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bib [2016/10/13 14:46]
Joseph Malloch
bib [2021/01/19 01:19] (current)
Joseph Malloch
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 ======Books====== ======Books======
 +
 +  @book{Holland_2018,
 +    editor = {Simon Holland and Tom Mudd and Katie Wilkie-McKenna and Andrew McPherson and Marcelo ~M. Wanderley},
 +    title = {New Directions in Music and Human-Computer Interaction},
 +    publisher = {Springer International Publishing},
 +    year = {2019},
 +    isbn = {978-3-319-92068-9},
 +    doi = {10.1007/978-3-319-92069-6},
 +    url = {https://www.springer.com/us/book/9783319920689}}
  
   @book{Wanderley_2014_CMJ,   @book{Wanderley_2014_CMJ,
Line 49: Line 58:
     publisher = {IRCAM},     publisher = {IRCAM},
     year = {2000},     year = {2000},
-    url = {http://www.music.mcgill.ca/~mwanderley/Trends}}+    url = {http://www-media.idmil.org/media/Trends_Ircam/DOS/SOMM.pdf}}
  
 ======Book Chapters====== ======Book Chapters======
 +
 +  @incollection{Malloch_2019_Chapter,
 +    author = {Joseph Malloch and J{\'e}r{\'e}mie Garcia and Marcelo ~M. Wanderley and Wendy ~E. Mackay and Michel Beaudouin-Lafon and St{\'e}phane Huot},
 +    title = {A Design Workbench for Interactive Music Systems},
 +    editor = {Simon Holland and Tom Mudd and Katie Wilkie-McKenna and Andrew McPherson and Marcelo ~M. Wanderley},
 +    publisher = {Springer International Publishing},
 +    booktitle = {New Directions in Music and Human-Computer Interaction},
 +    pages = {},
 +    year = {2019}}
  
   @incollection{Malloch_2016_Chapter,   @incollection{Malloch_2016_Chapter,
Line 67: Line 85:
     editor = {Alexander Refsum Jensenius and Michael Lyons},     editor = {Alexander Refsum Jensenius and Michael Lyons},
     publisher = {Springer Verlag},     publisher = {Springer Verlag},
-    booktitle = {A {NIME} Reader Fifteen Years of New Interfaces for Musical Expression},+    booktitle = {A {NIME} Reader – Fifteen Years of New Interfaces for Musical Expression},
     pages = {},     pages = {},
     year = {2016},     year = {2016},
Line 159: Line 177:
  
 ======PhD Theses====== ======PhD Theses======
 +
 +=====2017=====
 +
 +  @phdthesis{Hattwick_2017_phdthesis,
 +    author = {Ian Hattwick},
 +    month = {November},
 +    school = {McGill University},
 +    supervisor = {Marcelo ~M. Wanderley},
 +    title = {Creating Novel Digital Interfaces for Professional Artistic Productions in Collaborative Art-Science Research Projects},
 +    defended = {November 08, 2017},
 +    year = {2017}}
 +
 +  @phdthesis{Santos_2017_phdhesis,
 +    author = {Thais Fernandes Santos},
 +    month = {June},
 +    school = {Universidade Federal de Minas Gerais (UFMG)},
 +    supervisor = {Mauricio Alves Loureiro and Marcelo ~M. Wanderley},
 +    title = {The Relationship between Ancillary Gestures and Musical Phrase Organization: Application to Flute Performance},
 +    defended = {June 06, 2017},
 +    year = {2017}}
  
 =====2016===== =====2016=====
Line 211: Line 249:
     supervisor = {Marcelo ~M. Wanderley},     supervisor = {Marcelo ~M. Wanderley},
     title = {A Framework and Tools for Mapping of Digital Musical Instruments},     title = {A Framework and Tools for Mapping of Digital Musical Instruments},
 +    defended = {November 04, 2013},
     year = {2013},     year = {2013},
     keywords = {libmapper, t-stick, spine, prostheses}}     keywords = {libmapper, t-stick, spine, prostheses}}
Line 236: Line 275:
  
   @phdthesis{Palacio-Quintin_2012_phdthesis,   @phdthesis{Palacio-Quintin_2012_phdthesis,
-    author = {ClŽ{\'e}o Palacio-Quintin},+    author = {Cl{\'e}o Palacio-Quintin},
     month = {May},     month = {May},
     department = {Music Composition},     department = {Music Composition},
Line 271: Line 310:
  
   @phdthesis{Bouenard_2009_phdthesis,   @phdthesis{Bouenard_2009_phdthesis,
-    author = {Alexandre Bou‘{\"e}nard},+    author = {Alexandre Bou{\"e}nard},
     month = {December},     month = {December},
     school = {European University of Brittany},     school = {European University of Brittany},
Line 277: Line 316:
     title = {Synthesis of Music Performances: Virtual Character Animation as a Controller of Sound Synthesis},     title = {Synthesis of Music Performances: Virtual Character Animation as a Controller of Sound Synthesis},
     defended = {December 10, 2009},     defended = {December 10, 2009},
-    year = {2009}}+    year = {2009}, 
 +    keywords = {movement_analysis_and_synthesis}}
  
   @phdthesis{Marshall_2009_phdthesis,   @phdthesis{Marshall_2009_phdthesis,
Line 385: Line 425:
   @mastersthesis{Germain_2011_mastersthesis,   @mastersthesis{Germain_2011_mastersthesis,
     address = {Montreal, Canada},     address = {Montreal, Canada},
-    author = {Fran{\cc}ois Germain},+    author = {Fran{\cc}ois G. Germain},
     month = {October},     month = {October},
     school = {McGill University},     school = {McGill University},
Line 420: Line 460:
     school = {McGill University},     school = {McGill University},
     supervisor = {Marcelo ~M. Wanderley and Vincent Verfaille},     supervisor = {Marcelo ~M. Wanderley and Vincent Verfaille},
-    title = {When Gestures are Perceived through Sounds: A Framework for Sonification of MusiciansÕ Ancillary Gestures},+    title = {When Gestures are Perceived through Sounds: A Framework for Sonification of Musicians' Ancillary Gestures},
     year = {2008}}     year = {2008}}
  
Line 529: Line 569:
 ======Journal Articles====== ======Journal Articles======
  
-=====2016=====+=====2019=====
  
-  @article{Calegario_2016_Multimedia,+  @article{Massie-Laberge_2019_FIP, 
 +    author = {Catherine Massie-Laberge and Isabelle Cossette and Marcelo ~M. Wanderley}, 
 +    journal = {Frontiers in Psychology}, 
 +    title = {Kinematic Analysis of Pianists’ Expressive Performances of Romantic Excerpts: Applications for Enhanced Pedagogical Approaches}, 
 +    DOI = {10.3389/fpsyg.2018.02725}, 
 +    publisher = {}, 
 +    volume = {}, 
 +    number = {}, 
 +    month = {January}, 
 +    year = {2019}, 
 +    pages = {}, 
 +    keywords = {journal}, 
 +    notes = {}} 
 + 
 +=====2018===== 
 + 
 +  @article{Caramiaux_2018_PLOSONE, 
 +    author = {Baptiste Caramiaux and Frederic Bevilacqua and Marcelo ~M. Wanderley and Caroline Palmer}, 
 +    journal = {PLOS ONE}, 
 +    title = {Dissociable Effects of Practice Variability on Learning Motor and Timing Skills}, 
 +    DOI = {}, 
 +    publisher = {}, 
 +    volume = {}, 
 +    number = {}, 
 +    month = {}, 
 +    year = {2018}, 
 +    pages = {}, 
 +    keywords = {journal}, 
 +    notes = {}} 
 + 
 +  @article{Malloch_2018_Multimedia, 
 +    author = {Joseph Malloch and Stephen Sinclair and Marcelo ~M. Wanderley}, 
 +    journal = {IEEE Multimedia}, 
 +    title = {Generalized Multi-Instance Control Mapping for Interactive Media Systems}, 
 +    DOI = {}, 
 +    publisher = {IEEE}, 
 +    volume = {25}, 
 +    number = {1}, 
 +    month = {January-March}, 
 +    year = {2018}, 
 +    pages = {}, 
 +    keywords = {journal, libmapper}, 
 +    notes = {}} 
 + 
 +=====2017===== 
 + 
 +  @article{Demos_2017_FIP, 
 +    author = {Alexander ~P. Demos and Daniel ~J. Carter and Marcelo ~M. Wanderley and Caroline Palmer}, 
 +    journal = {Frontiers in Psychology}, 
 +    title = {The unresponsive partner: Roles of social status, auditory feedback, and animacy in coordination of joint music performance}, 
 +    DOI = {10.3389/fpsyg.2017.00149}, 
 +    publisher = {}, 
 +    volume = {}, 
 +    number = {}, 
 +    month = {February}, 
 +    year = {2017}, 
 +    pages = {}, 
 +    keywords = {journal}, 
 +    notes = {}} 
 + 
 +  @article{Maestre_2017_Multimedia, 
 +    author = {Esteban Maestre and Panos Papiotis and Marco Marchini and Quim Llimona and Oscar Mayor and Alfonso Perez and Marcelo ~M. Wanderley}, 
 +    journal = {IEEE Multimedia}, 
 +    title = {Online Access and Visualization of Enriched Multimodal Representations of Music Performance Recordings: the Quartet Dataset and the Repovizz System}, 
 +    DOI = {10.1109/MMUL.2017.3}, 
 +    publisher = {IEEE}, 
 +    volume = {}, 
 +    number = {}, 
 +    month = {January-March}, 
 +    year = {2017}, 
 +    pages = {24--34}, 
 +    keywords = {journal}, 
 +    notes = {}} 
 + 
 +  @article{Calegario_2017_Multimedia,
     author = {Filipe Calegario and Marcelo ~M. Wanderley and St{\'e}phane Huot and Giordano Cabral and Geber Ramalho},     author = {Filipe Calegario and Marcelo ~M. Wanderley and St{\'e}phane Huot and Giordano Cabral and Geber Ramalho},
     journal = {IEEE Multimedia},     journal = {IEEE Multimedia},
     title = {Method and Toolkit for Generating Ideas and Prototyping Digital Musical Instruments},     title = {Method and Toolkit for Generating Ideas and Prototyping Digital Musical Instruments},
 +    DOI = {10.1109/MMUL.2017.18},
     publisher = {IEEE},     publisher = {IEEE},
 +    volume = {},
 +    number = {},
 +    month = {January-March},
 +    year = {2017},
 +    pages = {63--71},
 +    keywords = {journal},
 +    notes = {}}
 +
 +=====2016=====
 +
 +  @article{Schumacher_2016_JNMR,
 +    author = {Marlon Schumacher and Marcelo ~M. Wanderley},
 +    journal = {Journal of New Music Research},
 +    title = {Integrating Gesture Data in Computer-Aided Composition: A Framework for Representation, Processing and Mapping},
 +    DOI = {10.1080/09298215.2016.1254662},
 +    publisher = {Taylor \& Francis},
     volume = {},     volume = {},
     number = {},     number = {},
Line 542: Line 673:
     pages = {},     pages = {},
     keywords = {journal},     keywords = {journal},
-    notes = {Accepted for publication}}+    notes = {}}
  
 =====2015===== =====2015=====
Line 550: Line 681:
     journal = {IEEE Sensors Journal},     journal = {IEEE Sensors Journal},
     title = {The Design, Implementation, and Testing of a Sensorized MRI-Compatible Cello},     title = {The Design, Implementation, and Testing of a Sensorized MRI-Compatible Cello},
-    dOI = {10.1109/JSEN.2015.2449876},+    DOI = {10.1109/JSEN.2015.2449876},
     iSSN = {1530-437X},     iSSN = {1530-437X},
     publisher = {IEEE},     publisher = {IEEE},
Line 564: Line 695:
     journal = {IEEE Transactions on Audio, Speech and Language Processing},     journal = {IEEE Transactions on Audio, Speech and Language Processing},
     title = {Indirect Acquisition of Violin Instrumental Controls from Audio Signal with Hidden Markov Models},     title = {Indirect Acquisition of Violin Instrumental Controls from Audio Signal with Hidden Markov Models},
-    dOI = {10.1109/TASLP.2015.2410140},+    DOI = {10.1109/TASLP.2015.2410140},
     publisher = {IEEE},     publisher = {IEEE},
     volume = {23},     volume = {23},
Line 576: Line 707:
     journal = {Experimental Brain Research},     journal = {Experimental Brain Research},
     title = {The Role of Working Memory in the Temporal Control of Discrete and Continuous Movements},     title = {The Role of Working Memory in the Temporal Control of Discrete and Continuous Movements},
-    dOI = {10.1007/s00221-014-4108-5},+    DOI = {10.1007/s00221-014-4108-5},
     publisher = {Springer Berlin Heidelberg},     publisher = {Springer Berlin Heidelberg},
     volume = {233},     volume = {233},
Line 589: Line 720:
     journal = Multimedia Tools and Applications,     journal = Multimedia Tools and Applications,
     title = {Distributed Tools for Interactive Design of Heterogeneous Signal Networks},     title = {Distributed Tools for Interactive Design of Heterogeneous Signal Networks},
-    dOI = {10.1007/s11042-014-1878-5},+    DOI = {10.1007/s11042-014-1878-5},
     issn={1380-7501},     issn={1380-7501},
     publisher = {Springer US},     publisher = {Springer US},
Line 606: Line 737:
     journal = {Quarterly Journal of Experimental Psychology},     journal = {Quarterly Journal of Experimental Psychology},
     title = {Common Cues to Emotion in the Dynamic Facial Expressions of Speech and Song},     title = {Common Cues to Emotion in the Dynamic Facial Expressions of Speech and Song},
-    dOI = {10.1080/17470218.2014.971034},+    DOI = {10.1080/17470218.2014.971034},
     publisher = {Taylor \& Francis},     publisher = {Taylor \& Francis},
     volume={68},     volume={68},
Line 620: Line 751:
     journal = {IEEE Transactions on Haptics},     journal = {IEEE Transactions on Haptics},
     title = {Velocity estimation algorithms for audio-haptic simulations involving stick-slip},     title = {Velocity estimation algorithms for audio-haptic simulations involving stick-slip},
-    dOI = {10.1109/TOH.2014.2346505},+    DOI = {10.1109/TOH.2014.2346505},
     publisher = {IEEE},     publisher = {IEEE},
     volume={7},     volume={7},
Line 634: Line 765:
     journal = {Computer Music Journal},     journal = {Computer Music Journal},
     title = {Mapping Control Structures to Sound Synthesis: Functional and Topological Perspectives},     title = {Mapping Control Structures to Sound Synthesis: Functional and Topological Perspectives},
-    dOI = {10.1162/COMJ_a_00253},+    DOI = {10.1162/COMJ_a_00253},
     publisher = {MIT Press},     publisher = {MIT Press},
     volume={38},     volume={38},
Line 648: Line 779:
     journal = {Sensors Journal},     journal = {Sensors Journal},
     title = {A Comprehensive Review of Sensors and Instrumentation Methods Used in Musical Expression},     title = {A Comprehensive Review of Sensors and Instrumentation Methods Used in Musical Expression},
-    dOI = {10.3390/s140813556},+    DOI = {10.3390/s140813556},
     publisher = {MDPI},     publisher = {MDPI},
     volume={14},     volume={14},
Line 662: Line 793:
     journal = {Journal of New Music Research},     journal = {Journal of New Music Research},
     title = {Motion Analysis of Clarinet Performers},     title = {Motion Analysis of Clarinet Performers},
-    dOI = {10.1080/09298215.2014.925939},+    DOI = {10.1080/09298215.2014.925939},
     publisher = {Taylor \& Francis},     publisher = {Taylor \& Francis},
     volume={44},     volume={44},
Line 676: Line 807:
     journal = {IEEE Sensors Journal},     journal = {IEEE Sensors Journal},
     title = {Multiple-model Linear Kalman Filter Framework for Unpredictable Signals},     title = {Multiple-model Linear Kalman Filter Framework for Unpredictable Signals},
-    dOI = {10.1109/JSEN.2013.2291683},+    DOI = {10.1109/JSEN.2013.2291683},
     publisher = {IEEE},     publisher = {IEEE},
     volume={14},     volume={14},
Line 690: Line 821:
     journal = {Organised Sound},     journal = {Organised Sound},
     title = {Sonification of Emotion: Strategies and Results from the Intersection with Music},     title = {Sonification of Emotion: Strategies and Results from the Intersection with Music},
-    dOI = {10.1017/S1355771813000411},+    DOI = {10.1017/S1355771813000411},
     publisher = {Cambridge University Press},     publisher = {Cambridge University Press},
     volume={19},     volume={19},
Line 704: Line 835:
     journal = {Expert Systems with Applications},     journal = {Expert Systems with Applications},
     title = {Automatic Detection of Musicians' Ancillary Gestures based on Video Analysis},     title = {Automatic Detection of Musicians' Ancillary Gestures based on Video Analysis},
-    dOI = {10.1016/j.eswa.2013.09.009},+    DOI = {10.1016/j.eswa.2013.09.009},
     publisher = {Elsevier},     publisher = {Elsevier},
     volume={41},     volume={41},
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     journal = {Computer Music Journal},     journal = {Computer Music Journal},
     title = {In-House Development of Paper Force Sensors for Musical Applications},     title = {In-House Development of Paper Force Sensors for Musical Applications},
-    dOI = {10.1162/COMJ_a_00237},+    DOI = {10.1162/COMJ_a_00237},
     publisher = {MIT Press},     publisher = {MIT Press},
     volume={38},     volume={38},
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     journal = {Frontiers in Psychology},     journal = {Frontiers in Psychology},
     title = {Action-based Effect on Music Perception},     title = {Action-based Effect on Music Perception},
-    dOI = {10.3389/fpsyg.2013.01008},+    DOI = {10.3389/fpsyg.2013.01008},
     iSSN={1664-1078},     iSSN={1664-1078},
     publisher = {Frontiers Media S.A.},     publisher = {Frontiers Media S.A.},
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     journal = {Acta Acustica united with Acustica},     journal = {Acta Acustica united with Acustica},
     title = {Gestural strategies in the harp performance},     title = {Gestural strategies in the harp performance},
-    dOI = {10.3813/AAA.918677},+    DOI = {10.3813/AAA.918677},
     publisher = {S. Hirzel Verlag},     publisher = {S. Hirzel Verlag},
     volume={99},     volume={99},
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     journal = {Computer Music Journal},     journal = {Computer Music Journal},
     title = {Trumpet Augmentation and Technological Symbiosis},     title = {Trumpet Augmentation and Technological Symbiosis},
-    dOI = {10.1162/COMJ_a_00185},+    DOI = {10.1162/COMJ_a_00185},
     iSSN = {0148-9267},     iSSN = {0148-9267},
     publisher = {MIT Press},     publisher = {MIT Press},
Line 778: Line 909:
     journal = {Journal of Cognitive Neuroscience},     journal = {Journal of Cognitive Neuroscience},
     title = {Repetition Suppression in Auditory-Motor Regions to Pitch and Temporal Structure in Music},     title = {Repetition Suppression in Auditory-Motor Regions to Pitch and Temporal Structure in Music},
-    dOI = {10.1162/jocn_a_00322},+    DOI = {10.1162/jocn_a_00322},
     publisher = {MIT Press},     publisher = {MIT Press},
     volume={25},     volume={25},
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     journal = {The International Journal of Multimedia \& Its Applications (IJMA)},     journal = {The International Journal of Multimedia \& Its Applications (IJMA)},
     title = {A Sonification Tool for the Analysis of Large Databases of Expressive Gesture},     title = {A Sonification Tool for the Analysis of Large Databases of Expressive Gesture},
-    dOI = {10.5121/ijma.2012.4602},+    DOI = {10.5121/ijma.2012.4602},
     publisher = {AIRCC Publishing Corporation},     publisher = {AIRCC Publishing Corporation},
     volume={4},     volume={4},
Line 805: Line 936:
     journal = {The Visual Computer Journal},     journal = {The Visual Computer Journal},
     title = {Hybrid Inverse Motion Control for Virtual Characters Interacting with Sound Synthesis - Application to Percussion Motion},     title = {Hybrid Inverse Motion Control for Virtual Characters Interacting with Sound Synthesis - Application to Percussion Motion},
-    dOI = {10.1007/s00371-011-0620-9},+    DOI = {10.1007/s00371-011-0620-9},
     publisher = {Springer},     publisher = {Springer},
     volume={28},     volume={28},
Line 813: Line 944:
     pages={357--370},     pages={357--370},
     uRL = {http://www.springerlink.com/content/h3001p7282p75407},     uRL = {http://www.springerlink.com/content/h3001p7282p75407},
-    keywords = {journal}}+    keywords = {journal, movement_analysis_and_synthesis}}
  
   @article{Caramiaux_2012_JNMR,   @article{Caramiaux_2012_JNMR,
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     journal = {Journal of New Music Research},     journal = {Journal of New Music Research},
     title = {Segmenting and Parsing Instrumentalist's Gestures},     title = {Segmenting and Parsing Instrumentalist's Gestures},
-    dOI = {10.1080/09298215.2011.643314},+    DOI = {10.1080/09298215.2011.643314},
     publisher = {Routledge},     publisher = {Routledge},
     volume={41},     volume={41},
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     journal = {Computer Music Journal},     journal = {Computer Music Journal},
     title = {Virtual Gesture Control and Synthesis of Music Performances: Qualitative Evaluation of Synthesized Timpani Exercises},     title = {Virtual Gesture Control and Synthesis of Music Performances: Qualitative Evaluation of Synthesized Timpani Exercises},
-    dOI = {10.1162/COMJ_a_00069},+    DOI = {10.1162/COMJ_a_00069},
     publisher = {MIT Press},     publisher = {MIT Press},
     volume={35},     volume={35},
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     pages={57--72},     pages={57--72},
     uRL = {http://www.mitpressjournals.org/doi/abs/10.1162/COMJ_a_00069},     uRL = {http://www.mitpressjournals.org/doi/abs/10.1162/COMJ_a_00069},
-    keywords = {journal}}+    keywords = {journal, movement_analysis_and_synthesis}}
  
   @article{Vines_2011_Cognition,   @article{Vines_2011_Cognition,
Line 848: Line 979:
     journal = {Cognition},     journal = {Cognition},
     title = {Music to my eyes: Cross-modal interactions in the perception of emotions in musical performance},     title = {Music to my eyes: Cross-modal interactions in the perception of emotions in musical performance},
-    dOI = {10.1016/j.cognition.2010.11.010},+    DOI = {10.1016/j.cognition.2010.11.010},
     publisher = {Elsevier},     publisher = {Elsevier},
     volume={118},     volume={118},
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     journal = {Organised Sound},     journal = {Organised Sound},
     title = {Spatial Sound Synthesis in Computer-Aided Composition},     title = {Spatial Sound Synthesis in Computer-Aided Composition},
-    dOI = {10.1017/S1355771810000300},+    DOI = {10.1017/S1355771810000300},
     publisher = {Cambridge University Press},     publisher = {Cambridge University Press},
     volume={15},     volume={15},
Line 888: Line 1019:
     journal = {Acta Acustica united with Acustica, Special issue on Natural and Virtual Instruments: Control, Gesture and Player Interaction},     journal = {Acta Acustica united with Acustica, Special issue on Natural and Virtual Instruments: Control, Gesture and Player Interaction},
     title = {Gesture Control of Sound Synthesis: Analysis and Classification of Percussion Gestures},     title = {Gesture Control of Sound Synthesis: Analysis and Classification of Percussion Gestures},
-    dOI = {10.3813/AAA.918321},+    DOI = {10.3813/AAA.918321},
     publisher = {S. Hirzel Verlag},     publisher = {S. Hirzel Verlag},
     volume={96},     volume={96},
Line 895: Line 1026:
     pages={668--677},     pages={668--677},
     uRL = {http://www.ingentaconnect.com/content/dav/aaua/2010/00000096/00000004/art00009},     uRL = {http://www.ingentaconnect.com/content/dav/aaua/2010/00000096/00000004/art00009},
-    keywords = {journal}}+    keywords = {journal, movement_analysis_and_synthesis}}
  
   @article{Verfaille_2010_JASA,   @article{Verfaille_2010_JASA,
Line 901: Line 1032:
     journal = {Journal of the Acoustical Society of America},     journal = {Journal of the Acoustical Society of America},
     title = {Detecting Overblown Flute Fingerings from the Residual Noise Spectrum},     title = {Detecting Overblown Flute Fingerings from the Residual Noise Spectrum},
-    dOI = {10.1121/1.3257205},+    DOI = {10.1121/1.3257205},
     publisher = {Acoustical Society of America},     publisher = {Acoustical Society of America},
     volume={127},     volume={127},
Line 916: Line 1047:
     title = {Sensor Choice for Parameter Modulations in Digital Musical Instruments: Empirical Evidence from Pitch Modulation},     title = {Sensor Choice for Parameter Modulations in Digital Musical Instruments: Empirical Evidence from Pitch Modulation},
     journal = {Journal of New Music Research},     journal = {Journal of New Music Research},
-    dOI = {10.1080/09298210903085865},+    DOI = {10.1080/09298210903085865},
     volume = {38},     volume = {38},
     number = {3},     number = {3},
Line 929: Line 1060:
     title = {Music and Motion -- How Music-related Ancillary Body Movements Contribute to the Experience of Music},     title = {Music and Motion -- How Music-related Ancillary Body Movements Contribute to the Experience of Music},
     journal = {Music Perception: An Interdisciplinary Journal},     journal = {Music Perception: An Interdisciplinary Journal},
-    dOI = {10.1525/mp.2009.26.4.335},+    DOI = {10.1525/mp.2009.26.4.335},
     volume = {26},     volume = {26},
     number = {4},     number = {4},
Line 957: Line 1088:
     title = {Refining mapping strategies to improve the sound quality of physically controlled synthesis},     title = {Refining mapping strategies to improve the sound quality of physically controlled synthesis},
     journal = {Journal of the Acoustical Society of America},     journal = {Journal of the Acoustical Society of America},
-    dOI = {10.1121/1.2934968},+    DOI = {10.1121/1.2934968},
     volume = {123},     volume = {123},
     number = {5},     number = {5},
Line 970: Line 1101:
     title = {Indirect acquisition of flutist gestures: a case study of harmonic note fingerings},     title = {Indirect acquisition of flutist gestures: a case study of harmonic note fingerings},
     journal = {Journal of the Acoustical Society of America},     journal = {Journal of the Acoustical Society of America},
-    dOI = {10.1121/1.2935474},+    DOI = {10.1121/1.2935474},
     volume = {123},     volume = {123},
     number = {5},     number = {5},
Line 985: Line 1116:
     title = {Mapping strategies for sound synthesis, digital audio effects, and sonification of performer gestures},     title = {Mapping strategies for sound synthesis, digital audio effects, and sonification of performer gestures},
     journal = {Journal of the Acoustical Society of America},     journal = {Journal of the Acoustical Society of America},
-    dOI = {10.1121/1.4786924},+    DOI = {10.1121/1.4786924},
     volume = {119},     volume = {119},
     number = {5},     number = {5},
Line 997: Line 1128:
     title = {Mapping Strategies for Gestural and Adaptive Control of Digital Audio Effects},     title = {Mapping Strategies for Gestural and Adaptive Control of Digital Audio Effects},
     journal = {Journal of New Music Research},     journal = {Journal of New Music Research},
-    dOI = {10.1080/09298210600696881},+    DOI = {10.1080/09298210600696881},
     volume = {35},     volume = {35},
     number = {1},     number = {1},
Line 1023: Line 1154:
     title = {Noise/Music and representation systems},     title = {Noise/Music and representation systems},
     journal = {Organised Sound},     journal = {Organised Sound},
-    dOI = {10.1017/S1355771806001452},+    DOI = {10.1017/S1355771806001452},
     volume = {11},     volume = {11},
     number = {2},     number = {2},
Line 1039: Line 1170:
     title = {The Musical Significance of Clarinetists' Ancillary Gestures: An Exploration of the Field},     title = {The Musical Significance of Clarinetists' Ancillary Gestures: An Exploration of the Field},
     journal = {Journal of New Music Research},     journal = {Journal of New Music Research},
-    dOI = {10.1080/09298210500124208},+    DOI = {10.1080/09298210500124208},
     volume = {34},     volume = {34},
     number = {1},     number = {1},
Line 1075: Line 1206:
     volume = {32},     volume = {32},
     year = {2003},     year = {2003},
-    dOI = {10.1076/jnmr.32.4.429.18853},+    DOI = {10.1076/jnmr.32.4.429.18853},
     uRL = {http://www.tandfonline.com/doi/abs/10.1076/jnmr.32.4.429.18853},     uRL = {http://www.tandfonline.com/doi/abs/10.1076/jnmr.32.4.429.18853},
     keywords = {journal}}     keywords = {journal}}
Line 1102: Line 1233:
     month = {August},     month = {August},
     year = {2002},     year = {2002},
-    dOI = {10.1017/S1355771802002030},+    DOI = {10.1017/S1355771802002030},
     uRL = {http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=138211},     uRL = {http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=138211},
     keywords = {journal}}     keywords = {journal}}
Line 1131: Line 1262:
  
 ======Conference Papers====== ======Conference Papers======
 +
 +=====2019=====
 +
 +  @inproceedings{Bukkapatnam_2019_MOCO,
 +    author = {Aditya Tirumala Bukkapatnam and Philippe Depalle and Marcelo ~M. Wanderley},
 +    title = {Autoregressive Parameter Estimation for Equalizing Vibrotactile Systems},
 +    booktitle = {Proceedings of the International Workshop on Haptic and Audio Interaction Design},
 +    year = {2019},
 +    location = {Lille, France},
 +    pages = {},
 +    keywords = {}}
 +
 +  @inproceedings{Meneses_2019_NIME,
 +    author = {Eduardo ~A. ~L. Meneses and Johnty Wang and Sergio Freire and Marcelo ~M. Wanderley},
 +    title = {A Comparison of Open-Source Linux Frameworks for an Augmented Musical Instrument Implementation},
 +    booktitle = {Proceedings of the International Conference on New Interfaces for Musical Expression},
 +    year = {2019},
 +    location = {Porto Alegre, Brazil},
 +    pages = {},
 +    keywords = {}}
 +
 +  @inproceedings{Wang_2019_NIME,
 +    author = {Johnty Wang and Axel Mulder and Marcelo ~M. Wanderley},
 +    title = {Practical Considerations for MIDI over Bluetooth Low Energy as a Wireless Interface},
 +    booktitle = {Proceedings of the International Conference on New Interfaces for Musical Expression},
 +    year = {2019},
 +    location = {Porto Alegre, Brazil},
 +    pages = {},
 +    keywords = {}}
 +
 +=====2018=====
 +
 +  @inproceedings{Massie-Laberge_2018_MOCO,
 +    author = {Catherine Massie-Laberge and Isabelle Cossette and Marcelo ~M. Wanderley},
 +    title = {Kinetic Analysis of Hip Motion During Piano Playing},
 +    booktitle = {Proceedings of the 5th International Conference on Movement Computing (MOCO'18)},
 +    year = {2018},
 +    location = {Genoa, Italy},
 +    pages = {},
 +    keywords = {}}
 +
 +  @inproceedings{Meneses_2018_NIME,
 +    author = {Eduardo ~A. ~L. Meneses and Sergio Freire and Marcelo ~M. Wanderley},
 +    title = {GuitarAMI and GuiaRT: two independent yet complementary Augmented Nylon Guitar projects},
 +    booktitle = {Proceedings of the 2018 International Conference on New Interfaces for Musical Expression},
 +    year = {2018},
 +    location = {Blacksburg, USA},
 +    pages = {},
 +    keywords = {}}
 +
 +  @inproceedings{Nieva_2018_NIME,
 +    author = {Alex Nieva and Johnty Wang and Joseph Malloch and Marcelo ~M. Wanderley},
 +    title = {The T-Stick: Maintaining a 12 year-old digital musical instrument},
 +    booktitle = {Proceedings of the 2018 International Conference on New Interfaces for Musical Expression},
 +    year = {2018},
 +    location = {Blacksburg, USA},
 +    pages = {},
 +    keywords = {tstick}}
 +
 +  @inproceedings{Sullivan_2018_MOCO_a,
 +    author = {John Sullivan and Alexandra Tibbitts and Brice Gatinet and Marcelo ~M. Wanderley},
 +    title = {Gestural Control of Augmented Instrumental Performance: A Case Study of the Concert Harp},
 +    booktitle = {Proceedings of 5th International Conference on Movement Computing (MOCO'18)},
 +    year = {2018},
 +    location = {Genoa, Italy},
 +    pages = {},
 +    keywords = {}}
 +
 +  @inproceedings{Sullivan_2018_MOCO_b,
 +    author = {John Sullivan and Marcelo ~M. Wanderley},
 +    title = {Stability, Reliability, Compatibility: Reviewing 40 Years of DMI Design},
 +    booktitle = {Proceedings of the Sound and Music Computing Conference (SMC)},
 +    year = {2018},
 +    location = {Limassol, Cyprus},
 +    pages = {},
 +    keywords = {}}
 +
 +=====2017=====
 +
 +  @inproceedings{Barbosa_2017_NIME,
 +    author = {Jeronimo Barbosa and Marcelo M. Wanderley and St{'\e}phane Huot},
 +    title = {Exploring Playfulness in NIME Design: The Case of Live Looping Tools},
 +    booktitle = {Proceedings of the 2017 International Conference on New Interfaces for Musical Expression},
 +    year = {2017},
 +    location = {Copenhagen, Denmark},
 +    pages = {},
 +    keywords = {}}
 +
 +  @inproceedings{Caramiaux_2017_ICMC,
 +    author = {Baptiste Caramiaux and Fr{\'e}d{\'e}ric Bevilacqua and Marcelo ~M. Wanderley and Caroline Palmer},
 +    title = {Individuality in Piano Performance Depends on Skill Learning},
 +    booktitle = {Proceedings of the 4th International Conference of Movement Computing},
 +    year = {2017},
 +    location = {London, UK},
 +    pages = {},
 +    keywords = {}}
 +
 +  @inproceedings{Ignoto_2017_AHFE,
 +    author = {Patrick Ignoto and Ian Hattwick and Marcelo M. Wanderley},
 +    title = {Development of a Vibrotactile Metronome to Assist in Conducting Contemporary Classical Music},
 +    booktitle = {Proceedings of the 8th International Conference on Applied Human Factors and Ergonomics (AHFE)},
 +    year = {2017},
 +    location = {Los Angeles, USA},
 +    pages = {},
 +    keywords = {}}
 +
 +  @inproceedings{Hattwick_2017_HCIIC,
 +    author = {Ian Hattwick and Ivan Franco and Marcelo ~M. Wanderley},
 +    title = {The Vibropixels: A Scalable Wireless Tactile Display System},
 +    booktitle = {Proceedings of the Human-Computer Interaction International Conference},
 +    year = {2017},
 +    location = {Vancouver, Canada},
 +    pages = {},
 +    keywords = {}}
 +
 +  @inproceedings{Hattwick_2017_NIME,
 +    author = {Ian Hattwick and Marcelo ~M. Wanderley},
 +    title = {The Design Process for Creating Hardware Systems in Collaborative Artistic Projects},
 +    booktitle = {Proceedings of the 2017 International Conference on New Interfaces for Musical Expression},
 +    year = {2017},
 +    location = {Copenhagen, Denmark},
 +    pages = {},
 +    keywords = {}}
 +
 +  @inproceedings{Meneses_2017_BSCM,
 +    author = {Eduardo ~A. ~L. Meneses and Marcelo ~M. Wanderley},
 +    title = {New developments on the augmentation of a classical guitar: Addition of embedded sound synthesis and OSC communication over network},
 +    booktitle = {Proceedings of the 16th Brazilian Symposium on Computer Music},
 +    year = {2017},
 +    location = {S{\~a}o Paulo, Brazil},
 +    pages = {},
 +    keywords = {}}
 +
 +  @inproceedings{Wang_2017_SMC_a,
 +    author = {Johnty Wang and Joseph Malloch and St{\'e}phane Huot and Fanny Chevalier and Marcelo ~M. Wanderley},
 +    title = {Versioning and Annotation Support for Collaborative Mapping Design},
 +    booktitle = {Proceedings of the 14th Sound and Music Computing Conference (SMC)},
 +    year = {2017},
 +    location = {Espoo, Finland},
 +    pages = {},
 +    keywords = {libmapper}}
 +
 +  @inproceedings{Wang_2017_SMC_b,
 +    author = {Johnty Wang and Bob Pritchard and Bryn Nixon and Marcelo ~M. Wanderley},
 +    title = {Explorations with Digital Control of MIDI-enabled Pipe Organs},
 +    booktitle = {Proceedings of the 14th Sound and Music Computing Conference},
 +    year = {2017},
 +    location = {Espoo, Finland},
 +    pages = {},
 +    keywords = {}}
 +
 +=====2016=====
 +
 +  @inproceedings{Bhagwati_2016_TENOR,
 +    address = {Cambridge, UK},
 +    author = { Sandeep Bhagwati and Marcello Giordano and Joanna Berzowska and Alex Bachmayr and Julian Stein and Joseph Browne and Felix Del Tredici and Deborah Egloff and John Sullivan and Marcelo Wanderley and Isabelle Cossette },
 +    title = {Musicking the Body Electric. The "body:suit:score" as a polyvalent score interface for situational scores.},
 +    booktitle = {Proceedings of the International Conference on Technologies for Music Notation and Representation -- TENOR'16},
 +    pages = {121--126},
 +    year = {2016},
 +    editor = {Richard Hoadley and Chris Nash and Dominique Fober},
 +    publisher = {Anglia Ruskin University},
 +    ISBN = {978-0-9931461-1-4}}
 +
 +  @inproceedings{Chen_2016_MOCO,
 +    author = {Lei Chen, Sylvie Gibet and Pierre-Fran{\cc}ois Marteau and Fabrice Marandola and Marcelo ~M. Wanderley},
 +    title = {Quantitative Evaluation of Percussive Gestures by Ranking Trainees versus Teacher},
 +    booktitle = {Proceedings of the International Symposium on Movement and Computing (MOCO2016)},
 +    year = {2016},
 +    location = {Thessaloniki, Greece},
 +    pages = {},
 +    keywords = {}}
 +
 +  @inproceedings{Wanderley_2016_CHI,
 +    author = {Marcelo ~M. Wanderley and Joseph Malloch and J{\'e}r{\'e}mie Garcia and Wendy Mackay and Michel Beaudouin-Lafon and St{\'e}phane Huot},
 +    title = {Human Computer Interaction meets Computer Music: The MIDWAY Project},
 +    booktitle = {The Music and HCI Workshop, CHI 2016},
 +    year = {2016},
 +    location = {San Jos{\'e}, USA},
 +    pages = {},
 +    keywords = {midway}}
  
   @inproceedings{Franco_2016_CMMR,   @inproceedings{Franco_2016_CMMR,
-    author = {Ivan Franco and Marcelo M. Wanderley},+    author = {Ivan Franco and Marcelo ~M. Wanderley},
     title = {The Mitt: Case Study in the Design of a Self-contained Digital Music Instrument},     title = {The Mitt: Case Study in the Design of a Self-contained Digital Music Instrument},
     booktitle = {Proceedings of the 12th International Symposium on Computer Music Multidisciplinary Research (CMMR)},     booktitle = {Proceedings of the 12th International Symposium on Computer Music Multidisciplinary Research (CMMR)},
     year = {2016},     year = {2016},
-    location = {São Paulo, Brazil}, +    location = {S{\~a}o Paulo, Brazil}, 
-    pages = {}}+    pages = {}, 
 +    keywords = {mitt, prynth}} 
 + 
 +  @inproceedings{Massie-Laberge_2016_ICMPC_a, 
 +    author = {Catherine Massie-Laberge and Isabelle Cossette and Marcelo ~M. Wanderley}, 
 +    title = {Hearing the Gesture: Perception of Body Actions in Romantic Piano Performances}, 
 +    booktitle = {Proceedings of ICMPC 2016 International Conference for Music Perception and Cognition (ICMPC)}, 
 +    year = {2016}, 
 +    location = {San Francisco, USA}, 
 +    pages = {}, 
 +    keywords = {}} 
 + 
 +  @inproceedings{Massie-Laberge_2016_ICMPC_b, 
 +    author = {Catherine Massie-Laberge and Isabelle Cossette and Marcelo ~M. Wanderley}, 
 +    title = {Motion Kinematics and Auditors’ Perception of Expressive Gesture in Romantic Piano Performances}, 
 +    booktitle = {Proceedings of ICMPC 2016 International Conference for Music Perception and Cognition (ICMPC)}, 
 +    year = {2016}, 
 +    location = {San Francisco, USA}, 
 +    pages = {}, 
 +    keywords = {}}
  
 =====2015===== =====2015=====
Line 1151: Line 1482:
  
   @inproceedings{Barbosa_2015_NIME_a,   @inproceedings{Barbosa_2015_NIME_a,
-    author = {Jeronimo Barbosa and Joseph Malloch and St{\'e}Žphane Huot and Marcelo ~M. Wanderley},+    author = {Jeronimo Barbosa and Joseph Malloch and St{\'e}phane Huot and Marcelo ~M. Wanderley},
     title = {What does 'Evaluation' mean for the NIME community?},     title = {What does 'Evaluation' mean for the NIME community?},
     booktitle = {Proceedings of the International Conference on New Interfaces for Musical Expression},     booktitle = {Proceedings of the International Conference on New Interfaces for Musical Expression},
Line 1181: Line 1512:
     year = {2015},     year = {2015},
     location = {Baton Rouge, USA},     location = {Baton Rouge, USA},
-    pages = {}}+    pages = {}, 
 +    keywords = {prynth}}
  
   @inproceedings{Lamontagne_2015_SEA,   @inproceedings{Lamontagne_2015_SEA,
Line 1189: Line 1521:
     year = {2015},     year = {2015},
     location = {Vancouver, Canada},     location = {Vancouver, Canada},
 +    pages = {}}
 +
 +  @inproceedings{Tits_2015_ICMC,
 +    author = {Micka{\"e}l Tits and Jo{\"e}lle Tilmanne and Nicolas d?Alessandro, Marcelo ~M. Wanderley},
 +    title = {Feature Extraction and Expertise Analysis of Pianists? Motion-Captured Finger Gestures},
 +    booktitle = {Proceedings of the International Computer Music Conference},
 +    year = {2015},
 +    location = {Denton, USA},
     pages = {}}     pages = {}}
  
Line 1251: Line 1591:
  
   @inproceedings{Hattwick_2014_NIME_c,   @inproceedings{Hattwick_2014_NIME_c,
-    author = {Ian Hattwick and Seth Woods},+    author = {Ian Hattwick and Seth Woods and Marcelo ~M. Wanderley},
     title = {Almost Human: Moving Expressive Gesture from Cello to Spine},     title = {Almost Human: Moving Expressive Gesture from Cello to Spine},
     booktitle = {Proceedings of the Workshop on Practice-Based Research in New Interfaces for Musical Expression},     booktitle = {Proceedings of the Workshop on Practice-Based Research in New Interfaces for Musical Expression},
Line 1294: Line 1634:
     year = {2014},     year = {2014},
     location = {Marseille, France},     location = {Marseille, France},
-    dOI = {10.1007/978-3-319-12976-1_24},+    DOI = {10.1007/978-3-319-12976-1_24},
     pages = {393--415}}     pages = {393--415}}
  
Line 1421: Line 1761:
   @inproceedings{Winters_2013_ICME_a,   @inproceedings{Winters_2013_ICME_a,
     author = {R. Michael Winters and Ian Hattwick and Marcelo ~M. Wanderley},     author = {R. Michael Winters and Ian Hattwick and Marcelo ~M. Wanderley},
-    title = {Emotional Data in Music Performance: Two AudioEnvironments for the Emotional Imaging Composer},+    title = {Emotional Data in Music Performance: Two Audio Environments for the Emotional Imaging Composer},
     booktitle = {Proceedings of the 3rd International Conference on Music & Emotion (ICME2013)},     booktitle = {Proceedings of the 3rd International Conference on Music & Emotion (ICME2013)},
     year = {2013},     year = {2013},
Line 1634: Line 1974:
     month = {},     month = {},
     location = {Graz, Austria},     location = {Graz, Austria},
-    pages = {135--142}}+    pages = {135--142}, 
 +    keywords = {movement_analysis_and_synthesis}}
  
   @inproceedings{Bianco_2010_SMC,   @inproceedings{Bianco_2010_SMC,
Line 1684: Line 2025:
     month = {May},     month = {May},
     location = {New York, USA},     location = {New York, USA},
-    pages = {242--249}}+    pages = {242--249}, 
 +    keywords = {sensestage, minibee}}
  
   @inproceedings{Sinclair_2010_CFA,   @inproceedings{Sinclair_2010_CFA,
Line 1719: Line 2061:
     pages = {227--238},     pages = {227--238},
     uRL = {http://www.springerlink.com/content/k67511mr5k416834/fulltext.pdf},     uRL = {http://www.springerlink.com/content/k67511mr5k416834/fulltext.pdf},
-    dOI = {10.1007/978-3-540-92865-2_25}}+    DOI = {10.1007/978-3-540-92865-2_25}}
  
   @inproceedings{Rasamimanana_2009_GW,   @inproceedings{Rasamimanana_2009_GW,
Line 1733: Line 2075:
     pages = {216--226},     pages = {216--226},
     uRL = {http://www.springerlink.com/content/35400g00u1020516/fulltext.pdf},     uRL = {http://www.springerlink.com/content/35400g00u1020516/fulltext.pdf},
-    dOI = {10.1007/978-3-540-92865-2_24}}+    DOI = {10.1007/978-3-540-92865-2_24}}
  
   @inproceedings{Mazzarino_2009_GW,   @inproceedings{Mazzarino_2009_GW,
Line 1747: Line 2089:
     pages = {48--56},     pages = {48--56},
     uRL = {http://www.springerlink.com/content/g123184k8u734112/fulltext.pdf},     uRL = {http://www.springerlink.com/content/g123184k8u734112/fulltext.pdf},
-    dOI = {10.1007/978-3-540-92865-2_5}}+    DOI = {10.1007/978-3-540-92865-2_5}}
  
   @inproceedings{Palmer_2009_ISPS,   @inproceedings{Palmer_2009_ISPS,
Line 1774: Line 2116:
     month = {},     month = {},
     location = {Montreal, Canada},     location = {Montreal, Canada},
-    pages = {255--261}}+    pages = {255--261}, 
 +    keywords={movement_analysis_and_synthesis}}
  
   @inproceedings{Zadel_2009_ICMC,   @inproceedings{Zadel_2009_ICMC,
Line 1830: Line 2173:
     month = {},     month = {},
     location = {Amsterdam, Netherlands},     location = {Amsterdam, Netherlands},
-    pages = {17--20}}+    pages = {17--20}, 
 +    keywords={movement_analysis_and_synthesis}}
  
   @inproceedings{Collicutt_2009_NIME,   @inproceedings{Collicutt_2009_NIME,
Line 1857: Line 2201:
     month = {},     month = {},
     location = {Pittsburgh, USA},     location = {Pittsburgh, USA},
-    pages = {131--134}}+    pages = {131--134}, 
 +    keywords = {sensestage}}
  
 =====2008===== =====2008=====
Line 1909: Line 2254:
     month = {},     month = {},
     location = {Pisa, Italy},     location = {Pisa, Italy},
-    pages = {22--27}}+    pages = {22--27}, 
 +    keywords={movement_analysis_and_synthesis}}
  
   @inproceedings{Marentakis_2008_ICAD,   @inproceedings{Marentakis_2008_ICAD,
Line 1927: Line 2273:
     month = {},     month = {},
     location = {Genoa, Italy},     location = {Genoa, Italy},
-    pages = {38--43}}+    pages = {38--43}, 
 +    keywords={movement_analysis_and_synthesis}}
  
 =====2007===== =====2007=====
Line 2552: Line 2899:
     publisher = {ACM},     publisher = {ACM},
     address = {New York, NY, USA},     address = {New York, NY, USA},
-    doi = {},+    DOI = {},
     acmid = {},     acmid = {},
     keywords = {communications, control, mapping, music, HCI},     keywords = {communications, control, mapping, music, HCI},
Line 2569: Line 2916:
     address = {New York, NY, USA},     address = {New York, NY, USA},
     url = {http://doi.acm.org/10.1145/2468356.2479617},     url = {http://doi.acm.org/10.1145/2468356.2479617},
-    doi = {10.1145/2468356.2479617},+    DOI = {10.1145/2468356.2479617},
     acmid = {2479617},     acmid = {2479617},
     keywords = {communications, control, mapping, music, network},     keywords = {communications, control, mapping, music, network},
Line 2611: Line 2958:
     publisher = {},     publisher = {},
     address = {},     address = {},
-    keywords = {}}+    keywords={movement_analysis_and_synthesis}}
  
   @misc{Rasamimanana_2007_GW,   @misc{Rasamimanana_2007_GW,
Line 2844: Line 3191:
     number = {MUMT-IDMIL-09-01},     number = {MUMT-IDMIL-09-01},
     title = {Real-Time Simulation and Interaction of Percussion Gestures with Sound Synthesis},     title = {Real-Time Simulation and Interaction of Percussion Gestures with Sound Synthesis},
-    year = {2009}}+    year = {2009}, 
 +    keywords={movement_analysis_and_synthesis}}
  
   @techreport{Sinclair_2008_IDMIL,   @techreport{Sinclair_2008_IDMIL,