cc}ois G. Germain},
     month = {October},
     school = {McGill University},
@@ Line 401: / Line 460: @@
     school = {McGill University},
     supervisor = {Marcelo ~M. Wanderley and Vincent Verfaille},
-    title = {When Gestures are Perceived through Sounds: A Framework for Sonification of MusiciansÕ Ancillary Gestures},
+    title = {When Gestures are Perceived through Sounds: A Framework for Sonification of Musicians' Ancillary Gestures},
     year = {2008}}
@@ Line 509: / Line 568: @@
 ======Journal Articles======
+=====2019=====
+  @article{Massie-Laberge_2019_FIP,
+    author = {Catherine Massie-Laberge and Isabelle Cossette and Marcelo ~M. Wanderley},
+    journal = {Frontiers in Psychology},
+    title = {Kinematic Analysis of Pianists’ Expressive Performances of Romantic Excerpts: Applications for Enhanced Pedagogical Approaches},
+    DOI = {10.3389/fpsyg.2018.02725},
+    publisher = {},
+    volume = {},
+    number = {},
+    month = {January},
+    year = {2019},
+    pages = {},
+    keywords = {journal},
+    notes = {}}
+=====2018=====
+  @article{Caramiaux_2018_PLOSONE,
+    author = {Baptiste Caramiaux and Frederic Bevilacqua and Marcelo ~M. Wanderley and Caroline Palmer},
+    journal = {PLOS ONE},
+    title = {Dissociable Effects of Practice Variability on Learning Motor and Timing Skills},
+    DOI = {},
+    publisher = {},
+    volume = {},
+    number = {},
+    month = {},
+    year = {2018},
+    pages = {},
+    keywords = {journal},
+    notes = {}}
+  @article{Malloch_2018_Multimedia,
+    author = {Joseph Malloch and Stephen Sinclair and Marcelo ~M. Wanderley},
+    journal = {IEEE Multimedia},
+    title = {Generalized Multi-Instance Control Mapping for Interactive Media Systems},
+    DOI = {},
+    publisher = {IEEE},
+    volume = {25},
+    number = {1},
+    month = {January-March},
+    year = {2018},
+    pages = {},
+    keywords = {journal, libmapper},
+    notes = {}}
+=====2017=====
+  @article{Demos_2017_FIP,
+    author = {Alexander ~P. Demos and Daniel ~J. Carter and Marcelo ~M. Wanderley and Caroline Palmer},
+    journal = {Frontiers in Psychology},
+    title = {The unresponsive partner: Roles of social status, auditory feedback, and animacy in coordination of joint music performance},
+    DOI = {10.3389/fpsyg.2017.00149},
+    publisher = {},
+    volume = {},
+    number = {},
+    month = {February},
+    year = {2017},
+    pages = {},
+    keywords = {journal},
+    notes = {}}
+  @article{Maestre_2017_Multimedia,
+    author = {Esteban Maestre and Panos Papiotis and Marco Marchini and Quim Llimona and Oscar Mayor and Alfonso Perez and Marcelo ~M. Wanderley},
+    journal = {IEEE Multimedia},
+    title = {Online Access and Visualization of Enriched Multimodal Representations of Music Performance Recordings: the Quartet Dataset and the Repovizz System},
+    DOI = {10.1109/MMUL.2017.3},
+    publisher = {IEEE},
+    volume = {},
+    number = {},
+    month = {January-March},
+    year = {2017},
+    pages = {24--34},
+    keywords = {journal},
+    notes = {}}
+  @article{Calegario_2017_Multimedia,
+    author = {Filipe Calegario and Marcelo ~M. Wanderley and St{\'e}phane Huot and Giordano Cabral and Geber Ramalho},
+    journal = {IEEE Multimedia},
+    title = {Method and Toolkit for Generating Ideas and Prototyping Digital Musical Instruments},
+    DOI = {10.1109/MMUL.2017.18},
+    publisher = {IEEE},
+    volume = {},
+    number = {},
+    month = {January-March},
+    year = {2017},
+    pages = {63--71},
+    keywords = {journal},
+    notes = {}}
+=====2016=====
+  @article{Schumacher_2016_JNMR,
+    author = {Marlon Schumacher and Marcelo ~M. Wanderley},
+    journal = {Journal of New Music Research},
+    title = {Integrating Gesture Data in Computer-Aided Composition: A Framework for Representation, Processing and Mapping},
+    DOI = {10.1080/09298215.2016.1254662},
+    publisher = {Taylor \& Francis},
+    volume = {},
+    number = {},
+    month = {},
+    year = {2016},
+    pages = {},
+    keywords = {journal},
+    notes = {}}
 =====2015=====
@@ Line 516: / Line 681: @@
     journal = {IEEE Sensors Journal},
     title = {The Design, Implementation, and Testing of a Sensorized MRI-Compatible Cello},
-    dOI = {10.1109/JSEN.2015.2449876},
+    DOI = {10.1109/JSEN.2015.2449876},
     iSSN = {1530-437X},
     publisher = {IEEE},
@@ Line 530: / Line 695: @@
     journal = {IEEE Transactions on Audio, Speech and Language Processing},
     title = {Indirect Acquisition of Violin Instrumental Controls from Audio Signal with Hidden Markov Models},
-    dOI = {10.1109/TASLP.2015.2410140},
+    DOI = {10.1109/TASLP.2015.2410140},
     publisher = {IEEE},
     volume = {23},
@@ Line 542: / Line 707: @@
     journal = {Experimental Brain Research},
     title = {The Role of Working Memory in the Temporal Control of Discrete and Continuous Movements},
-    dOI = {10.1007/s00221-014-4108-5},
+    DOI = {10.1007/s00221-014-4108-5},
     publisher = {Springer Berlin Heidelberg},
     volume = {233},
@@ Line 555: / Line 720: @@
     journal = Multimedia Tools and Applications,
     title = {Distributed Tools for Interactive Design of Heterogeneous Signal Networks},
-    dOI = {10.1007/s11042-014-1878-5},
+    DOI = {10.1007/s11042-014-1878-5},
     issn={1380-7501},
     publisher = {Springer US},
@@ Line 572: / Line 737: @@
     journal = {Quarterly Journal of Experimental Psychology},
     title = {Common Cues to Emotion in the Dynamic Facial Expressions of Speech and Song},
-    dOI = {10.1080/17470218.2014.971034},
+    DOI = {10.1080/17470218.2014.971034},
     publisher = {Taylor \& Francis},
     volume={68},
@@ Line 586: / Line 751: @@
     journal = {IEEE Transactions on Haptics},
     title = {Velocity estimation algorithms for audio-haptic simulations involving stick-slip},
-    dOI = {10.1109/TOH.2014.2346505},
+    DOI = {10.1109/TOH.2014.2346505},
     publisher = {IEEE},
     volume={7},
@@ Line 600: / Line 765: @@
     journal = {Computer Music Journal},
     title = {Mapping Control Structures to Sound Synthesis: Functional and Topological Perspectives},
-    dOI = {10.1162/COMJ_a_00253},
+    DOI = {10.1162/COMJ_a_00253},
     publisher = {MIT Press},
     volume={38},
@@ Line 614: / Line 779: @@
     journal = {Sensors Journal},
     title = {A Comprehensive Review of Sensors and Instrumentation Methods Used in Musical Expression},
-    dOI = {10.3390/s140813556},
+    DOI = {10.3390/s140813556},
     publisher = {MDPI},
     volume={14},
@@ Line 628: / Line 793: @@
     journal = {Journal of New Music Research},
     title = {Motion Analysis of Clarinet Performers},
-    dOI = {10.1080/09298215.2014.925939},
+    DOI = {10.1080/09298215.2014.925939},
     publisher = {Taylor \& Francis},
     volume={44},
@@ Line 642: / Line 807: @@
     journal = {IEEE Sensors Journal},
     title = {Multiple-model Linear Kalman Filter Framework for Unpredictable Signals},
-    dOI = {10.1109/JSEN.2013.2291683},
+    DOI = {10.1109/JSEN.2013.2291683},
     publisher = {IEEE},
     volume={14},
@@ Line 656: / Line 821: @@
     journal = {Organised Sound},
     title = {Sonification of Emotion: Strategies and Results from the Intersection with Music},
-    dOI = {10.1017/S1355771813000411},
+    DOI = {10.1017/S1355771813000411},
     publisher = {Cambridge University Press},
     volume={19},
@@ Line 670: / Line 835: @@
     journal = {Expert Systems with Applications},
     title = {Automatic Detection of Musicians' Ancillary Gestures based on Video Analysis},
-    dOI = {10.1016/j.eswa.2013.09.009},
+    DOI = {10.1016/j.eswa.2013.09.009},
     publisher = {Elsevier},
     volume={41},
@@ Line 684: / Line 849: @@
     journal = {Computer Music Journal},
     title = {In-House Development of Paper Force Sensors for Musical Applications},
-    dOI = {10.1162/COMJ_a_00237},
+    DOI = {10.1162/COMJ_a_00237},
     publisher = {MIT Press},
     volume={38},
@@ Line 698: / Line 863: @@
     journal = {Frontiers in Psychology},
     title = {Action-based Effect on Music Perception},
-    dOI = {10.3389/fpsyg.2013.01008},
+    DOI = {10.3389/fpsyg.2013.01008},
     iSSN={1664-1078},
     publisher = {Frontiers Media S.A.},
@@ Line 715: / Line 880: @@
     journal = {Acta Acustica united with Acustica},
     title = {Gestural strategies in the harp performance},
-    dOI = {10.3813/AAA.918677},
+    DOI = {10.3813/AAA.918677},
     publisher = {S. Hirzel Verlag},
     volume={99},
@@ Line 729: / Line 894: @@
     journal = {Computer Music Journal},
     title = {Trumpet Augmentation and Technological Symbiosis},
-    dOI = {10.1162/COMJ_a_00185},
+    DOI = {10.1162/COMJ_a_00185},
     iSSN = {0148-9267},
     publisher = {MIT Press},
@@ Line 744: / Line 909: @@
     journal = {Journal of Cognitive Neuroscience},
     title = {Repetition Suppression in Auditory-Motor Regions to Pitch and Temporal Structure in Music},
-    dOI = {10.1162/jocn_a_00322},
+    DOI = {10.1162/jocn_a_00322},
     publisher = {MIT Press},
     volume={25},
@@ Line 758: / Line 923: @@
     journal = {The International Journal of Multimedia \& Its Applications (IJMA)},
     title = {A Sonification Tool for the Analysis of Large Databases of Expressive Gesture},
-    dOI = {10.5121/ijma.2012.4602},
+    DOI = {10.5121/ijma.2012.4602},
     publisher = {AIRCC Publishing Corporation},
     volume={4},
@@ Line 771: / Line 936: @@
     journal = {The Visual Computer Journal},
     title = {Hybrid Inverse Motion Control for Virtual Characters Interacting with Sound Synthesis - Application to Percussion Motion},
-    dOI = {10.1007/s00371-011-0620-9},
+    DOI = {10.1007/s00371-011-0620-9},
     publisher = {Springer},
     volume={28},
@@ Line 779: / Line 944: @@
     pages={357--370},
     uRL = {http://www.springerlink.com/content/h3001p7282p75407},
-    keywords = {journal}}
+    keywords = {journal, movement_analysis_and_synthesis}}
   @article{Caramiaux_2012_JNMR,
@@ Line 785: / Line 950: @@
     journal = {Journal of New Music Research},
     title = {Segmenting and Parsing Instrumentalist's Gestures},
-    dOI = {10.1080/09298215.2011.643314},
+    DOI = {10.1080/09298215.2011.643314},
     publisher = {Routledge},
     volume={41},
@@ Line 800: / Line 965: @@
     journal = {Computer Music Journal},
     title = {Virtual Gesture Control and Synthesis of Music Performances: Qualitative Evaluation of Synthesized Timpani Exercises},
-    dOI = {10.1162/COMJ_a_00069},
+    DOI = {10.1162/COMJ_a_00069},
     publisher = {MIT Press},
     volume={35},
@@ Line 808: / Line 973: @@
     pages={57--72},
     uRL = {http://www.mitpressjournals.org/doi/abs/10.1162/COMJ_a_00069},
-    keywords = {journal}}
+    keywords = {journal, movement_analysis_and_synthesis}}
   @article{Vines_2011_Cognition,
@@ Line 814: / Line 979: @@
     journal = {Cognition},
     title = {Music to my eyes: Cross-modal interactions in the perception of emotions in musical performance},
-    dOI = {10.1016/j.cognition.2010.11.010},
+    DOI = {10.1016/j.cognition.2010.11.010},
     publisher = {Elsevier},
     volume={118},
@@ Line 829: / Line 994: @@
     journal = {Organised Sound},
     title = {Spatial Sound Synthesis in Computer-Aided Composition},
-    dOI = {10.1017/S1355771810000300},
+    DOI = {10.1017/S1355771810000300},
     publisher = {Cambridge University Press},
     volume={15},
@@ Line 854: / Line 1019: @@
     journal = {Acta Acustica united with Acustica, Special issue on Natural and Virtual Instruments: Control, Gesture and Player Interaction},
     title = {Gesture Control of Sound Synthesis: Analysis and Classification of Percussion Gestures},
-    dOI = {10.3813/AAA.918321},
+    DOI = {10.3813/AAA.918321},
     publisher = {S. Hirzel Verlag},
     volume={96},
@@ Line 861: / Line 1026: @@
     pages={668--677},
     uRL = {http://www.ingentaconnect.com/content/dav/aaua/2010/00000096/00000004/art00009},
-    keywords = {journal}}
+    keywords = {journal, movement_analysis_and_synthesis}}
   @article{Verfaille_2010_JASA,
@@ Line 867: / Line 1032: @@
     journal = {Journal of the Acoustical Society of America},
     title = {Detecting Overblown Flute Fingerings from the Residual Noise Spectrum},
-    dOI = {10.1121/1.3257205},
+    DOI = {10.1121/1.3257205},
     publisher = {Acoustical Society of America},
     volume={127},
@@ Line 882: / Line 1047: @@
     title = {Sensor Choice for Parameter Modulations in Digital Musical Instruments: Empirical Evidence from Pitch Modulation},
     journal = {Journal of New Music Research},
-    dOI = {10.1080/09298210903085865},
+    DOI = {10.1080/09298210903085865},
     volume = {38},
     number = {3},
@@ Line 895: / Line 1060: @@
     title = {Music and Motion -- How Music-related Ancillary Body Movements Contribute to the Experience of Music},
     journal = {Music Perception: An Interdisciplinary Journal},
-    dOI = {10.1525/mp.2009.26.4.335},
+    DOI = {10.1525/mp.2009.26.4.335},
     volume = {26},
     number = {4},
@@ Line 923: / Line 1088: @@
     title = {Refining mapping strategies to improve the sound quality of physically controlled synthesis},
     journal = {Journal of the Acoustical Society of America},
-    dOI = {10.1121/1.2934968},
+    DOI = {10.1121/1.2934968},
     volume = {123},
     number = {5},
@@ Line 936: / Line 1101: @@
     title = {Indirect acquisition of flutist gestures: a case study of harmonic note fingerings},
     journal = {Journal of the Acoustical Society of America},
-    dOI = {10.1121/1.2935474},
+    DOI = {10.1121/1.2935474},
     volume = {123},
     number = {5},
@@ Line 951: / Line 1116: @@
     title = {Mapping strategies for sound synthesis, digital audio effects, and sonification of performer gestures},
     journal = {Journal of the Acoustical Society of America},
-    dOI = {10.1121/1.4786924},
+    DOI = {10.1121/1.4786924},
     volume = {119},
     number = {5},
@@ Line 963: / Line 1128: @@
     title = {Mapping Strategies for Gestural and Adaptive Control of Digital Audio Effects},
     journal = {Journal of New Music Research},
-    dOI = {10.1080/09298210600696881},
+    DOI = {10.1080/09298210600696881},
     volume = {35},
     number = {1},
@@ Line 989: / Line 1154: @@
     title = {Noise/Music and representation systems},
     journal = {Organised Sound},
-    dOI = {10.1017/S1355771806001452},
+    DOI = {10.1017/S1355771806001452},
     volume = {11},
     number = {2},
@@ Line 1005: / Line 1170: @@
     title = {The Musical Significance of Clarinetists' Ancillary Gestures: An Exploration of the Field},
     journal = {Journal of New Music Research},
-    dOI = {10.1080/09298210500124208},
+    DOI = {10.1080/09298210500124208},
     volume = {34},
     number = {1},
@@ Line 1041: / Line 1206: @@
     volume = {32},
     year = {2003},
-    dOI = {10.1076/jnmr.32.4.429.18853},
+    DOI = {10.1076/jnmr.32.4.429.18853},
     uRL = {http://www.tandfonline.com/doi/abs/10.1076/jnmr.32.4.429.18853},
     keywords = {journal}}
@@ Line 1068: / Line 1233: @@
     month = {August},
     year = {2002},
-    dOI = {10.1017/S1355771802002030},
+    DOI = {10.1017/S1355771802002030},
     uRL = {http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=138211},
     keywords = {journal}}
@@ Line 1097: / Line 1262: @@
 ======Conference Papers======
+=====2019=====
+  @inproceedings{Bukkapatnam_2019_MOCO,
+    author = {Aditya Tirumala Bukkapatnam and Philippe Depalle and Marcelo ~M. Wanderley},
+    title = {Autoregressive Parameter Estimation for Equalizing Vibrotactile Systems},
+    booktitle = {Proceedings of the International Workshop on Haptic and Audio Interaction Design},
+    year = {2019},
+    location = {Lille, France},
+    pages = {},
+    keywords = {}}
+  @inproceedings{Meneses_2019_NIME,
+    author = {Eduardo ~A. ~L. Meneses and Johnty Wang and Sergio Freire and Marcelo ~M. Wanderley},
+    title = {A Comparison of Open-Source Linux Frameworks for an Augmented Musical Instrument Implementation},
+    booktitle = {Proceedings of the International Conference on New Interfaces for Musical Expression},
+    year = {2019},
+    location = {Porto Alegre, Brazil},
+    pages = {},
+    keywords = {}}
+  @inproceedings{Wang_2019_NIME,
+    author = {Johnty Wang and Axel Mulder and Marcelo ~M. Wanderley},
+    title = {Practical Considerations for MIDI over Bluetooth Low Energy as a Wireless Interface},
+    booktitle = {Proceedings of the International Conference on New Interfaces for Musical Expression},
+    year = {2019},
+    location = {Porto Alegre, Brazil},
+    pages = {},
+    keywords = {}}
+=====2018=====
+  @inproceedings{Massie-Laberge_2018_MOCO,
+    author = {Catherine Massie-Laberge and Isabelle Cossette and Marcelo ~M. Wanderley},
+    title = {Kinetic Analysis of Hip Motion During Piano Playing},
+    booktitle = {Proceedings of the 5th International Conference on Movement Computing (MOCO'18)},
+    year = {2018},
+    location = {Genoa, Italy},
+    pages = {},
+    keywords = {}}
+  @inproceedings{Meneses_2018_NIME,
+    author = {Eduardo ~A. ~L. Meneses and Sergio Freire and Marcelo ~M. Wanderley},
+    title = {GuitarAMI and GuiaRT: two independent yet complementary Augmented Nylon Guitar projects},
+    booktitle = {Proceedings of the 2018 International Conference on New Interfaces for Musical Expression},
+    year = {2018},
+    location = {Blacksburg, USA},
+    pages = {},
+    keywords = {}}
+  @inproceedings{Nieva_2018_NIME,
+    author = {Alex Nieva and Johnty Wang and Joseph Malloch and Marcelo ~M. Wanderley},
+    title = {The T-Stick: Maintaining a 12 year-old digital musical instrument},
+    booktitle = {Proceedings of the 2018 International Conference on New Interfaces for Musical Expression},
+    year = {2018},
+    location = {Blacksburg, USA},
+    pages = {},
+    keywords = {tstick}}
+  @inproceedings{Sullivan_2018_MOCO_a,
+    author = {John Sullivan and Alexandra Tibbitts and Brice Gatinet and Marcelo ~M. Wanderley},
+    title = {Gestural Control of Augmented Instrumental Performance: A Case Study of the Concert Harp},
+    booktitle = {Proceedings of 5th International Conference on Movement Computing (MOCO'18)},
+    year = {2018},
+    location = {Genoa, Italy},
+    pages = {},
+    keywords = {}}
+  @inproceedings{Sullivan_2018_MOCO_b,
+    author = {John Sullivan and Marcelo ~M. Wanderley},
+    title = {Stability, Reliability, Compatibility: Reviewing 40 Years of DMI Design},
+    booktitle = {Proceedings of the Sound and Music Computing Conference (SMC)},
+    year = {2018},
+    location = {Limassol, Cyprus},
+    pages = {},
+    keywords = {}}
+=====2017=====
+  @inproceedings{Barbosa_2017_NIME,
+    author = {Jeronimo Barbosa and Marcelo M. Wanderley and St{'\e}phane Huot},
+    title = {Exploring Playfulness in NIME Design: The Case of Live Looping Tools},
+    booktitle = {Proceedings of the 2017 International Conference on New Interfaces for Musical Expression},
+    year = {2017},
+    location = {Copenhagen, Denmark},
+    pages = {},
+    keywords = {}}
+  @inproceedings{Caramiaux_2017_ICMC,
+    author = {Baptiste Caramiaux and Fr{\'e}d{\'e}ric Bevilacqua and Marcelo ~M. Wanderley and Caroline Palmer},
+    title = {Individuality in Piano Performance Depends on Skill Learning},
+    booktitle = {Proceedings of the 4th International Conference of Movement Computing},
+    year = {2017},
+    location = {London, UK},
+    pages = {},
+    keywords = {}}
+  @inproceedings{Ignoto_2017_AHFE,
+    author = {Patrick Ignoto and Ian Hattwick and Marcelo M. Wanderley},
+    title = {Development of a Vibrotactile Metronome to Assist in Conducting Contemporary Classical Music},
+    booktitle = {Proceedings of the 8th International Conference on Applied Human Factors and Ergonomics (AHFE)},
+    year = {2017},
+    location = {Los Angeles, USA},
+    pages = {},
+    keywords = {}}
+  @inproceedings{Hattwick_2017_HCIIC,
+    author = {Ian Hattwick and Ivan Franco and Marcelo ~M. Wanderley},
+    title = {The Vibropixels: A Scalable Wireless Tactile Display System},
+    booktitle = {Proceedings of the Human-Computer Interaction International Conference},
+    year = {2017},
+    location = {Vancouver, Canada},
+    pages = {},
+    keywords = {}}
+  @inproceedings{Hattwick_2017_NIME,
+    author = {Ian Hattwick and Marcelo ~M. Wanderley},
+    title = {The Design Process for Creating Hardware Systems in Collaborative Artistic Projects},
+    booktitle = {Proceedings of the 2017 International Conference on New Interfaces for Musical Expression},
+    year = {2017},
+    location = {Copenhagen, Denmark},
+    pages = {},
+    keywords = {}}
+  @inproceedings{Meneses_2017_BSCM,
+    author = {Eduardo ~A. ~L. Meneses and Marcelo ~M. Wanderley},
+    title = {New developments on the augmentation of a classical guitar: Addition of embedded sound synthesis and OSC communication over network},
+    booktitle = {Proceedings of the 16th Brazilian Symposium on Computer Music},
+    year = {2017},
+    location = {S{\~a}o Paulo, Brazil},
+    pages = {},
+    keywords = {}}
+  @inproceedings{Wang_2017_SMC_a,
+    author = {Johnty Wang and Joseph Malloch and St{\'e}phane Huot and Fanny Chevalier and Marcelo ~M. Wanderley},
+    title = {Versioning and Annotation Support for Collaborative Mapping Design},
+    booktitle = {Proceedings of the 14th Sound and Music Computing Conference (SMC)},
+    year = {2017},
+    location = {Espoo, Finland},
+    pages = {},
+    keywords = {libmapper}}
+  @inproceedings{Wang_2017_SMC_b,
+    author = {Johnty Wang and Bob Pritchard and Bryn Nixon and Marcelo ~M. Wanderley},
+    title = {Explorations with Digital Control of MIDI-enabled Pipe Organs},
+    booktitle = {Proceedings of the 14th Sound and Music Computing Conference},
+    year = {2017},
+    location = {Espoo, Finland},
+    pages = {},
+    keywords = {}}
+=====2016=====
+  @inproceedings{Bhagwati_2016_TENOR,
+    address = {Cambridge, UK},
+    author = { Sandeep Bhagwati and Marcello Giordano and Joanna Berzowska and Alex Bachmayr and Julian Stein and Joseph Browne and Felix Del Tredici and Deborah Egloff and John Sullivan and Marcelo Wanderley and Isabelle Cossette },
+    title = {Musicking the Body Electric. The "body:suit:score" as a polyvalent score interface for situational scores.},
+    booktitle = {Proceedings of the International Conference on Technologies for Music Notation and Representation -- TENOR'16},
+    pages = {121--126},
+    year = {2016},
+    editor = {Richard Hoadley and Chris Nash and Dominique Fober},
+    publisher = {Anglia Ruskin University},
+    ISBN = {978-0-9931461-1-4}}
+  @inproceedings{Chen_2016_MOCO,
+    author = {Lei Chen, Sylvie Gibet and Pierre-Fran{\cc}ois Marteau and Fabrice Marandola and Marcelo ~M. Wanderley},
+    title = {Quantitative Evaluation of Percussive Gestures by Ranking Trainees versus Teacher},
+    booktitle = {Proceedings of the International Symposium on Movement and Computing (MOCO2016)},
+    year = {2016},
+    location = {Thessaloniki, Greece},
+    pages = {},
+    keywords = {}}
+  @inproceedings{Wanderley_2016_CHI,
+    author = {Marcelo ~M. Wanderley and Joseph Malloch and J{\'e}r{\'e}mie Garcia and Wendy Mackay and Michel Beaudouin-Lafon and St{\'e}phane Huot},
+    title = {Human Computer Interaction meets Computer Music: The MIDWAY Project},
+    booktitle = {The Music and HCI Workshop, CHI 2016},
+    year = {2016},
+    location = {San Jos{\'e}, USA},
+    pages = {},
+    keywords = {midway}}
   @inproceedings{Franco_2016_CMMR,
-    author = {Ivan Franco and Marcelo M. Wanderley},
+    author = {Ivan Franco and Marcelo ~M. Wanderley},
     title = {The Mitt: Case Study in the Design of a Self-contained Digital Music Instrument},
     booktitle = {Proceedings of the 12th International Symposium on Computer Music Multidisciplinary Research (CMMR)},
     year = {2016},
-    location = {São Paulo, Brazil},
+    location = {S{\~a}o Paulo, Brazil},
-    pages = {}}
+    pages = {},
+    keywords = {mitt, prynth}}
+  @inproceedings{Massie-Laberge_2016_ICMPC_a,
+    author = {Catherine Massie-Laberge and Isabelle Cossette and Marcelo ~M. Wanderley},
+    title = {Hearing the Gesture: Perception of Body Actions in Romantic Piano Performances},
+    booktitle = {Proceedings of ICMPC 2016 International Conference for Music Perception and Cognition (ICMPC)},
+    year = {2016},
+    location = {San Francisco, USA},
+    pages = {},
+    keywords = {}}
+  @inproceedings{Massie-Laberge_2016_ICMPC_b,
+    author = {Catherine Massie-Laberge and Isabelle Cossette and Marcelo ~M. Wanderley},
+    title = {Motion Kinematics and Auditors’ Perception of Expressive Gesture in Romantic Piano Performances},
+    booktitle = {Proceedings of ICMPC 2016 International Conference for Music Perception and Cognition (ICMPC)},
+    year = {2016},
+    location = {San Francisco, USA},
+    pages = {},
+    keywords = {}}
 =====2015=====
@@ Line 1117: / Line 1482: @@
   @inproceedings{Barbosa_2015_NIME_a,
     author = {Jeronimo Barbosa and Joseph Malloch and St{\'e}phane Huot and Marcelo ~M. Wanderley},
     title = {What does 'Evaluation' mean for the NIME community?},
     booktitle = {Proceedings of the International Conference on New Interfaces for Musical Expression},
@@ Line 1147: / Line 1512: @@
     year = {2015},
     location = {Baton Rouge, USA},
-    pages = {}}
+    pages = {},
+    keywords = {prynth}}
   @inproceedings{Lamontagne_2015_SEA,
@@ Line 1155: / Line 1521: @@
     year = {2015},
     location = {Vancouver, Canada},
+    pages = {}}
+  @inproceedings{Tits_2015_ICMC,
+    author = {Micka{\"e}l Tits and Jo{\"e}lle Tilmanne and Nicolas d?Alessandro, Marcelo ~M. Wanderley},
+    title = {Feature Extraction and Expertise Analysis of Pianists? Motion-Captured Finger Gestures},
+    booktitle = {Proceedings of the International Computer Music Conference},
+    year = {2015},
+    location = {Denton, USA},
     pages = {}}
@@ Line 1217: / Line 1591: @@
   @inproceedings{Hattwick_2014_NIME_c,
-    author = {Ian Hattwick and Seth Woods},
+    author = {Ian Hattwick and Seth Woods and Marcelo ~M. Wanderley},
     title = {Almost Human: Moving Expressive Gesture from Cello to Spine},
     booktitle = {Proceedings of the Workshop on Practice-Based Research in New Interfaces for Musical Expression},
@@ Line 1260: / Line 1634: @@
     year = {2014},
     location = {Marseille, France},
-    dOI = {10.1007/978-3-319-12976-1_24},
+    DOI = {10.1007/978-3-319-12976-1_24},
     pages = {393--415}}
@@ Line 1387: / Line 1761: @@
   @inproceedings{Winters_2013_ICME_a,
     author = {R. Michael Winters and Ian Hattwick and Marcelo ~M. Wanderley},
-    title = {Emotional Data in Music Performance: Two AudioEnvironments for the Emotional Imaging Composer},
+    title = {Emotional Data in Music Performance: Two Audio Environments for the Emotional Imaging Composer},
     booktitle = {Proceedings of the 3rd International Conference on Music & Emotion (ICME2013)},
     year = {2013},
@@ Line 1439: / Line 1813: @@
     location = {Atlanta, Georgia},
     pages = {}}
   @inproceedings{Germain_2012_DAFx,
     author = {Fran{\cc}ois G. Germain and Jonathan ~S. Abel and Philippe Depalle and Marcelo ~M. Wanderley},
@@ Line 1448: / Line 1822: @@
     location = {York, UK},
     pages = {}}
   @inproceedings{Vigliensoni_2012_NIME,
     author = {Gabriel Vigliensoni and Marcelo ~M. Wanderley},
@@ Line 1457: / Line 1831: @@
     location = {Ann Arbor, USA},
     pages = {}}
   @inproceedings{Hollinger_2012_NIME,
     author = {Avrum Hollinger and Marcelo ~M. Wanderley},
@@ Line 1474: / Line 1848: @@
     month = {},
     location = {Ann Arbor, USA},
-    pages = {}}
+    pages = {},
+    keywords = {dimension_space}}
   @inproceedings{Tache_2012_NIME,
     author = {Olivier Tache and Jean-Loup Florens and Stephen Sinclair and Marcelo ~M. Wanderley},
@@ Line 1484: / Line 1859: @@
     location = {Ann Arbor, USA},
     pages = {}}
   @inproceedings{Giordano_2012_NIME,
     author = {Marcello Giordano and Stephen Sinclair and Marcelo ~M. Wanderley},
@@ Line 1493: / Line 1868: @@
     location = {Ann Arbor, USA},
     pages = {}}
   @inproceedings{Chadefaux_2012_Acoustics,
     author = {Delphine Chadefaux and Marcelo ~M. Wanderley and Jean-Loïc Le Carrou and Benoît Fabre and Laurent Daudet},
@@ Line 1513: / Line 1888: @@
     location = {Padova, Italy},
     pages = {}}
   @inproceedings{Giordano_2011_SMC,
     author = {Marcello Giordano and Marcelo ~M. Wanderley},
@@ Line 1522: / Line 1897: @@
     location = {Padova, Italy},
     pages = {}}
   @inproceedings{Sinclair_2011_WHC,
     author = {Stephen Sinclair and Marcelo ~M. Wanderley and Vincent Hayward and Gary Scavone},
@@ Line 1531: / Line 1906: @@
     location = {},
     pages = {}}
   @inproceedings{Donald_2011_NIME,
     author = {Erika Donald and Benjamin Duinker and and Eliot Britton},
@@ Line 1540: / Line 1915: @@
     location = {Oslo, Norway},
     pages = {}}
   @inproceedings{Marshall_2011_NIME,
     author = {Mark ~T. Marshall and Marcelo ~M. Wanderley},
@@ Line 1549: / Line 1924: @@
     location = {Oslo, Norway},
     pages = {}}
   @inproceedings{Bresson_2011_ICMC,
     author = {Jean Bresson and Marlon Schumacher},
@@ Line 1599: / Line 1974: @@
     month = {},
     location = {Graz, Austria},
-    pages = {135--142}}
+    pages = {135--142},
+    keywords = {movement_analysis_and_synthesis}}
   @inproceedings{Bianco_2010_SMC,
@@ Line 1649: / Line 2025: @@
     month = {May},
     location = {New York, USA},
-    pages = {242--249}}
+    pages = {242--249},
+    keywords = {sensestage, minibee}}
   @inproceedings{Sinclair_2010_CFA,
@@ Line 1684: / Line 2061: @@
     pages = {227--238},
     uRL = {http://www.springerlink.com/content/k67511mr5k416834/fulltext.pdf},
-    dOI = {10.1007/978-3-540-92865-2_25}}
+    DOI = {10.1007/978-3-540-92865-2_25}}
   @inproceedings{Rasamimanana_2009_GW,
@@ Line 1698: / Line 2075: @@
     pages = {216--226},
     uRL = {http://www.springerlink.com/content/35400g00u1020516/fulltext.pdf},
-    dOI = {10.1007/978-3-540-92865-2_24}}
+    DOI = {10.1007/978-3-540-92865-2_24}}
   @inproceedings{Mazzarino_2009_GW,
@@ Line 1712: / Line 2089: @@
     pages = {48--56},
     uRL = {http://www.springerlink.com/content/g123184k8u734112/fulltext.pdf},
-    dOI = {10.1007/978-3-540-92865-2_5}}
+    DOI = {10.1007/978-3-540-92865-2_5}}
   @inproceedings{Palmer_2009_ISPS,
@@ Line 1739: / Line 2116: @@
     month = {},
     location = {Montreal, Canada},
-    pages = {255--261}}
+    pages = {255--261},
+    keywords={movement_analysis_and_synthesis}}
   @inproceedings{Zadel_2009_ICMC,
@@ Line 1748: / Line 2126: @@
     month = {},
     location = {Montreal, Canada},
-    pages = {291--294}}
+    pages = {291--294},
+    keywords = {different_strokes, dimple, haptics}}
   @inproceedings{Sinclair_2009_ICMC,
@@ Line 1794: / Line 2173: @@
     month = {},
     location = {Amsterdam, Netherlands},
-    pages = {17--20}}
+    pages = {17--20},
+    keywords={movement_analysis_and_synthesis}}
   @inproceedings{Collicutt_2009_NIME,
@@ Line 1821: / Line 2201: @@
     month = {},
     location = {Pittsburgh, USA},
-    pages = {131--134}}
+    pages = {131--134},
+    keywords = {sensestage}}
 =====2008=====
@@ Line 1873: / Line 2254: @@
     month = {},
     location = {Pisa, Italy},
-    pages = {22--27}}
+    pages = {22--27},
+    keywords={movement_analysis_and_synthesis}}
   @inproceedings{Marentakis_2008_ICAD,
@@ Line 1891: / Line 2273: @@
     month = {},
     location = {Genoa, Italy},
-    pages = {38--43}}
+    pages = {38--43},
+    keywords={movement_analysis_and_synthesis}}
 =====2007=====
@@ Line 1945: / Line 2328: @@
     title = {Extending {DIMPLE}: a Rigid Body Simulator for Interactive Control of Sound},
     year = {2007},
-    pages = {263--266}}
+    pages = {263--266},
+    keywords = {dimple}}
   @inproceedings{Jensenius_2007_Enactive,
@@ Line 1963: / Line 2347: @@
     title = {Defining a control standard for easily integrating haptic virtual environments with existing audio/visual systems},
     year = {2007},
-    pages = {209--212}}
+    pages = {209--212},
+    keywords = {dimple, haptics}}
   @inproceedings{Sinclair_2007_PD,
@@ Line 1971: / Line 2356: @@
     month = {August},
     title = {Using {PureData} to control a haptically-enabled virtual environment},
-    year = {2007}}
+    year = {2007},
+    keywords = {dimple, haptics, puredata}}
   @inproceedings{Birnbaum_2007_ICMC,
@@ Line 2016: / Line 2402: @@
     month = {},
     location = {Grenoble, France},
-    pages = {377--380}}
+    pages = {377--380},
+    keywords = {sound_spatialization}}
   @inproceedings{Nusseck_2007_Enactive,
@@ Line 2034: / Line 2421: @@
     month = {},
     location = {Grenoble, France},
-    pages = {}}
+    pages = {},
+    keywords = {paper_sensors}}
   @inproceedings{Kereliuk_2007_ICMC,
@@ Line 2043: / Line 2431: @@
     month = {},
     location = {Copenhagen, Denmark},
-    pages = {263--266}}
+    pages = {263--266},
+    keywords = {indirect_acquisition, flute}}
   @inproceedings{VanNort_2007_ICMC,
@@ Line 2091: / Line 2480: @@
     publisher = {ICMA},
     title = {On the development of a system for gesture control of spatialization},
-    year = {2006}}
+    year = {2006},
+    keywords = {sound_spatialization}}
   @inproceedings{Marshall_2006_NIME,
@@ Line 2115: / Line 2505: @@
     publisher = {IRCAM---Centre Pompidou},
     title = {Paper FSRs and latex/fabric traction sensors: Methods for the development of home-made touch sensors},
-    year = {2006}}
+    year = {2006},
+    keywords = {paper_sensors}}
   @inproceedings{VanNort_2006_ICMC,
@@ Line 2123: / Line 2514: @@
     title = {The LoM Mapping Toolbox for Max/MSP/Jitter},
     year = {2006},
-    pages = {397--400}}
+    pages = {397--400},
+    keywords = {LoM, toolbox, software, mapping}}
   @inproceedings{Zadel_2006_NIME,
@@ Line 2131: / Line 2523: @@
     pages={168--171},
     year={2006},
-    organization={IRCAM---Centre Pompidou}}
+    organization={IRCAM---Centre Pompidou},
+    keywords = {different_strokes}}
   @inproceedings{Marshall_2006_CMMR,
@@ Line 2177: / Line 2570: @@
     month = {},
     location = {New Orleans, USA},
-    pages = {}}
+    pages = {},
+    keywords = {different_strokes}}
   @inproceedings{Verfaille_2006_ICAD,
@@ Line 2186: / Line 2580: @@
     month = {},
     location = {London, UK},
-    pages = {194--197}}
+    pages = {194--197},
+    keywords = {sonification}}
   @inproceedings{Burns_2006_NIME,
@@ Line 2195: / Line 2590: @@
     month = {},
     location = {Paris, France},
-    pages = {196--199}}
+    pages = {196--199}
+    keywords = {computer_vision, Eyesweb}}
   @inproceedings{Wanderley_2006_NIME,
@@ Line 2214: / Line 2610: @@
     month = {},
     location = {Paris, France},
-    pages = {85--88}}
+    pages = {85--88},
+    keywords = {G-Spring}}
   @inproceedings{Burns_2006_SMC,
@@ Line 2223: / Line 2620: @@
     month = {},
     location = {Marseille, France},
-    pages = {1--7}}
+    pages = {1--7},
+    keywords = {computer_vision, guitar}}
   @inproceedings{VanNort_2006_SMC,
@@ Line 2243: / Line 2641: @@
     year={2005},
     location={Vancouver, Canada},
-    organization={University of British Columbia}}
+    organization={University of British Columbia},
+    keywords = {dimension_space}}
   @inproceedings{Jensenius_2005_ICMC,
@@ Line 2500: / Line 2899: @@
     publisher = {ACM},
     address = {New York, NY, USA},
-    doi = {},
+    DOI = {},
     acmid = {},
     keywords = {communications, control, mapping, music, HCI},
@@ Line 2517: / Line 2916: @@
     address = {New York, NY, USA},
     url = {http://doi.acm.org/10.1145/2468356.2479617},
-    doi = {10.1145/2468356.2479617},
+    DOI = {10.1145/2468356.2479617},
     acmid = {2479617},
     keywords = {communications, control, mapping, music, network},
@@ Line 2559: / Line 2958: @@
     publisher = {},
     address = {},
-    keywords = {}}
+    keywords={movement_analysis_and_synthesis}}
   @misc{Rasamimanana_2007_GW,
@@ Line 2684: / Line 3083: @@
     publisher = {},
     address = {},
-    keywords = {video_tracking, eyesweb}}
+    keywords = {computer_vision, eyesweb}}
   @misc{Casciato_2005_PM,
@@ Line 2792: / Line 3191: @@
     number = {MUMT-IDMIL-09-01},
     title = {Real-Time Simulation and Interaction of Percussion Gestures with Sound Synthesis},
-    year = {2009}}
+    year = {2009},
+    keywords={movement_analysis_and_synthesis}}
   @techreport{Sinclair_2008_IDMIL,
@@ Line 3028: / Line 3428: @@
     title = {Les Nouveaux Gestes de la Musique},
     year = {1997}}

Input Devices and Music Interaction Laboratory

Site Tools

User Tools

Differences

Site Tools

Page Tools

User Tools

Differences