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======Books====== | ======Books====== | ||
+ | |||
+ | @book{Holland_2018, | ||
+ | editor = {Simon Holland and Tom Mudd and Katie Wilkie-McKenna and Andrew McPherson and Marcelo ~M. Wanderley}, | ||
+ | title = {New Directions in Music and Human-Computer Interaction}, | ||
+ | publisher = {Springer International Publishing}, | ||
+ | year = {2019}, | ||
+ | isbn = {978-3-319-92068-9}, | ||
+ | doi = {10.1007/ | ||
+ | url = {https:// | ||
@book{Wanderley_2014_CMJ, | @book{Wanderley_2014_CMJ, | ||
Line 9: | Line 18: | ||
year = {2014}, | year = {2014}, | ||
note = {guest editor}, | note = {guest editor}, | ||
- | | + | |
@book{Dias_2014_GW, | @book{Dias_2014_GW, | ||
Line 18: | Line 27: | ||
publisher = {Springer Verlag}, | publisher = {Springer Verlag}, | ||
year = {2009}, | year = {2009}, | ||
- | | + | |
@book{Miranda_2006_NDI, | @book{Miranda_2006_NDI, | ||
Line 25: | Line 34: | ||
publisher = {A-R Publications}, | publisher = {A-R Publications}, | ||
title = {New Digital Instruments: | title = {New Digital Instruments: | ||
- | | + | |
- | | + | |
year = {2006}} | year = {2006}} | ||
Line 52: | Line 61: | ||
======Book Chapters====== | ======Book Chapters====== | ||
+ | |||
+ | @incollection{Malloch_2019_Chapter, | ||
+ | author = {Joseph Malloch and J{\' | ||
+ | title = {A Design Workbench for Interactive Music Systems}, | ||
+ | editor = {Simon Holland and Tom Mudd and Katie Wilkie-McKenna and Andrew McPherson and Marcelo ~M. Wanderley}, | ||
+ | publisher = {Springer International Publishing}, | ||
+ | booktitle = {New Directions in Music and Human-Computer Interaction}, | ||
+ | pages = {}, | ||
+ | year = {2019}} | ||
+ | |||
+ | @incollection{Malloch_2016_Chapter, | ||
+ | author = {Joseph Malloch and Marcelo ~M. Wanderley}, | ||
+ | title = {Embodied Cognition and Digital Musical Instruments: | ||
+ | editor = {Micheline Lesaffre and Marc Leman and Pieter-Jan Maes}, | ||
+ | publisher = {Routledge}, | ||
+ | booktitle = {The Routledge Companion to Embodied Music Interaction}, | ||
+ | pages = {}, | ||
+ | year = {2016}} | ||
+ | |||
+ | @incollection{Birnbaum_2016_Chapter, | ||
+ | author = {David Birnbaum and Rebecca Fiebrink and Joseph Malloch and Marcelo ~M. Wanderley}, | ||
+ | title = {Towards a Dimension Space for Musical Devices}, | ||
+ | editor = {Alexander Refsum Jensenius and Michael Lyons}, | ||
+ | publisher = {Springer Verlag}, | ||
+ | booktitle = {A {NIME} Reader ? Fifteen Years of New Interfaces for Musical Expression}, | ||
+ | pages = {}, | ||
+ | year = {2016}, | ||
+ | keywords = {dimension_space}} | ||
@incollection{Wanderley_2013_Chapter, | @incollection{Wanderley_2013_Chapter, | ||
author = {Marcelo ~M. Wanderley}, | author = {Marcelo ~M. Wanderley}, | ||
title = {Mapping Strategies in Digital Musical Instruments: | title = {Mapping Strategies in Digital Musical Instruments: | ||
- | editor = {Annie Luciani and Olivier Tache and Nicholas | + | editor = {Annie Luciani and Olivier Tache and Nicholas |
publisher = {Enactive System Books}, | publisher = {Enactive System Books}, | ||
- | booktitle = {Créativité | + | booktitle = {Cr{\' |
pages = {183--190}, | pages = {183--190}, | ||
year = {2013}} | year = {2013}} | ||
Line 64: | Line 101: | ||
@incollection{Tache_2013_Chapter, | @incollection{Tache_2013_Chapter, | ||
author = {Olivier Tache and Stephen Sinclair and Jean-Loup Florens and Marcelo ~M. Wanderley}, | author = {Olivier Tache and Stephen Sinclair and Jean-Loup Florens and Marcelo ~M. Wanderley}, | ||
- | title = {Qualités | + | title = {Qualit{\' |
- | editor = {Annie Luciani and Olivier Tache and Nicholas | + | editor = {Annie Luciani and Olivier Tache and Nicholas |
publisher = {Enactive System Books}, | publisher = {Enactive System Books}, | ||
- | booktitle = {Créativité | + | booktitle = {Cr{\' |
pages = {225--242}, | pages = {225--242}, | ||
- | year = {2013}} | + | year = {2013}, |
+ | keywords = {haptics}} | ||
@incollection{Malloch_2011_Chapter, | @incollection{Malloch_2011_Chapter, | ||
Line 83: | Line 121: | ||
author = {Marcelo ~M. Wanderley}, | author = {Marcelo ~M. Wanderley}, | ||
title = {Projeto e Utilizao de Instrumentos Musicais Digitais}, | title = {Projeto e Utilizao de Instrumentos Musicais Digitais}, | ||
- | editor = {Damián | + | editor = {Dami{\' |
publisher = {ANPOM (In Portuguese)}, | publisher = {ANPOM (In Portuguese)}, | ||
- | booktitle = {Criação | + | booktitle = {Cria{\cc}{\~a}o |
year = {2010}} | year = {2010}} | ||
@incollection{Jensenius_2010_Chapter, | @incollection{Jensenius_2010_Chapter, | ||
- | author = {Alexander Refsum Jensenius and Marcelo ~M. Wanderley and Rolf Inge Godøy | + | author = {Alexander Refsum Jensenius and Marcelo ~M. Wanderley and Rolf Inge God{\o}y |
title = {Musical Gesture: Concepts and Methods in Research}, | title = {Musical Gesture: Concepts and Methods in Research}, | ||
- | editor = {Rolf Inge Godøy | + | editor = {Rolf Inge God{\o}y |
publisher = {Routledge}, | publisher = {Routledge}, | ||
address= {New York}, | address= {New York}, | ||
Line 111: | Line 149: | ||
title = {Instrumentos Musicais Digitais - Gestos, Sensores e Interfaces}, | title = {Instrumentos Musicais Digitais - Gestos, Sensores e Interfaces}, | ||
editor = {Beatriz Senoi Ilari}, | editor = {Beatriz Senoi Ilari}, | ||
- | publisher = {Editora da Universidade Federal do Paraná | + | publisher = {Editora da Universidade Federal do Paran{\' |
booktitle = {Musica, Em Busca da Mente Musical}, | booktitle = {Musica, Em Busca da Mente Musical}, | ||
year = {2006}} | year = {2006}} | ||
Line 131: | Line 169: | ||
@incollection{Wanderley_1999_Chapter, | @incollection{Wanderley_1999_Chapter, | ||
author = {Marcelo ~M. Wanderley and Philippe Depalle}, | author = {Marcelo ~M. Wanderley and Philippe Depalle}, | ||
- | title = {Contrôle Gestuel de la Synthèse | + | title = {Contrôle Gestuel de la Synth{\`e}se |
- | editor = {Hugues Vinet and François | + | editor = {Hugues Vinet and Fran{\cc}ois |
- | publisher = {Hermès | + | publisher = {Herm{\`e}s |
address = {Paris, France}, | address = {Paris, France}, | ||
booktitle = {Interfaces Homme-Machine et Creation Musicale}, | booktitle = {Interfaces Homme-Machine et Creation Musicale}, | ||
Line 139: | Line 177: | ||
======PhD Theses====== | ======PhD Theses====== | ||
+ | |||
+ | =====2017===== | ||
+ | |||
+ | @phdthesis{Hattwick_2017_phdthesis, | ||
+ | author = {Ian Hattwick}, | ||
+ | month = {November}, | ||
+ | school = {McGill University}, | ||
+ | supervisor = {Marcelo ~M. Wanderley}, | ||
+ | title = {Creating Novel Digital Interfaces for Professional Artistic Productions in Collaborative Art-Science Research Projects}, | ||
+ | defended = {November 08, 2017}, | ||
+ | year = {2017}} | ||
+ | |||
+ | @phdthesis{Santos_2017_phdhesis, | ||
+ | author = {Thais Fernandes Santos}, | ||
+ | month = {June}, | ||
+ | school = {Universidade Federal de Minas Gerais (UFMG)}, | ||
+ | supervisor = {Mauricio Alves Loureiro and Marcelo ~M. Wanderley}, | ||
+ | title = {The Relationship between Ancillary Gestures and Musical Phrase Organization: | ||
+ | defended = {June 06, 2017}, | ||
+ | year = {2017}} | ||
=====2016===== | =====2016===== | ||
Line 158: | Line 216: | ||
title = {Vibrotactile Feedback and Stimulation in Music Performance}, | title = {Vibrotactile Feedback and Stimulation in Music Performance}, | ||
defended = {March 24, 2016}, | defended = {March 24, 2016}, | ||
- | year = {2016}} | + | year = {2016}, |
+ | keywords = {haptics}} | ||
=====2015===== | =====2015===== | ||
Line 190: | Line 249: | ||
supervisor = {Marcelo ~M. Wanderley}, | supervisor = {Marcelo ~M. Wanderley}, | ||
title = {A Framework and Tools for Mapping of Digital Musical Instruments}, | title = {A Framework and Tools for Mapping of Digital Musical Instruments}, | ||
+ | defended = {November 04, 2013}, | ||
year = {2013}, | year = {2013}, | ||
keywords = {libmapper, t-stick, spine, prostheses}} | keywords = {libmapper, t-stick, spine, prostheses}} | ||
Line 202: | Line 262: | ||
supervisor = {Marcelo ~M. Wanderley and Vincent Hayward}, | supervisor = {Marcelo ~M. Wanderley and Vincent Hayward}, | ||
defended = {November 26, 2012}, | defended = {November 26, 2012}, | ||
- | year = {2012}} | + | year = {2012}, |
+ | keywords = {}} | ||
@phdthesis{Zadel_2012_phdthesis, | @phdthesis{Zadel_2012_phdthesis, | ||
Line 210: | Line 271: | ||
supervisor = {Marcelo ~M. Wanderley and Gary Scavone}, | supervisor = {Marcelo ~M. Wanderley and Gary Scavone}, | ||
title = {Graphical Performance Software in Contexts: Explorations with Different Strokes}, | title = {Graphical Performance Software in Contexts: Explorations with Different Strokes}, | ||
- | year = {2012}} | + | year = {2012}, |
+ | keywords = {different_strokes}} | ||
@phdthesis{Palacio-Quintin_2012_phdthesis, | @phdthesis{Palacio-Quintin_2012_phdthesis, | ||
- | author = {Cléo | + | author = {Cl{\' |
month = {May}, | month = {May}, | ||
department = {Music Composition}, | department = {Music Composition}, | ||
- | school = {Université | + | school = {Universit{\' |
- | supervisor = {Jean Piché | + | supervisor = {Jean Pich{\' |
- | title = {Composition d' | + | title = {Composition d' |
defended = {May 17, 2012}, | defended = {May 17, 2012}, | ||
year = {2012}, | year = {2012}, | ||
Line 237: | Line 299: | ||
@phdthesis{VanNort_2010_phdthesis, | @phdthesis{VanNort_2010_phdthesis, | ||
- | author = {Doug Van Nort}, | + | author = {Doug {Van Nort}}, |
month = {January}, | month = {January}, | ||
school = {McGill University}, | school = {McGill University}, | ||
Line 248: | Line 310: | ||
@phdthesis{Bouenard_2009_phdthesis, | @phdthesis{Bouenard_2009_phdthesis, | ||
- | author = {Alexandre | + | author = {Alexandre |
month = {December}, | month = {December}, | ||
school = {European University of Brittany}, | school = {European University of Brittany}, | ||
Line 254: | Line 316: | ||
title = {Synthesis of Music Performances: | title = {Synthesis of Music Performances: | ||
defended = {December 10, 2009}, | defended = {December 10, 2009}, | ||
- | year = {2009}} | + | year = {2009}, |
+ | keywords = {movement_analysis_and_synthesis}} | ||
@phdthesis{Marshall_2009_phdthesis, | @phdthesis{Marshall_2009_phdthesis, | ||
Line 305: | Line 368: | ||
supervisor = {Marcelo ~M. Wanderley}, | supervisor = {Marcelo ~M. Wanderley}, | ||
title = {A Flexible Tool for the Visualization of Musical Mapping Networks}, | title = {A Flexible Tool for the Visualization of Musical Mapping Networks}, | ||
- | year = {2013}} | + | year = {2013}, |
+ | keywords = {mapping_ui}} | ||
@mastersthesis{Wilansky_2013_mastersthesis, | @mastersthesis{Wilansky_2013_mastersthesis, | ||
Line 314: | Line 378: | ||
supervisor = {Marcelo ~M. Wanderley}, | supervisor = {Marcelo ~M. Wanderley}, | ||
title = {A Production Tool for Analysis of the Mapping Layer in Digital Musical Instruments}, | title = {A Production Tool for Analysis of the Mapping Layer in Digital Musical Instruments}, | ||
- | year = {2013}} | + | year = {2013}, |
+ | keywords = {mapping_ui}} | ||
@mastersthesis{Ghamsari-Esfahani_2013_mastersthesis, | @mastersthesis{Ghamsari-Esfahani_2013_mastersthesis, | ||
Line 332: | Line 397: | ||
supervisor = {Marcelo ~M. Wanderley}, | supervisor = {Marcelo ~M. Wanderley}, | ||
title = {Exploring Music Through Sound: Sonification of Emotion, Gesture, and Corpora}, | title = {Exploring Music Through Sound: Sonification of Emotion, Gesture, and Corpora}, | ||
- | year = {2013}} | + | year = {2013}, |
+ | keywords = {sonification}} | ||
=====2012===== | =====2012===== | ||
Line 354: | Line 420: | ||
supervisor = {Marcelo ~M. Wanderley}, | supervisor = {Marcelo ~M. Wanderley}, | ||
title = {A Tool for Configuring Mappings for Musical Systems using Wireless Sensor Networks}, | title = {A Tool for Configuring Mappings for Musical Systems using Wireless Sensor Networks}, | ||
- | year = {2011}} | + | year = {2011}, |
+ | keywords = {mapping_ui}} | ||
@mastersthesis{Germain_2011_mastersthesis, | @mastersthesis{Germain_2011_mastersthesis, | ||
address = {Montreal, Canada}, | address = {Montreal, Canada}, | ||
- | author = {François | + | author = {Fran{\cc}ois G. Germain}, |
month = {October}, | month = {October}, | ||
school = {McGill University}, | school = {McGill University}, | ||
Line 393: | Line 460: | ||
school = {McGill University}, | school = {McGill University}, | ||
supervisor = {Marcelo ~M. Wanderley and Vincent Verfaille}, | supervisor = {Marcelo ~M. Wanderley and Vincent Verfaille}, | ||
- | title = {When Gestures are Perceived through Sounds: A Framework for Sonification of MusiciansÕ | + | title = {When Gestures are Perceived through Sounds: A Framework for Sonification of Musicians' |
year = {2008}} | year = {2008}} | ||
Line 403: | Line 470: | ||
supervisor = {Marcelo ~M. Wanderley}, | supervisor = {Marcelo ~M. Wanderley}, | ||
title = {Design of fMRI-compatible electronic musical interfaces}, | title = {Design of fMRI-compatible electronic musical interfaces}, | ||
- | year = {2008}} | + | year = {2008}, |
+ | keywords = {fmri}} | ||
=====2007===== | =====2007===== | ||
Line 442: | Line 510: | ||
supervisor = {Marcelo ~M. Wanderley}, | supervisor = {Marcelo ~M. Wanderley}, | ||
title = {Musical Vibrotactile Feedback}, | title = {Musical Vibrotactile Feedback}, | ||
- | year = {2007}} | + | year = {2007}, |
+ | keywords = {vibrotaction}} | ||
@mastersthesis{Sinclair_2007_mastersthesis, | @mastersthesis{Sinclair_2007_mastersthesis, | ||
Line 452: | Line 521: | ||
title = {Force-Feedback Hand Controllers for Musical Interaction}, | title = {Force-Feedback Hand Controllers for Musical Interaction}, | ||
year = {2007}, | year = {2007}, | ||
- | keywords = {dimple}} | + | keywords = {dimple, force-feedback}} |
@mastersthesis{Burns_2007_mastersthesis, | @mastersthesis{Burns_2007_mastersthesis, | ||
Line 461: | Line 530: | ||
supervisor = {Marcelo ~M. Wanderley}, | supervisor = {Marcelo ~M. Wanderley}, | ||
title = {Computer Vision Methods for Guitarist Left-Hand Fingering Recognition}, | title = {Computer Vision Methods for Guitarist Left-Hand Fingering Recognition}, | ||
- | year = {2007}} | + | year = {2007}, |
+ | keywords = {computer_vision, | ||
=====2006===== | =====2006===== | ||
Line 473: | Line 543: | ||
title = {A Software System for Laptop Performance and Improvisation}, | title = {A Software System for Laptop Performance and Improvisation}, | ||
year = {2006}, | year = {2006}, | ||
- | keywords={different strokes}} | + | keywords={different_strokes}} |
@mastersthesis{Sinyor_2006_mastersthesis, | @mastersthesis{Sinyor_2006_mastersthesis, | ||
Line 494: | Line 564: | ||
supervisor = {Marcelo ~M. Wanderley}, | supervisor = {Marcelo ~M. Wanderley}, | ||
title = {Conducting Gesture Recognition, | title = {Conducting Gesture Recognition, | ||
- | year = {2004}} | + | year = {2004}, |
+ | keywords = {conducting, | ||
======Journal Articles====== | ======Journal Articles====== | ||
+ | |||
+ | =====2019===== | ||
+ | |||
+ | @article{Massie-Laberge_2019_FIP, | ||
+ | author = {Catherine Massie-Laberge and Isabelle Cossette and Marcelo ~M. Wanderley}, | ||
+ | journal = {Frontiers in Psychology}, | ||
+ | title = {Kinematic Analysis of Pianists’ Expressive Performances of Romantic Excerpts: Applications for Enhanced Pedagogical Approaches}, | ||
+ | DOI = {10.3389/ | ||
+ | publisher = {}, | ||
+ | volume = {}, | ||
+ | number = {}, | ||
+ | month = {January}, | ||
+ | year = {2019}, | ||
+ | pages = {}, | ||
+ | keywords = {journal}, | ||
+ | notes = {}} | ||
+ | |||
+ | =====2018===== | ||
+ | |||
+ | @article{Caramiaux_2018_PLOSONE, | ||
+ | author = {Baptiste Caramiaux and Frederic Bevilacqua and Marcelo ~M. Wanderley and Caroline Palmer}, | ||
+ | journal = {PLOS ONE}, | ||
+ | title = {Dissociable Effects of Practice Variability on Learning Motor and Timing Skills}, | ||
+ | DOI = {}, | ||
+ | publisher = {}, | ||
+ | volume = {}, | ||
+ | number = {}, | ||
+ | month = {}, | ||
+ | year = {2018}, | ||
+ | pages = {}, | ||
+ | keywords = {journal}, | ||
+ | notes = {}} | ||
+ | |||
+ | @article{Malloch_2018_Multimedia, | ||
+ | author = {Joseph Malloch and Stephen Sinclair and Marcelo ~M. Wanderley}, | ||
+ | journal = {IEEE Multimedia}, | ||
+ | title = {Generalized Multi-Instance Control Mapping for Interactive Media Systems}, | ||
+ | DOI = {}, | ||
+ | publisher = {IEEE}, | ||
+ | volume = {25}, | ||
+ | number = {1}, | ||
+ | month = {January-March}, | ||
+ | year = {2018}, | ||
+ | pages = {}, | ||
+ | keywords = {journal, libmapper}, | ||
+ | notes = {}} | ||
+ | |||
+ | =====2017===== | ||
+ | |||
+ | @article{Demos_2017_FIP, | ||
+ | author = {Alexander ~P. Demos and Daniel ~J. Carter and Marcelo ~M. Wanderley and Caroline Palmer}, | ||
+ | journal = {Frontiers in Psychology}, | ||
+ | title = {The unresponsive partner: Roles of social status, auditory feedback, and animacy in coordination of joint music performance}, | ||
+ | DOI = {10.3389/ | ||
+ | publisher = {}, | ||
+ | volume = {}, | ||
+ | number = {}, | ||
+ | month = {February}, | ||
+ | year = {2017}, | ||
+ | pages = {}, | ||
+ | keywords = {journal}, | ||
+ | notes = {}} | ||
+ | |||
+ | @article{Maestre_2017_Multimedia, | ||
+ | author = {Esteban Maestre and Panos Papiotis and Marco Marchini and Quim Llimona and Oscar Mayor and Alfonso Perez and Marcelo ~M. Wanderley}, | ||
+ | journal = {IEEE Multimedia}, | ||
+ | title = {Online Access and Visualization of Enriched Multimodal Representations of Music Performance Recordings: the Quartet Dataset and the Repovizz System}, | ||
+ | DOI = {10.1109/ | ||
+ | publisher = {IEEE}, | ||
+ | volume = {}, | ||
+ | number = {}, | ||
+ | month = {January-March}, | ||
+ | year = {2017}, | ||
+ | pages = {24--34}, | ||
+ | keywords = {journal}, | ||
+ | notes = {}} | ||
+ | |||
+ | @article{Calegario_2017_Multimedia, | ||
+ | author = {Filipe Calegario and Marcelo ~M. Wanderley and St{\' | ||
+ | journal = {IEEE Multimedia}, | ||
+ | title = {Method and Toolkit for Generating Ideas and Prototyping Digital Musical Instruments}, | ||
+ | DOI = {10.1109/ | ||
+ | publisher = {IEEE}, | ||
+ | volume = {}, | ||
+ | number = {}, | ||
+ | month = {January-March}, | ||
+ | year = {2017}, | ||
+ | pages = {63--71}, | ||
+ | keywords = {journal}, | ||
+ | notes = {}} | ||
+ | |||
+ | =====2016===== | ||
+ | |||
+ | @article{Schumacher_2016_JNMR, | ||
+ | author = {Marlon Schumacher and Marcelo ~M. Wanderley}, | ||
+ | journal = {Journal of New Music Research}, | ||
+ | title = {Integrating Gesture Data in Computer-Aided Composition: | ||
+ | DOI = {10.1080/ | ||
+ | publisher = {Taylor \& Francis}, | ||
+ | volume = {}, | ||
+ | number = {}, | ||
+ | month = {}, | ||
+ | year = {2016}, | ||
+ | pages = {}, | ||
+ | keywords = {journal}, | ||
+ | notes = {}} | ||
=====2015===== | =====2015===== | ||
Line 504: | Line 681: | ||
journal = {IEEE Sensors Journal}, | journal = {IEEE Sensors Journal}, | ||
title = {The Design, Implementation, | title = {The Design, Implementation, | ||
- | | + | |
iSSN = {1530-437X}, | iSSN = {1530-437X}, | ||
publisher = {IEEE}, | publisher = {IEEE}, | ||
Line 518: | Line 695: | ||
journal = {IEEE Transactions on Audio, Speech and Language Processing}, | journal = {IEEE Transactions on Audio, Speech and Language Processing}, | ||
title = {Indirect Acquisition of Violin Instrumental Controls from Audio Signal with Hidden Markov Models}, | title = {Indirect Acquisition of Violin Instrumental Controls from Audio Signal with Hidden Markov Models}, | ||
- | | + | |
publisher = {IEEE}, | publisher = {IEEE}, | ||
volume = {23}, | volume = {23}, | ||
Line 524: | Line 701: | ||
month = {April}, | month = {April}, | ||
year = {2015}, | year = {2015}, | ||
- | keywords = {journal}} | + | keywords = {journal, indirect_acquisition, |
@article{Maes_2015_EBR, | @article{Maes_2015_EBR, | ||
Line 530: | Line 707: | ||
journal = {Experimental Brain Research}, | journal = {Experimental Brain Research}, | ||
title = {The Role of Working Memory in the Temporal Control of Discrete and Continuous Movements}, | title = {The Role of Working Memory in the Temporal Control of Discrete and Continuous Movements}, | ||
- | | + | |
publisher = {Springer Berlin Heidelberg}, | publisher = {Springer Berlin Heidelberg}, | ||
volume = {233}, | volume = {233}, | ||
Line 543: | Line 720: | ||
journal = Multimedia Tools and Applications, | journal = Multimedia Tools and Applications, | ||
title = {Distributed Tools for Interactive Design of Heterogeneous Signal Networks}, | title = {Distributed Tools for Interactive Design of Heterogeneous Signal Networks}, | ||
- | | + | |
issn={1380-7501}, | issn={1380-7501}, | ||
publisher = {Springer US}, | publisher = {Springer US}, | ||
Line 560: | Line 737: | ||
journal = {Quarterly Journal of Experimental Psychology}, | journal = {Quarterly Journal of Experimental Psychology}, | ||
title = {Common Cues to Emotion in the Dynamic Facial Expressions of Speech and Song}, | title = {Common Cues to Emotion in the Dynamic Facial Expressions of Speech and Song}, | ||
- | | + | |
publisher = {Taylor \& Francis}, | publisher = {Taylor \& Francis}, | ||
volume={68}, | volume={68}, | ||
Line 574: | Line 751: | ||
journal = {IEEE Transactions on Haptics}, | journal = {IEEE Transactions on Haptics}, | ||
title = {Velocity estimation algorithms for audio-haptic simulations involving stick-slip}, | title = {Velocity estimation algorithms for audio-haptic simulations involving stick-slip}, | ||
- | | + | |
publisher = {IEEE}, | publisher = {IEEE}, | ||
volume={7}, | volume={7}, | ||
Line 582: | Line 759: | ||
pages={533--544}, | pages={533--544}, | ||
uRL = {http:// | uRL = {http:// | ||
- | keywords = {journal}} | + | keywords = {journal, velocity_estimation}} |
@article{VanNort_2014_CMJ, | @article{VanNort_2014_CMJ, | ||
- | author = {Doug Van Nort and Marcelo ~M. Wanderley and Philippe Depalle}, | + | author = {Doug {Van Nort} and Marcelo ~M. Wanderley and Philippe Depalle}, |
journal = {Computer Music Journal}, | journal = {Computer Music Journal}, | ||
title = {Mapping Control Structures to Sound Synthesis: Functional and Topological Perspectives}, | title = {Mapping Control Structures to Sound Synthesis: Functional and Topological Perspectives}, | ||
- | | + | |
publisher = {MIT Press}, | publisher = {MIT Press}, | ||
volume={38}, | volume={38}, | ||
Line 602: | Line 779: | ||
journal = {Sensors Journal}, | journal = {Sensors Journal}, | ||
title = {A Comprehensive Review of Sensors and Instrumentation Methods Used in Musical Expression}, | title = {A Comprehensive Review of Sensors and Instrumentation Methods Used in Musical Expression}, | ||
- | | + | |
publisher = {MDPI}, | publisher = {MDPI}, | ||
volume={14}, | volume={14}, | ||
Line 616: | Line 793: | ||
journal = {Journal of New Music Research}, | journal = {Journal of New Music Research}, | ||
title = {Motion Analysis of Clarinet Performers}, | title = {Motion Analysis of Clarinet Performers}, | ||
- | | + | |
publisher = {Taylor \& Francis}, | publisher = {Taylor \& Francis}, | ||
volume={44}, | volume={44}, | ||
Line 630: | Line 807: | ||
journal = {IEEE Sensors Journal}, | journal = {IEEE Sensors Journal}, | ||
title = {Multiple-model Linear Kalman Filter Framework for Unpredictable Signals}, | title = {Multiple-model Linear Kalman Filter Framework for Unpredictable Signals}, | ||
- | | + | |
publisher = {IEEE}, | publisher = {IEEE}, | ||
volume={14}, | volume={14}, | ||
Line 644: | Line 821: | ||
journal = {Organised Sound}, | journal = {Organised Sound}, | ||
title = {Sonification of Emotion: Strategies and Results from the Intersection with Music}, | title = {Sonification of Emotion: Strategies and Results from the Intersection with Music}, | ||
- | | + | |
publisher = {Cambridge University Press}, | publisher = {Cambridge University Press}, | ||
volume={19}, | volume={19}, | ||
Line 658: | Line 835: | ||
journal = {Expert Systems with Applications}, | journal = {Expert Systems with Applications}, | ||
title = {Automatic Detection of Musicians' | title = {Automatic Detection of Musicians' | ||
- | | + | |
publisher = {Elsevier}, | publisher = {Elsevier}, | ||
volume={41}, | volume={41}, | ||
Line 672: | Line 849: | ||
journal = {Computer Music Journal}, | journal = {Computer Music Journal}, | ||
title = {In-House Development of Paper Force Sensors for Musical Applications}, | title = {In-House Development of Paper Force Sensors for Musical Applications}, | ||
- | | + | |
publisher = {MIT Press}, | publisher = {MIT Press}, | ||
volume={38}, | volume={38}, | ||
Line 686: | Line 863: | ||
journal = {Frontiers in Psychology}, | journal = {Frontiers in Psychology}, | ||
title = {Action-based Effect on Music Perception}, | title = {Action-based Effect on Music Perception}, | ||
- | | + | |
iSSN={1664-1078}, | iSSN={1664-1078}, | ||
publisher = {Frontiers Media S.A.}, | publisher = {Frontiers Media S.A.}, | ||
Line 703: | Line 880: | ||
journal = {Acta Acustica united with Acustica}, | journal = {Acta Acustica united with Acustica}, | ||
title = {Gestural strategies in the harp performance}, | title = {Gestural strategies in the harp performance}, | ||
- | | + | |
publisher = {S. Hirzel Verlag}, | publisher = {S. Hirzel Verlag}, | ||
volume={99}, | volume={99}, | ||
Line 717: | Line 894: | ||
journal = {Computer Music Journal}, | journal = {Computer Music Journal}, | ||
title = {Trumpet Augmentation and Technological Symbiosis}, | title = {Trumpet Augmentation and Technological Symbiosis}, | ||
- | | + | |
iSSN = {0148-9267}, | iSSN = {0148-9267}, | ||
publisher = {MIT Press}, | publisher = {MIT Press}, | ||
Line 732: | Line 909: | ||
journal = {Journal of Cognitive Neuroscience}, | journal = {Journal of Cognitive Neuroscience}, | ||
title = {Repetition Suppression in Auditory-Motor Regions to Pitch and Temporal Structure in Music}, | title = {Repetition Suppression in Auditory-Motor Regions to Pitch and Temporal Structure in Music}, | ||
- | | + | |
publisher = {MIT Press}, | publisher = {MIT Press}, | ||
volume={25}, | volume={25}, | ||
Line 746: | Line 923: | ||
journal = {The International Journal of Multimedia \& Its Applications (IJMA)}, | journal = {The International Journal of Multimedia \& Its Applications (IJMA)}, | ||
title = {A Sonification Tool for the Analysis of Large Databases of Expressive Gesture}, | title = {A Sonification Tool for the Analysis of Large Databases of Expressive Gesture}, | ||
- | | + | |
publisher = {AIRCC Publishing Corporation}, | publisher = {AIRCC Publishing Corporation}, | ||
volume={4}, | volume={4}, | ||
Line 756: | Line 933: | ||
@article{Bouenard_2012_VCJ, | @article{Bouenard_2012_VCJ, | ||
- | author = {Alexandre | + | author = {Alexandre |
journal = {The Visual Computer Journal}, | journal = {The Visual Computer Journal}, | ||
title = {Hybrid Inverse Motion Control for Virtual Characters Interacting with Sound Synthesis - Application to Percussion Motion}, | title = {Hybrid Inverse Motion Control for Virtual Characters Interacting with Sound Synthesis - Application to Percussion Motion}, | ||
- | | + | |
publisher = {Springer}, | publisher = {Springer}, | ||
volume={28}, | volume={28}, | ||
Line 767: | Line 944: | ||
pages={357--370}, | pages={357--370}, | ||
uRL = {http:// | uRL = {http:// | ||
- | keywords = {journal}} | + | keywords = {journal, movement_analysis_and_synthesis}} |
@article{Caramiaux_2012_JNMR, | @article{Caramiaux_2012_JNMR, | ||
- | author = {Baptiste Caramiaux and Marcelo ~M. Wanderley and Frédéric | + | author = {Baptiste Caramiaux and Marcelo ~M. Wanderley and Fr{\' |
journal = {Journal of New Music Research}, | journal = {Journal of New Music Research}, | ||
title = {Segmenting and Parsing Instrumentalist' | title = {Segmenting and Parsing Instrumentalist' | ||
- | | + | |
publisher = {Routledge}, | publisher = {Routledge}, | ||
volume={41}, | volume={41}, | ||
Line 785: | Line 962: | ||
@article{Bouenard_2011_CMJ, | @article{Bouenard_2011_CMJ, | ||
- | author = {Alexandre | + | author = {Alexandre |
journal = {Computer Music Journal}, | journal = {Computer Music Journal}, | ||
title = {Virtual Gesture Control and Synthesis of Music Performances: | title = {Virtual Gesture Control and Synthesis of Music Performances: | ||
- | | + | |
publisher = {MIT Press}, | publisher = {MIT Press}, | ||
volume={35}, | volume={35}, | ||
Line 796: | Line 973: | ||
pages={57--72}, | pages={57--72}, | ||
uRL = {http:// | uRL = {http:// | ||
- | keywords = {journal}} | + | keywords = {journal, movement_analysis_and_synthesis}} |
@article{Vines_2011_Cognition, | @article{Vines_2011_Cognition, | ||
Line 802: | Line 979: | ||
journal = {Cognition}, | journal = {Cognition}, | ||
title = {Music to my eyes: Cross-modal interactions in the perception of emotions in musical performance}, | title = {Music to my eyes: Cross-modal interactions in the perception of emotions in musical performance}, | ||
- | | + | |
publisher = {Elsevier}, | publisher = {Elsevier}, | ||
volume={118}, | volume={118}, | ||
Line 817: | Line 994: | ||
journal = {Organised Sound}, | journal = {Organised Sound}, | ||
title = {Spatial Sound Synthesis in Computer-Aided Composition}, | title = {Spatial Sound Synthesis in Computer-Aided Composition}, | ||
- | | + | |
publisher = {Cambridge University Press}, | publisher = {Cambridge University Press}, | ||
volume={15}, | volume={15}, | ||
Line 839: | Line 1016: | ||
@article{Bouenard_2010_AA, | @article{Bouenard_2010_AA, | ||
- | author = {Alexandre | + | author = {Alexandre |
journal = {Acta Acustica united with Acustica, Special issue on Natural and Virtual Instruments: | journal = {Acta Acustica united with Acustica, Special issue on Natural and Virtual Instruments: | ||
title = {Gesture Control of Sound Synthesis: Analysis and Classification of Percussion Gestures}, | title = {Gesture Control of Sound Synthesis: Analysis and Classification of Percussion Gestures}, | ||
- | | + | |
publisher = {S. Hirzel Verlag}, | publisher = {S. Hirzel Verlag}, | ||
volume={96}, | volume={96}, | ||
Line 849: | Line 1026: | ||
pages={668--677}, | pages={668--677}, | ||
uRL = {http:// | uRL = {http:// | ||
- | keywords = {journal}} | + | keywords = {journal, movement_analysis_and_synthesis}} |
@article{Verfaille_2010_JASA, | @article{Verfaille_2010_JASA, | ||
Line 855: | Line 1032: | ||
journal = {Journal of the Acoustical Society of America}, | journal = {Journal of the Acoustical Society of America}, | ||
title = {Detecting Overblown Flute Fingerings from the Residual Noise Spectrum}, | title = {Detecting Overblown Flute Fingerings from the Residual Noise Spectrum}, | ||
- | | + | |
publisher = {Acoustical Society of America}, | publisher = {Acoustical Society of America}, | ||
volume={127}, | volume={127}, | ||
Line 870: | Line 1047: | ||
title = {Sensor Choice for Parameter Modulations in Digital Musical Instruments: | title = {Sensor Choice for Parameter Modulations in Digital Musical Instruments: | ||
journal = {Journal of New Music Research}, | journal = {Journal of New Music Research}, | ||
- | | + | |
volume = {38}, | volume = {38}, | ||
number = {3}, | number = {3}, | ||
Line 883: | Line 1060: | ||
title = {Music and Motion -- How Music-related Ancillary Body Movements Contribute to the Experience of Music}, | title = {Music and Motion -- How Music-related Ancillary Body Movements Contribute to the Experience of Music}, | ||
journal = {Music Perception: An Interdisciplinary Journal}, | journal = {Music Perception: An Interdisciplinary Journal}, | ||
- | | + | |
volume = {26}, | volume = {26}, | ||
number = {4}, | number = {4}, | ||
Line 903: | Line 1080: | ||
publisher = {Elsevier Science Inc.}, | publisher = {Elsevier Science Inc.}, | ||
address = {New York, NY, USA}, | address = {New York, NY, USA}, | ||
- | keywords = {journal, dimple}} | + | keywords = {journal}} |
=====2008===== | =====2008===== | ||
Line 911: | Line 1088: | ||
title = {Refining mapping strategies to improve the sound quality of physically controlled synthesis}, | title = {Refining mapping strategies to improve the sound quality of physically controlled synthesis}, | ||
journal = {Journal of the Acoustical Society of America}, | journal = {Journal of the Acoustical Society of America}, | ||
- | | + | |
volume = {123}, | volume = {123}, | ||
number = {5}, | number = {5}, | ||
Line 924: | Line 1101: | ||
title = {Indirect acquisition of flutist gestures: a case study of harmonic note fingerings}, | title = {Indirect acquisition of flutist gestures: a case study of harmonic note fingerings}, | ||
journal = {Journal of the Acoustical Society of America}, | journal = {Journal of the Acoustical Society of America}, | ||
- | | + | |
volume = {123}, | volume = {123}, | ||
number = {5}, | number = {5}, | ||
Line 939: | Line 1116: | ||
title = {Mapping strategies for sound synthesis, digital audio effects, and sonification of performer gestures}, | title = {Mapping strategies for sound synthesis, digital audio effects, and sonification of performer gestures}, | ||
journal = {Journal of the Acoustical Society of America}, | journal = {Journal of the Acoustical Society of America}, | ||
- | | + | |
volume = {119}, | volume = {119}, | ||
number = {5}, | number = {5}, | ||
Line 951: | Line 1128: | ||
title = {Mapping Strategies for Gestural and Adaptive Control of Digital Audio Effects}, | title = {Mapping Strategies for Gestural and Adaptive Control of Digital Audio Effects}, | ||
journal = {Journal of New Music Research}, | journal = {Journal of New Music Research}, | ||
- | | + | |
volume = {35}, | volume = {35}, | ||
number = {1}, | number = {1}, | ||
Line 974: | Line 1151: | ||
@article{VanNort_2006_OS, | @article{VanNort_2006_OS, | ||
- | author = {Doug Van Nort}, | + | author = {Doug {Van Nort}}, |
title = {Noise/ | title = {Noise/ | ||
journal = {Organised Sound}, | journal = {Organised Sound}, | ||
- | | + | |
volume = {11}, | volume = {11}, | ||
number = {2}, | number = {2}, | ||
Line 993: | Line 1170: | ||
title = {The Musical Significance of Clarinetists' | title = {The Musical Significance of Clarinetists' | ||
journal = {Journal of New Music Research}, | journal = {Journal of New Music Research}, | ||
- | | + | |
volume = {34}, | volume = {34}, | ||
number = {1}, | number = {1}, | ||
Line 1029: | Line 1206: | ||
volume = {32}, | volume = {32}, | ||
year = {2003}, | year = {2003}, | ||
- | | + | |
uRL = {http:// | uRL = {http:// | ||
keywords = {journal}} | keywords = {journal}} | ||
Line 1056: | Line 1233: | ||
month = {August}, | month = {August}, | ||
year = {2002}, | year = {2002}, | ||
- | | + | |
uRL = {http:// | uRL = {http:// | ||
keywords = {journal}} | keywords = {journal}} | ||
Line 1063: | Line 1240: | ||
@article{Wanderley_1997_Resonance, | @article{Wanderley_1997_Resonance, | ||
- | author = {Philippe Depalle and Stéphan | + | author = {Philippe Depalle and St{\' |
journal = {Resonance}, | journal = {Resonance}, | ||
month = {Sept}, | month = {Sept}, | ||
Line 1079: | Line 1256: | ||
number = {69}, | number = {69}, | ||
pages = {29--34}, | pages = {29--34}, | ||
- | title = {Étude expérimentale | + | title = {{\' |
year = {2012}, | year = {2012}, | ||
address = {France}, | address = {France}, | ||
Line 1085: | Line 1262: | ||
======Conference Papers====== | ======Conference Papers====== | ||
+ | |||
+ | =====2019===== | ||
+ | |||
+ | @inproceedings{Bukkapatnam_2019_MOCO, | ||
+ | author = {Aditya Tirumala Bukkapatnam and Philippe Depalle and Marcelo ~M. Wanderley}, | ||
+ | title = {Autoregressive Parameter Estimation for Equalizing Vibrotactile Systems}, | ||
+ | booktitle = {Proceedings of the International Workshop on Haptic and Audio Interaction Design}, | ||
+ | year = {2019}, | ||
+ | location = {Lille, France}, | ||
+ | pages = {}, | ||
+ | keywords = {}} | ||
+ | |||
+ | @inproceedings{Meneses_2019_NIME, | ||
+ | author = {Eduardo ~A. ~L. Meneses and Johnty Wang and Sergio Freire and Marcelo ~M. Wanderley}, | ||
+ | title = {A Comparison of Open-Source Linux Frameworks for an Augmented Musical Instrument Implementation}, | ||
+ | booktitle = {Proceedings of the International Conference on New Interfaces for Musical Expression}, | ||
+ | year = {2019}, | ||
+ | location = {Porto Alegre, Brazil}, | ||
+ | pages = {}, | ||
+ | keywords = {}} | ||
+ | |||
+ | @inproceedings{Wang_2019_NIME, | ||
+ | author = {Johnty Wang and Axel Mulder and Marcelo ~M. Wanderley}, | ||
+ | title = {Practical Considerations for MIDI over Bluetooth Low Energy as a Wireless Interface}, | ||
+ | booktitle = {Proceedings of the International Conference on New Interfaces for Musical Expression}, | ||
+ | year = {2019}, | ||
+ | location = {Porto Alegre, Brazil}, | ||
+ | pages = {}, | ||
+ | keywords = {}} | ||
+ | |||
+ | =====2018===== | ||
+ | |||
+ | @inproceedings{Massie-Laberge_2018_MOCO, | ||
+ | author = {Catherine Massie-Laberge and Isabelle Cossette and Marcelo ~M. Wanderley}, | ||
+ | title = {Kinetic Analysis of Hip Motion During Piano Playing}, | ||
+ | booktitle = {Proceedings of the 5th International Conference on Movement Computing (MOCO' | ||
+ | year = {2018}, | ||
+ | location = {Genoa, Italy}, | ||
+ | pages = {}, | ||
+ | keywords = {}} | ||
+ | |||
+ | @inproceedings{Meneses_2018_NIME, | ||
+ | author = {Eduardo ~A. ~L. Meneses and Sergio Freire and Marcelo ~M. Wanderley}, | ||
+ | title = {GuitarAMI and GuiaRT: two independent yet complementary Augmented Nylon Guitar projects}, | ||
+ | booktitle = {Proceedings of the 2018 International Conference on New Interfaces for Musical Expression}, | ||
+ | year = {2018}, | ||
+ | location = {Blacksburg, | ||
+ | pages = {}, | ||
+ | keywords = {}} | ||
+ | |||
+ | @inproceedings{Nieva_2018_NIME, | ||
+ | author = {Alex Nieva and Johnty Wang and Joseph Malloch and Marcelo ~M. Wanderley}, | ||
+ | title = {The T-Stick: Maintaining a 12 year-old digital musical instrument}, | ||
+ | booktitle = {Proceedings of the 2018 International Conference on New Interfaces for Musical Expression}, | ||
+ | year = {2018}, | ||
+ | location = {Blacksburg, | ||
+ | pages = {}, | ||
+ | keywords = {tstick}} | ||
+ | |||
+ | @inproceedings{Sullivan_2018_MOCO_a, | ||
+ | author = {John Sullivan and Alexandra Tibbitts and Brice Gatinet and Marcelo ~M. Wanderley}, | ||
+ | title = {Gestural Control of Augmented Instrumental Performance: | ||
+ | booktitle = {Proceedings of 5th International Conference on Movement Computing (MOCO' | ||
+ | year = {2018}, | ||
+ | location = {Genoa, Italy}, | ||
+ | pages = {}, | ||
+ | keywords = {}} | ||
+ | |||
+ | @inproceedings{Sullivan_2018_MOCO_b, | ||
+ | author = {John Sullivan and Marcelo ~M. Wanderley}, | ||
+ | title = {Stability, Reliability, | ||
+ | booktitle = {Proceedings of the Sound and Music Computing Conference (SMC)}, | ||
+ | year = {2018}, | ||
+ | location = {Limassol, Cyprus}, | ||
+ | pages = {}, | ||
+ | keywords = {}} | ||
+ | |||
+ | =====2017===== | ||
+ | |||
+ | @inproceedings{Barbosa_2017_NIME, | ||
+ | author = {Jeronimo Barbosa and Marcelo M. Wanderley and St{' | ||
+ | title = {Exploring Playfulness in NIME Design: The Case of Live Looping Tools}, | ||
+ | booktitle = {Proceedings of the 2017 International Conference on New Interfaces for Musical Expression}, | ||
+ | year = {2017}, | ||
+ | location = {Copenhagen, | ||
+ | pages = {}, | ||
+ | keywords = {}} | ||
+ | |||
+ | @inproceedings{Caramiaux_2017_ICMC, | ||
+ | author = {Baptiste Caramiaux and Fr{\' | ||
+ | title = {Individuality in Piano Performance Depends on Skill Learning}, | ||
+ | booktitle = {Proceedings of the 4th International Conference of Movement Computing}, | ||
+ | year = {2017}, | ||
+ | location = {London, UK}, | ||
+ | pages = {}, | ||
+ | keywords = {}} | ||
+ | |||
+ | @inproceedings{Ignoto_2017_AHFE, | ||
+ | author = {Patrick Ignoto and Ian Hattwick and Marcelo M. Wanderley}, | ||
+ | title = {Development of a Vibrotactile Metronome to Assist in Conducting Contemporary Classical Music}, | ||
+ | booktitle = {Proceedings of the 8th International Conference on Applied Human Factors and Ergonomics (AHFE)}, | ||
+ | year = {2017}, | ||
+ | location = {Los Angeles, USA}, | ||
+ | pages = {}, | ||
+ | keywords = {}} | ||
+ | |||
+ | @inproceedings{Hattwick_2017_HCIIC, | ||
+ | author = {Ian Hattwick and Ivan Franco and Marcelo ~M. Wanderley}, | ||
+ | title = {The Vibropixels: | ||
+ | booktitle = {Proceedings of the Human-Computer Interaction International Conference}, | ||
+ | year = {2017}, | ||
+ | location = {Vancouver, Canada}, | ||
+ | pages = {}, | ||
+ | keywords = {}} | ||
+ | |||
+ | @inproceedings{Hattwick_2017_NIME, | ||
+ | author = {Ian Hattwick and Marcelo ~M. Wanderley}, | ||
+ | title = {The Design Process for Creating Hardware Systems in Collaborative Artistic Projects}, | ||
+ | booktitle = {Proceedings of the 2017 International Conference on New Interfaces for Musical Expression}, | ||
+ | year = {2017}, | ||
+ | location = {Copenhagen, | ||
+ | pages = {}, | ||
+ | keywords = {}} | ||
+ | |||
+ | @inproceedings{Meneses_2017_BSCM, | ||
+ | author = {Eduardo ~A. ~L. Meneses and Marcelo ~M. Wanderley}, | ||
+ | title = {New developments on the augmentation of a classical guitar: Addition of embedded sound synthesis and OSC communication over network}, | ||
+ | booktitle = {Proceedings of the 16th Brazilian Symposium on Computer Music}, | ||
+ | year = {2017}, | ||
+ | location = {S{\~a}o Paulo, Brazil}, | ||
+ | pages = {}, | ||
+ | keywords = {}} | ||
+ | |||
+ | @inproceedings{Wang_2017_SMC_a, | ||
+ | author = {Johnty Wang and Joseph Malloch and St{\' | ||
+ | title = {Versioning and Annotation Support for Collaborative Mapping Design}, | ||
+ | booktitle = {Proceedings of the 14th Sound and Music Computing Conference (SMC)}, | ||
+ | year = {2017}, | ||
+ | location = {Espoo, Finland}, | ||
+ | pages = {}, | ||
+ | keywords = {libmapper}} | ||
+ | |||
+ | @inproceedings{Wang_2017_SMC_b, | ||
+ | author = {Johnty Wang and Bob Pritchard and Bryn Nixon and Marcelo ~M. Wanderley}, | ||
+ | title = {Explorations with Digital Control of MIDI-enabled Pipe Organs}, | ||
+ | booktitle = {Proceedings of the 14th Sound and Music Computing Conference}, | ||
+ | year = {2017}, | ||
+ | location = {Espoo, Finland}, | ||
+ | pages = {}, | ||
+ | keywords = {}} | ||
+ | |||
+ | =====2016===== | ||
+ | |||
+ | @inproceedings{Bhagwati_2016_TENOR, | ||
+ | address = {Cambridge, UK}, | ||
+ | author = { Sandeep Bhagwati and Marcello Giordano and Joanna Berzowska and Alex Bachmayr and Julian Stein and Joseph Browne and Felix Del Tredici and Deborah Egloff and John Sullivan and Marcelo Wanderley and Isabelle Cossette }, | ||
+ | title = {Musicking the Body Electric. The " | ||
+ | booktitle = {Proceedings of the International Conference on Technologies for Music Notation and Representation -- TENOR' | ||
+ | pages = {121--126}, | ||
+ | year = {2016}, | ||
+ | editor = {Richard Hoadley and Chris Nash and Dominique Fober}, | ||
+ | publisher = {Anglia Ruskin University}, | ||
+ | ISBN = {978-0-9931461-1-4}} | ||
+ | |||
+ | @inproceedings{Chen_2016_MOCO, | ||
+ | author = {Lei Chen, Sylvie Gibet and Pierre-Fran{\cc}ois Marteau and Fabrice Marandola and Marcelo ~M. Wanderley}, | ||
+ | title = {Quantitative Evaluation of Percussive Gestures by Ranking Trainees versus Teacher}, | ||
+ | booktitle = {Proceedings of the International Symposium on Movement and Computing (MOCO2016)}, | ||
+ | year = {2016}, | ||
+ | location = {Thessaloniki, | ||
+ | pages = {}, | ||
+ | keywords = {}} | ||
+ | |||
+ | @inproceedings{Wanderley_2016_CHI, | ||
+ | author = {Marcelo ~M. Wanderley and Joseph Malloch and J{\' | ||
+ | title = {Human Computer Interaction meets Computer Music: The MIDWAY Project}, | ||
+ | booktitle = {The Music and HCI Workshop, CHI 2016}, | ||
+ | year = {2016}, | ||
+ | location = {San Jos{\' | ||
+ | pages = {}, | ||
+ | keywords = {midway}} | ||
+ | |||
+ | @inproceedings{Franco_2016_CMMR, | ||
+ | author = {Ivan Franco and Marcelo ~M. Wanderley}, | ||
+ | title = {The Mitt: Case Study in the Design of a Self-contained Digital Music Instrument}, | ||
+ | booktitle = {Proceedings of the 12th International Symposium on Computer Music Multidisciplinary Research (CMMR)}, | ||
+ | year = {2016}, | ||
+ | location = {S{\~a}o Paulo, Brazil}, | ||
+ | pages = {}, | ||
+ | keywords = {mitt, prynth}} | ||
+ | |||
+ | @inproceedings{Massie-Laberge_2016_ICMPC_a, | ||
+ | author = {Catherine Massie-Laberge and Isabelle Cossette and Marcelo ~M. Wanderley}, | ||
+ | title = {Hearing the Gesture: Perception of Body Actions in Romantic Piano Performances}, | ||
+ | booktitle = {Proceedings of ICMPC 2016 International Conference for Music Perception and Cognition (ICMPC)}, | ||
+ | year = {2016}, | ||
+ | location = {San Francisco, USA}, | ||
+ | pages = {}, | ||
+ | keywords = {}} | ||
+ | |||
+ | @inproceedings{Massie-Laberge_2016_ICMPC_b, | ||
+ | author = {Catherine Massie-Laberge and Isabelle Cossette and Marcelo ~M. Wanderley}, | ||
+ | title = {Motion Kinematics and Auditors’ Perception of Expressive Gesture in Romantic Piano Performances}, | ||
+ | booktitle = {Proceedings of ICMPC 2016 International Conference for Music Perception and Cognition (ICMPC)}, | ||
+ | year = {2016}, | ||
+ | location = {San Francisco, USA}, | ||
+ | pages = {}, | ||
+ | keywords = {}} | ||
=====2015===== | =====2015===== | ||
Line 1097: | Line 1482: | ||
@inproceedings{Barbosa_2015_NIME_a, | @inproceedings{Barbosa_2015_NIME_a, | ||
- | author = {Jeronimo Barbosa and Joseph Malloch and Stéphane | + | author = {Jeronimo Barbosa and Joseph Malloch and St{\' |
title = {What does ' | title = {What does ' | ||
booktitle = {Proceedings of the International Conference on New Interfaces for Musical Expression}, | booktitle = {Proceedings of the International Conference on New Interfaces for Musical Expression}, | ||
Line 1127: | Line 1512: | ||
year = {2015}, | year = {2015}, | ||
location = {Baton Rouge, USA}, | location = {Baton Rouge, USA}, | ||
- | pages = {}} | + | pages = {prynth}} |
@inproceedings{Lamontagne_2015_SEA, | @inproceedings{Lamontagne_2015_SEA, | ||
Line 1135: | Line 1520: | ||
year = {2015}, | year = {2015}, | ||
location = {Vancouver, Canada}, | location = {Vancouver, Canada}, | ||
+ | pages = {}} | ||
+ | |||
+ | @inproceedings{Tits_2015_ICMC, | ||
+ | author = {Micka{\" | ||
+ | title = {Feature Extraction and Expertise Analysis of Pianists? Motion-Captured Finger Gestures}, | ||
+ | booktitle = {Proceedings of the International Computer Music Conference}, | ||
+ | year = {2015}, | ||
+ | location = {Denton, USA}, | ||
pages = {}} | pages = {}} | ||
Line 1197: | Line 1590: | ||
@inproceedings{Hattwick_2014_NIME_c, | @inproceedings{Hattwick_2014_NIME_c, | ||
- | author = {Ian Hattwick and Seth Woods}, | + | author = {Ian Hattwick and Seth Woods and Marcelo ~M. Wanderley}, |
title = {Almost Human: Moving Expressive Gesture from Cello to Spine}, | title = {Almost Human: Moving Expressive Gesture from Cello to Spine}, | ||
booktitle = {Proceedings of the Workshop on Practice-Based Research in New Interfaces for Musical Expression}, | booktitle = {Proceedings of the Workshop on Practice-Based Research in New Interfaces for Musical Expression}, | ||
Line 1234: | Line 1627: | ||
title = {Intonaspacio: | title = {Intonaspacio: | ||
booktitle = {Sound, Music, and Motion: 10th International Symposium, CMMR 2013 Revised Selected Papers}, | booktitle = {Sound, Music, and Motion: 10th International Symposium, CMMR 2013 Revised Selected Papers}, | ||
- | editor = {Mitsuko Aramaki and Olivier Derrien and Richard Kronland-Martinet and Sølvi | + | editor = {Mitsuko Aramaki and Olivier Derrien and Richard Kronland-Martinet and S{\o}lvi |
publisher = {Springer-Verlag}, | publisher = {Springer-Verlag}, | ||
series = {LNCS}, | series = {LNCS}, | ||
Line 1240: | Line 1633: | ||
year = {2014}, | year = {2014}, | ||
location = {Marseille, France}, | location = {Marseille, France}, | ||
- | | + | |
pages = {393--415}} | pages = {393--415}} | ||
Line 1319: | Line 1712: | ||
@inproceedings{Seger_2013_BSCM, | @inproceedings{Seger_2013_BSCM, | ||
author = {Rodrigo ~A. Seger and Alessandro ~L. Koerich and Marcelo ~M. Wanderley}, | author = {Rodrigo ~A. Seger and Alessandro ~L. Koerich and Marcelo ~M. Wanderley}, | ||
- | title = {Detecção | + | title = {Detec{\cc}ão |
booktitle = {Proceedings of the 14th Brazilian Symposium on Computer Music}, | booktitle = {Proceedings of the 14th Brazilian Symposium on Computer Music}, | ||
year = {2013}, | year = {2013}, | ||
Line 1342: | Line 1735: | ||
@inproceedings{Schiavoni_2013_SMC, | @inproceedings{Schiavoni_2013_SMC, | ||
- | author = {Flávio | + | author = {Fl{\' |
title = {Network music with Medusa: A comparison of tempo alignment in existing MIDI APIs}, | title = {Network music with Medusa: A comparison of tempo alignment in existing MIDI APIs}, | ||
booktitle = {Proceedings of the 2013 International Conference on Sound and Music Computing (SMC2013)}, | booktitle = {Proceedings of the 2013 International Conference on Sound and Music Computing (SMC2013)}, | ||
Line 1350: | Line 1743: | ||
@inproceedings{Schiavoni_2013_ICMC, | @inproceedings{Schiavoni_2013_ICMC, | ||
- | author = {Flávio | + | author = {Fl{\' |
title = {Alternatives in network transport protocols for audio streaming applications}, | title = {Alternatives in network transport protocols for audio streaming applications}, | ||
booktitle = {Proceedings of the 2013 International Computer Music Conference (ICMC13)}, | booktitle = {Proceedings of the 2013 International Computer Music Conference (ICMC13)}, | ||
Line 1367: | Line 1760: | ||
@inproceedings{Winters_2013_ICME_a, | @inproceedings{Winters_2013_ICME_a, | ||
author = {R. Michael Winters and Ian Hattwick and Marcelo ~M. Wanderley}, | author = {R. Michael Winters and Ian Hattwick and Marcelo ~M. Wanderley}, | ||
- | title = {Emotional Data in Music Performance: | + | title = {Emotional Data in Music Performance: |
booktitle = {Proceedings of the 3rd International Conference on Music & Emotion (ICME2013)}, | booktitle = {Proceedings of the 3rd International Conference on Music & Emotion (ICME2013)}, | ||
year = {2013}, | year = {2013}, | ||
Line 1419: | Line 1812: | ||
location = {Atlanta, Georgia}, | location = {Atlanta, Georgia}, | ||
pages = {}} | pages = {}} | ||
- | | + | |
@inproceedings{Germain_2012_DAFx, | @inproceedings{Germain_2012_DAFx, | ||
- | author = {François | + | author = {Fran{\cc}ois |
title = {Uniform Noise Sequences for Nonlinear System Identification}, | title = {Uniform Noise Sequences for Nonlinear System Identification}, | ||
booktitle = {Proceedings 15th International Conference of Digital Audio Effects (DAFx-12)}, | booktitle = {Proceedings 15th International Conference of Digital Audio Effects (DAFx-12)}, | ||
Line 1428: | Line 1821: | ||
location = {York, UK}, | location = {York, UK}, | ||
pages = {}} | pages = {}} | ||
- | | + | |
@inproceedings{Vigliensoni_2012_NIME, | @inproceedings{Vigliensoni_2012_NIME, | ||
author = {Gabriel Vigliensoni and Marcelo ~M. Wanderley}, | author = {Gabriel Vigliensoni and Marcelo ~M. Wanderley}, | ||
Line 1437: | Line 1830: | ||
location = {Ann Arbor, USA}, | location = {Ann Arbor, USA}, | ||
pages = {}} | pages = {}} | ||
- | | + | |
@inproceedings{Hollinger_2012_NIME, | @inproceedings{Hollinger_2012_NIME, | ||
author = {Avrum Hollinger and Marcelo ~M. Wanderley}, | author = {Avrum Hollinger and Marcelo ~M. Wanderley}, | ||
Line 1446: | Line 1839: | ||
location = {Ann Arbor, USA}, | location = {Ann Arbor, USA}, | ||
pages = {}} | pages = {}} | ||
- | | + | |
@inproceedings{Hattwick_2012_NIME, | @inproceedings{Hattwick_2012_NIME, | ||
author = {Ian Hattwick and Marcelo ~M. Wanderley}, | author = {Ian Hattwick and Marcelo ~M. Wanderley}, | ||
Line 1455: | Line 1848: | ||
location = {Ann Arbor, USA}, | location = {Ann Arbor, USA}, | ||
pages = {}, | pages = {}, | ||
- | keywords={dimension_space}} | + | keywords = {dimension_space}} |
- | + | ||
@inproceedings{Tache_2012_NIME, | @inproceedings{Tache_2012_NIME, | ||
author = {Olivier Tache and Jean-Loup Florens and Stephen Sinclair and Marcelo ~M. Wanderley}, | author = {Olivier Tache and Jean-Loup Florens and Stephen Sinclair and Marcelo ~M. Wanderley}, | ||
Line 1465: | Line 1858: | ||
location = {Ann Arbor, USA}, | location = {Ann Arbor, USA}, | ||
pages = {}} | pages = {}} | ||
- | | + | |
@inproceedings{Giordano_2012_NIME, | @inproceedings{Giordano_2012_NIME, | ||
author = {Marcello Giordano and Stephen Sinclair and Marcelo ~M. Wanderley}, | author = {Marcello Giordano and Stephen Sinclair and Marcelo ~M. Wanderley}, | ||
Line 1474: | Line 1867: | ||
location = {Ann Arbor, USA}, | location = {Ann Arbor, USA}, | ||
pages = {}} | pages = {}} | ||
- | | + | |
@inproceedings{Chadefaux_2012_Acoustics, | @inproceedings{Chadefaux_2012_Acoustics, | ||
author = {Delphine Chadefaux and Marcelo ~M. Wanderley and Jean-Loïc Le Carrou and Benoît Fabre and Laurent Daudet}, | author = {Delphine Chadefaux and Marcelo ~M. Wanderley and Jean-Loïc Le Carrou and Benoît Fabre and Laurent Daudet}, | ||
Line 1494: | Line 1887: | ||
location = {Padova, Italy}, | location = {Padova, Italy}, | ||
pages = {}} | pages = {}} | ||
- | | + | |
@inproceedings{Giordano_2011_SMC, | @inproceedings{Giordano_2011_SMC, | ||
author = {Marcello Giordano and Marcelo ~M. Wanderley}, | author = {Marcello Giordano and Marcelo ~M. Wanderley}, | ||
Line 1503: | Line 1896: | ||
location = {Padova, Italy}, | location = {Padova, Italy}, | ||
pages = {}} | pages = {}} | ||
- | | + | |
@inproceedings{Sinclair_2011_WHC, | @inproceedings{Sinclair_2011_WHC, | ||
author = {Stephen Sinclair and Marcelo ~M. Wanderley and Vincent Hayward and Gary Scavone}, | author = {Stephen Sinclair and Marcelo ~M. Wanderley and Vincent Hayward and Gary Scavone}, | ||
Line 1512: | Line 1905: | ||
location = {}, | location = {}, | ||
pages = {}} | pages = {}} | ||
- | | + | |
@inproceedings{Donald_2011_NIME, | @inproceedings{Donald_2011_NIME, | ||
author = {Erika Donald and Benjamin Duinker and and Eliot Britton}, | author = {Erika Donald and Benjamin Duinker and and Eliot Britton}, | ||
Line 1521: | Line 1914: | ||
location = {Oslo, Norway}, | location = {Oslo, Norway}, | ||
pages = {}} | pages = {}} | ||
- | | + | |
@inproceedings{Marshall_2011_NIME, | @inproceedings{Marshall_2011_NIME, | ||
author = {Mark ~T. Marshall and Marcelo ~M. Wanderley}, | author = {Mark ~T. Marshall and Marcelo ~M. Wanderley}, | ||
Line 1530: | Line 1923: | ||
location = {Oslo, Norway}, | location = {Oslo, Norway}, | ||
pages = {}} | pages = {}} | ||
- | | + | |
@inproceedings{Bresson_2011_ICMC, | @inproceedings{Bresson_2011_ICMC, | ||
author = {Jean Bresson and Marlon Schumacher}, | author = {Jean Bresson and Marlon Schumacher}, | ||
Line 1566: | Line 1959: | ||
@inproceedings{Bresson_2010_JIM, | @inproceedings{Bresson_2010_JIM, | ||
author = {Jean Bresson and Marlon Schumacher}, | author = {Jean Bresson and Marlon Schumacher}, | ||
- | title = {Représentation | + | title = {Repr{\' |
- | booktitle = {Actes des Journées | + | booktitle = {Actes des Journ{\' |
year = {2010}, | year = {2010}, | ||
month = {}, | month = {}, | ||
Line 1574: | Line 1967: | ||
@inproceedings{Grond_2010_DAFx, | @inproceedings{Grond_2010_DAFx, | ||
- | author = {Florian Grond and Alexandre | + | author = {Florian Grond and Alexandre |
title = {Virtual Auditory Myography of Timpani-playing Avatars}, | title = {Virtual Auditory Myography of Timpani-playing Avatars}, | ||
booktitle = {Proceedings of the International Conference on Digital Audio Effects (DAFX)}, | booktitle = {Proceedings of the International Conference on Digital Audio Effects (DAFX)}, | ||
Line 1580: | Line 1973: | ||
month = {}, | month = {}, | ||
location = {Graz, Austria}, | location = {Graz, Austria}, | ||
- | pages = {135--142}} | + | pages = {135--142}, |
+ | keywords = {movement_analysis_and_synthesis}} | ||
@inproceedings{Bianco_2010_SMC, | @inproceedings{Bianco_2010_SMC, | ||
- | author = {Tommaso Bianco and Marcelo ~M. Wanderley and Frederic | + | author = {Tommaso Bianco and Marcelo ~M. Wanderley and Fr{\' |
title = {Mimicry of tone production: results from a pilot experiment}, | title = {Mimicry of tone production: results from a pilot experiment}, | ||
booktitle = {Proceedings of the 7th of Sound and Music Computing (SMC) Conference}, | booktitle = {Proceedings of the 7th of Sound and Music Computing (SMC) Conference}, | ||
Line 1593: | Line 1987: | ||
@inproceedings{Stewart_2010_ICMC, | @inproceedings{Stewart_2010_ICMC, | ||
author = {D. Andrew Stewart}, | author = {D. Andrew Stewart}, | ||
- | title = {Vigorous Music-Making: | + | title = {Vigorous Music-Making: |
booktitle = Proceedings of the 2010 International Computer Music Conference (ICMC2010), | booktitle = Proceedings of the 2010 International Computer Music Conference (ICMC2010), | ||
publisher = {ICMA}, | publisher = {ICMA}, | ||
Line 1635: | Line 2029: | ||
author = {Stephen Sinclair and Jean-Loup Florens and Marcelo ~M. Wanderley}, | author = {Stephen Sinclair and Jean-Loup Florens and Marcelo ~M. Wanderley}, | ||
title = {A Haptic Simulator for Gestural Interaction with the Bowed String}, | title = {A Haptic Simulator for Gestural Interaction with the Bowed String}, | ||
- | booktitle = {Proceedings of the Congrès Français | + | booktitle = {Proceedings of the Congr{\`e}s Fran{\cc}ais |
year = {2010}, | year = {2010}, | ||
month = {}, | month = {}, | ||
Line 1644: | Line 2038: | ||
author = {Bruno ~L. Giordano and Federico Avanzini and Marcelo ~M. Wanderley and Stephen McAdams}, | author = {Bruno ~L. Giordano and Federico Avanzini and Marcelo ~M. Wanderley and Stephen McAdams}, | ||
title = {Multisensory Integration in Percussion Performance}, | title = {Multisensory Integration in Percussion Performance}, | ||
- | booktitle = {Proceedings of the Congrès Français | + | booktitle = {Proceedings of the Congr{\`e}s Fran{\cc}ais |
year = {2010}, | year = {2010}, | ||
month = {}, | month = {}, | ||
Line 1665: | Line 2059: | ||
pages = {227--238}, | pages = {227--238}, | ||
uRL = {http:// | uRL = {http:// | ||
- | | + | |
@inproceedings{Rasamimanana_2009_GW, | @inproceedings{Rasamimanana_2009_GW, | ||
- | author = {Nicolas ~H. Rasamimanana and Delphine Bernardin and Marcelo ~M. Wanderley and Frederic | + | author = {Nicolas ~H. Rasamimanana and Delphine Bernardin and Marcelo ~M. Wanderley and Fr{\' |
title = {String Bowing Gestures at Varying Bow Stroke Frequencies: | title = {String Bowing Gestures at Varying Bow Stroke Frequencies: | ||
- | booktitle = {Gesture-Based Human-Computer Interaction and Simulation | + | booktitle = {Gesture-Based Human-Computer Interaction and Simulation |
editor = {Miguel Sales Dias and Sylvie Gibet and Marcelo ~M. Wanderley and Rafael Bastos}, | editor = {Miguel Sales Dias and Sylvie Gibet and Marcelo ~M. Wanderley and Rafael Bastos}, | ||
series = {LNCS}, | series = {LNCS}, | ||
Line 1679: | Line 2073: | ||
pages = {216--226}, | pages = {216--226}, | ||
uRL = {http:// | uRL = {http:// | ||
- | | + | |
@inproceedings{Mazzarino_2009_GW, | @inproceedings{Mazzarino_2009_GW, | ||
Line 1693: | Line 2087: | ||
pages = {48--56}, | pages = {48--56}, | ||
uRL = {http:// | uRL = {http:// | ||
- | | + | |
@inproceedings{Palmer_2009_ISPS, | @inproceedings{Palmer_2009_ISPS, | ||
Line 1714: | Line 2108: | ||
@inproceedings{Bouenard_2009_ICMC, | @inproceedings{Bouenard_2009_ICMC, | ||
- | author = {Alexandre | + | author = {Alexandre |
title = {Advantages and Limitations of Simulating Percussion Gestures for Sound Synthesis}, | title = {Advantages and Limitations of Simulating Percussion Gestures for Sound Synthesis}, | ||
booktitle = {Proceedings of the International Computer Music Conference (ICMC)}, | booktitle = {Proceedings of the International Computer Music Conference (ICMC)}, | ||
Line 1720: | Line 2114: | ||
month = {}, | month = {}, | ||
location = {Montreal, Canada}, | location = {Montreal, Canada}, | ||
- | pages = {255--261}} | + | pages = {255--261}, |
+ | keywords={movement_analysis_and_synthesis}} | ||
@inproceedings{Zadel_2009_ICMC, | @inproceedings{Zadel_2009_ICMC, | ||
author = {Mark Zadel and Stephen Sinclair and Marcelo ~M. Wanderley}, | author = {Mark Zadel and Stephen Sinclair and Marcelo ~M. Wanderley}, | ||
- | title = {Haptic feedback for Different Strokes using DIMPLE}, | + | title = {Haptic feedback for Different Strokes using {DIMPLE}}, |
booktitle = {Proceedings of the International Computer Music Conference (ICMC)}, | booktitle = {Proceedings of the International Computer Music Conference (ICMC)}, | ||
year = {2009}, | year = {2009}, | ||
Line 1730: | Line 2125: | ||
location = {Montreal, Canada}, | location = {Montreal, Canada}, | ||
pages = {291--294}, | pages = {291--294}, | ||
- | keywords = {dimple}} | + | keywords = {different_strokes, |
@inproceedings{Sinclair_2009_ICMC, | @inproceedings{Sinclair_2009_ICMC, | ||
Line 1770: | Line 2165: | ||
@inproceedings{Bouenard_2009_CASA, | @inproceedings{Bouenard_2009_CASA, | ||
- | author = {Alexandre | + | author = {Alexandre |
title = {Hybrid Motion Control combining Inverse Kinematics and Inverse Dynamics Controllers for Simulating Percussion Gestures}, | title = {Hybrid Motion Control combining Inverse Kinematics and Inverse Dynamics Controllers for Simulating Percussion Gestures}, | ||
booktitle = {Proceedings of the International Conference on Computer Animation and Social Agents (CASA)}, | booktitle = {Proceedings of the International Conference on Computer Animation and Social Agents (CASA)}, | ||
Line 1776: | Line 2171: | ||
month = {}, | month = {}, | ||
location = {Amsterdam, Netherlands}, | location = {Amsterdam, Netherlands}, | ||
- | pages = {17--20}} | + | pages = {17--20}, |
+ | keywords={movement_analysis_and_synthesis}} | ||
@inproceedings{Collicutt_2009_NIME, | @inproceedings{Collicutt_2009_NIME, | ||
Line 1820: | Line 2216: | ||
author = {Joseph Malloch and Stephen Sinclair and Marcelo ~M. Wanderley}, | author = {Joseph Malloch and Stephen Sinclair and Marcelo ~M. Wanderley}, | ||
booktitle = {Computer Music Modeling and Retrieval - Sense of Sounds}, | booktitle = {Computer Music Modeling and Retrieval - Sense of Sounds}, | ||
- | editor = {Richard Kronland-Martinet and Sølvi | + | editor = {Richard Kronland-Martinet and S{\o}lvi |
pages = {401--425}, | pages = {401--425}, | ||
publisher = {Springer-Verlag}, | publisher = {Springer-Verlag}, | ||
Line 1839: | Line 2235: | ||
@inproceedings{Palacio-Quintin_2008_ICMC, | @inproceedings{Palacio-Quintin_2008_ICMC, | ||
- | author = {Cléo Palacio-Quintin and Mark Zadel}, | + | author = {Cl{\' |
title = {Interactive Composition and Improvisation on the Hyper-Flute}, | title = {Interactive Composition and Improvisation on the Hyper-Flute}, | ||
booktitle = {Proceedings of the 2008 International Computer Music Conference (ICMC)}, | booktitle = {Proceedings of the 2008 International Computer Music Conference (ICMC)}, | ||
Line 1849: | Line 2245: | ||
@inproceedings{Bouenard_2008_Enactive, | @inproceedings{Bouenard_2008_Enactive, | ||
- | author = {Alexandre | + | author = {Alexandre |
title = {Analysis of Percussion Grip for Physically Based Character Animation}, | title = {Analysis of Percussion Grip for Physically Based Character Animation}, | ||
booktitle = {Proceedings of the International Conference on Enactive Interfaces (ENACTIVE)}, | booktitle = {Proceedings of the International Conference on Enactive Interfaces (ENACTIVE)}, | ||
Line 1855: | Line 2251: | ||
month = {}, | month = {}, | ||
location = {Pisa, Italy}, | location = {Pisa, Italy}, | ||
- | pages = {22--27}} | + | pages = {22--27}, |
+ | keywords={movement_analysis_and_synthesis}} | ||
@inproceedings{Marentakis_2008_ICAD, | @inproceedings{Marentakis_2008_ICAD, | ||
Line 1867: | Line 2264: | ||
@inproceedings{Bouenard_2008_NIME, | @inproceedings{Bouenard_2008_NIME, | ||
- | author = {Alexandre | + | author = {Alexandre |
title = {Enhancing the Visualization of Percussion Gestures by Virtual Character Animation}, | title = {Enhancing the Visualization of Percussion Gestures by Virtual Character Animation}, | ||
booktitle = {Proceedings of the International Conference on New Interfaces for Musical Expression (NIME)}, | booktitle = {Proceedings of the International Conference on New Interfaces for Musical Expression (NIME)}, | ||
Line 1873: | Line 2270: | ||
month = {}, | month = {}, | ||
location = {Genoa, Italy}, | location = {Genoa, Italy}, | ||
- | pages = {38--43}} | + | pages = {38--43}, |
+ | keywords={movement_analysis_and_synthesis}} | ||
=====2007===== | =====2007===== | ||
Line 1901: | Line 2299: | ||
booktitle = {Proceedings of the 2007 International Conference on New Interfaces for Musical Expression (NIME2007)}, | booktitle = {Proceedings of the 2007 International Conference on New Interfaces for Musical Expression (NIME2007)}, | ||
keywords = {input device}, | keywords = {input device}, | ||
- | title = {The T-Stick: From Musical Interface to Musical Instrument}, | + | title = {The {T-Stick}: From Musical Interface to Musical Instrument}, |
year = {2007}, | year = {2007}, | ||
pages = {66--69}, | pages = {66--69}, | ||
Line 1932: | Line 2330: | ||
@inproceedings{Jensenius_2007_Enactive, | @inproceedings{Jensenius_2007_Enactive, | ||
address = {Copenhagen, | address = {Copenhagen, | ||
- | author = {Alexander Refsum Jensenius and Nicolas | + | author = {Alexander Refsum Jensenius and Nicolas |
booktitle = {Proceedings of the International Conference on Enactive Interfaces (ENACTIVE)}, | booktitle = {Proceedings of the International Conference on Enactive Interfaces (ENACTIVE)}, | ||
month = {November}, | month = {November}, | ||
Line 1947: | Line 2345: | ||
year = {2007}, | year = {2007}, | ||
pages = {209--212}, | pages = {209--212}, | ||
- | keywords = {dimple}} | + | keywords = {dimple, haptics}} |
@inproceedings{Sinclair_2007_PD, | @inproceedings{Sinclair_2007_PD, | ||
Line 1956: | Line 2354: | ||
title = {Using {PureData} to control a haptically-enabled virtual environment}, | title = {Using {PureData} to control a haptically-enabled virtual environment}, | ||
year = {2007}, | year = {2007}, | ||
- | keywords = {dimple}} | + | keywords = {dimple, haptics, puredata}} |
@inproceedings{Birnbaum_2007_ICMC, | @inproceedings{Birnbaum_2007_ICMC, | ||
Line 1969: | Line 2367: | ||
@inproceedings{Jensenius_2007_ICMC, | @inproceedings{Jensenius_2007_ICMC, | ||
address = {Copenhagen, | address = {Copenhagen, | ||
- | author = {Alexander Refsum Jensenius and Antonio Camurri and Nicolas | + | author = {Alexander Refsum Jensenius and Antonio Camurri and Nicolas |
booktitle = {Proceedings of the International Computer Music Conference (ICMC)}, | booktitle = {Proceedings of the International Computer Music Conference (ICMC)}, | ||
month = {August}, | month = {August}, | ||
Line 2001: | Line 2399: | ||
month = {}, | month = {}, | ||
location = {Grenoble, France}, | location = {Grenoble, France}, | ||
- | pages = {377--380}} | + | pages = {377--380}, |
+ | keywords = {sound_spatialization}} | ||
@inproceedings{Nusseck_2007_Enactive, | @inproceedings{Nusseck_2007_Enactive, | ||
Line 2019: | Line 2418: | ||
month = {}, | month = {}, | ||
location = {Grenoble, France}, | location = {Grenoble, France}, | ||
- | pages = {}} | + | pages = {}, |
+ | keywords = {paper_sensors}} | ||
@inproceedings{Kereliuk_2007_ICMC, | @inproceedings{Kereliuk_2007_ICMC, | ||
Line 2028: | Line 2428: | ||
month = {}, | month = {}, | ||
location = {Copenhagen, | location = {Copenhagen, | ||
- | pages = {263--266}} | + | pages = {263--266}, |
+ | keywords = {indirect_acquisition, | ||
@inproceedings{VanNort_2007_ICMC, | @inproceedings{VanNort_2007_ICMC, | ||
- | author = {Doug Van Nort and David Gauthier and Sha Xin Wei and Marcelo ~M. Wanderley}, | + | author = {Doug {Van Nort} and David Gauthier and Sha Xin Wei and Marcelo ~M. Wanderley}, |
title = {Extraction of Gestural Meaning from a Fabric-Based Instrument}, | title = {Extraction of Gestural Meaning from a Fabric-Based Instrument}, | ||
booktitle = {Proceedings of the International Computer Music Conference (ICMC)}, | booktitle = {Proceedings of the International Computer Music Conference (ICMC)}, | ||
Line 2049: | Line 2450: | ||
@inproceedings{VanNort_2007_NIME, | @inproceedings{VanNort_2007_NIME, | ||
- | author = {Doug Van Nort and Marcelo ~M. Wanderley}, | + | author = {Doug {Van Nort} and Marcelo ~M. Wanderley}, |
title = {Control Strategies for Navigation of Complex Sonic Spaces}, | title = {Control Strategies for Navigation of Complex Sonic Spaces}, | ||
booktitle = {Proceedings of the International Conference on New Interfaces for Musical Expression (NIME)}, | booktitle = {Proceedings of the International Conference on New Interfaces for Musical Expression (NIME)}, | ||
Line 2076: | Line 2477: | ||
publisher = {ICMA}, | publisher = {ICMA}, | ||
title = {On the development of a system for gesture control of spatialization}, | title = {On the development of a system for gesture control of spatialization}, | ||
- | year = {2006}} | + | year = {2006}, |
+ | keywords = {sound_spatialization}} | ||
@inproceedings{Marshall_2006_NIME, | @inproceedings{Marshall_2006_NIME, | ||
Line 2100: | Line 2502: | ||
publisher = {IRCAM---Centre Pompidou}, | publisher = {IRCAM---Centre Pompidou}, | ||
title = {Paper FSRs and latex/ | title = {Paper FSRs and latex/ | ||
- | year = {2006}} | + | year = {2006}, |
+ | keywords = {paper_sensors}} | ||
@inproceedings{VanNort_2006_ICMC, | @inproceedings{VanNort_2006_ICMC, | ||
Line 2108: | Line 2511: | ||
title = {The LoM Mapping Toolbox for Max/ | title = {The LoM Mapping Toolbox for Max/ | ||
year = {2006}, | year = {2006}, | ||
- | pages = {397--400}} | + | pages = {397--400}, |
+ | keywords = {LoM, toolbox, software, mapping}} | ||
@inproceedings{Zadel_2006_NIME, | @inproceedings{Zadel_2006_NIME, | ||
Line 2116: | Line 2520: | ||
pages={168--171}, | pages={168--171}, | ||
year={2006}, | year={2006}, | ||
- | organization={IRCAM---Centre Pompidou}} | + | organization={IRCAM---Centre Pompidou}, |
+ | keywords = {different_strokes}} | ||
@inproceedings{Marshall_2006_CMMR, | @inproceedings{Marshall_2006_CMMR, | ||
Line 2122: | Line 2527: | ||
title = {Evaluation of Sensors as Input Devices for Computer Music Interfaces}, | title = {Evaluation of Sensors as Input Devices for Computer Music Interfaces}, | ||
booktitle = {CMMR 2005 - Proc. of Computer Music Modeling and Retrieval 2005 Conference}, | booktitle = {CMMR 2005 - Proc. of Computer Music Modeling and Retrieval 2005 Conference}, | ||
- | editor = {Richard Kronland-Martinet and Thierry Voinier and Sølvi | + | editor = {Richard Kronland-Martinet and Thierry Voinier and S{\o}lvi |
series = {LNCS}, | series = {LNCS}, | ||
volume = {3902}, | volume = {3902}, | ||
Line 2136: | Line 2541: | ||
title = {Building Low-Cost Music Controllers}, | title = {Building Low-Cost Music Controllers}, | ||
booktitle = {CMMR 2005 - Proc. of Computer Music Modeling and Retrieval 2005 Conference}, | booktitle = {CMMR 2005 - Proc. of Computer Music Modeling and Retrieval 2005 Conference}, | ||
- | editor = {Richard Kronland-Martinet and Thierry Voinier and Sølvi | + | editor = {Richard Kronland-Martinet and Thierry Voinier and S{\o}lvi |
series = {LNCS}, | series = {LNCS}, | ||
volume = {3902}, | volume = {3902}, | ||
Line 2162: | Line 2567: | ||
month = {}, | month = {}, | ||
location = {New Orleans, USA}, | location = {New Orleans, USA}, | ||
- | pages = {}} | + | pages = {}, |
+ | keywords = {different_strokes}} | ||
@inproceedings{Verfaille_2006_ICAD, | @inproceedings{Verfaille_2006_ICAD, | ||
Line 2171: | Line 2577: | ||
month = {}, | month = {}, | ||
location = {London, UK}, | location = {London, UK}, | ||
- | pages = {194--197}} | + | pages = {194--197}, |
+ | keywords = {sonification}} | ||
@inproceedings{Burns_2006_NIME, | @inproceedings{Burns_2006_NIME, | ||
Line 2180: | Line 2587: | ||
month = {}, | month = {}, | ||
location = {Paris, France}, | location = {Paris, France}, | ||
- | pages = {196--199}} | + | pages = {196--199} |
+ | keywords = {computer_vision, | ||
@inproceedings{Wanderley_2006_NIME, | @inproceedings{Wanderley_2006_NIME, | ||
Line 2199: | Line 2607: | ||
month = {}, | month = {}, | ||
location = {Paris, France}, | location = {Paris, France}, | ||
- | pages = {85--88}} | + | pages = {85--88}, |
+ | keywords = {G-Spring}} | ||
@inproceedings{Burns_2006_SMC, | @inproceedings{Burns_2006_SMC, | ||
Line 2208: | Line 2617: | ||
month = {}, | month = {}, | ||
location = {Marseille, France}, | location = {Marseille, France}, | ||
- | pages = {1--7}} | + | pages = {1--7}, |
+ | keywords = {computer_vision, | ||
@inproceedings{VanNort_2006_SMC, | @inproceedings{VanNort_2006_SMC, | ||
- | author = {Doug Van Nort and Marcelo ~M. Wanderley}, | + | author = {Doug {Van Nort} and Marcelo ~M. Wanderley}, |
title = {Exploring the Effect of Mapping Trajectories on Musical Performance}, | title = {Exploring the Effect of Mapping Trajectories on Musical Performance}, | ||
booktitle = {Proceedings of the Sound and Music Computing Conference (SMC)}, | booktitle = {Proceedings of the Sound and Music Computing Conference (SMC)}, | ||
Line 2229: | Line 2639: | ||
location={Vancouver, | location={Vancouver, | ||
organization={University of British Columbia}, | organization={University of British Columbia}, | ||
- | keywords={dimension_space}} | + | keywords = {dimension_space}} |
@inproceedings{Jensenius_2005_ICMC, | @inproceedings{Jensenius_2005_ICMC, | ||
- | author = {Alexander Refsum Jensenius and Rolf Inge Godøy | + | author = {Alexander Refsum Jensenius and Rolf Inge God{\o}y |
title = {Developing Tools for Studying Musical Gestures within the MAX/ | title = {Developing Tools for Studying Musical Gestures within the MAX/ | ||
booktitle = {Proceedings of the International Computer Music Conference (ICMC)}, | booktitle = {Proceedings of the International Computer Music Conference (ICMC)}, | ||
Line 2309: | Line 2719: | ||
@inproceedings{VanNort_2004_NIME, | @inproceedings{VanNort_2004_NIME, | ||
- | author = {Doug Van Nort and Marcelo ~M. Wanderley and Philippe Depalle}, | + | author = {Doug {Van Nort} and Marcelo ~M. Wanderley and Philippe Depalle}, |
title = {On the Choice of Mappings based on Geometrical Properties}, | title = {On the Choice of Mappings based on Geometrical Properties}, | ||
booktitle = {Proceedings of the International Conference on New Interfaces for Musical Expression (NIME)}, | booktitle = {Proceedings of the International Conference on New Interfaces for Musical Expression (NIME)}, | ||
Line 2361: | Line 2771: | ||
@inproceedings{Wanderley_2001_ICMC, | @inproceedings{Wanderley_2001_ICMC, | ||
- | author = {Marcelo ~M. Wanderley and Marie-Hélène | + | author = {Marcelo ~M. Wanderley and Marie-H{\' |
title = {{Gesture Control Research at Ircam}}, | title = {{Gesture Control Research at Ircam}}, | ||
booktitle = {Proceedings of the International Computer Music Conference}, | booktitle = {Proceedings of the International Computer Music Conference}, | ||
Line 2429: | Line 2839: | ||
@inproceedings{Wanderley_1998_JIM, | @inproceedings{Wanderley_1998_JIM, | ||
- | author = {Marcelo ~M. Wanderley and Marc Battier and Philippe Depalle and Shlomo Dubnov and Vincent Hayward and Francisco Iovino and Véronique | + | author = {Marcelo ~M. Wanderley and Marc Battier and Philippe Depalle and Shlomo Dubnov and Vincent Hayward and Francisco Iovino and V{\' |
booktitle = Proceedings Journ{\' | booktitle = Proceedings Journ{\' | ||
title = {{Gestural Research at Ircam: A Progress Report}}, | title = {{Gestural Research at Ircam: A Progress Report}}, | ||
Line 2461: | Line 2871: | ||
@inproceedings{Lima_1996_BSCM, | @inproceedings{Lima_1996_BSCM, | ||
- | author = {Geraldo Henrique Torres Lima and Marcelo ~M. Maes and Márlio | + | author = {Geraldo Henrique Torres Lima and Marcelo ~M. Maes and M{\' |
booktitle = {Proceedings of the 3rd Brazilian Symposium on Computer Music }, | booktitle = {Proceedings of the 3rd Brazilian Symposium on Computer Music }, | ||
pages = {12--16}, | pages = {12--16}, | ||
Line 2468: | Line 2878: | ||
@inproceedings{Wanderley_1996_ICSPAT, | @inproceedings{Wanderley_1996_ICSPAT, | ||
- | author = {Vinicius Auer and Marcelo ~M. Maes and Márlio | + | author = {Vinicius Auer and Marcelo ~M. Maes and M{\' |
booktitle = {Proceedings of the International Congress on Signal Processing Applications Technology - ICSPAT}, | booktitle = {Proceedings of the International Congress on Signal Processing Applications Technology - ICSPAT}, | ||
title = {{3D Position Signals Acquisition System with Application in real-time Processing}}, | title = {{3D Position Signals Acquisition System with Application in real-time Processing}}, | ||
Line 2475: | Line 2885: | ||
======Extended Abstracts in Conference Proceedings====== | ======Extended Abstracts in Conference Proceedings====== | ||
+ | |||
+ | @inproceedings{Wanderley_2016_CHI, | ||
+ | author = {Marcelo ~M. Wanderley and Joseph Malloch and J{\' | ||
+ | title = {Human Computer Interaction meets Computer Music: The MIDWAY Project}, | ||
+ | booktitle = {CHI '16 Extended Abstracts on Human Factors in Computing Systems}, | ||
+ | year = {2016}, | ||
+ | location = {San Jose, USA}, | ||
+ | pages = {}, | ||
+ | numpages = {}, | ||
+ | publisher = {ACM}, | ||
+ | address = {New York, NY, USA}, | ||
+ | DOI = {}, | ||
+ | acmid = {}, | ||
+ | keywords = {communications, | ||
+ | note = {}} | ||
@inproceedings{Malloch_2013_CHI, | @inproceedings{Malloch_2013_CHI, | ||
Line 2488: | Line 2913: | ||
address = {New York, NY, USA}, | address = {New York, NY, USA}, | ||
url = {http:// | url = {http:// | ||
- | | + | |
acmid = {2479617}, | acmid = {2479617}, | ||
keywords = {communications, | keywords = {communications, | ||
- | note = {extended_abstract}} | + | note = {}} |
@inproceedings{Stewart_2010_CHI, | @inproceedings{Stewart_2010_CHI, | ||
author = {D. Andrew Stewart and Joseph Malloch}, | author = {D. Andrew Stewart and Joseph Malloch}, | ||
- | title = {Everybody to the power of one, for soprano T-Stick}, | + | title = {Everybody to the power of one, for soprano |
booktitle = {CHI '10 Extended Abstracts on Human Factors in Computing Systems}, | booktitle = {CHI '10 Extended Abstracts on Human Factors in Computing Systems}, | ||
year = {2010}, | year = {2010}, | ||
Line 2503: | Line 2928: | ||
address = {New York, NY, USA}, | address = {New York, NY, USA}, | ||
keywords = {t-stick}, | keywords = {t-stick}, | ||
- | note = {extended_abstract}} | + | note = {}} |
======Abstracts in Conference Proceedings====== | ======Abstracts in Conference Proceedings====== | ||
Line 2510: | Line 2935: | ||
author = {Erika Donald and Marcelo ~M. Wanderley and Isabelle Cossette}, | author = {Erika Donald and Marcelo ~M. Wanderley and Isabelle Cossette}, | ||
title = {Effects of Tempo on Bow Arm and Center of Mass Movements in Highly Skilled Cellists and Their Pedagogical Implications}, | title = {Effects of Tempo on Bow Arm and Center of Mass Movements in Highly Skilled Cellists and Their Pedagogical Implications}, | ||
- | booktitle = {ICMPC 2010 Conference}, | + | booktitle = {{ICMPC} 2010 Conference}, |
howpublished = {Abstract}, | howpublished = {Abstract}, | ||
year = {2010}, | year = {2010}, | ||
Line 2520: | Line 2945: | ||
@misc{Bouenard_2009_GW, | @misc{Bouenard_2009_GW, | ||
- | author = {Alexandre | + | author = {Alexandre |
title = {Analysis of Timpani Preparatory Gesture Parameterization}, | title = {Analysis of Timpani Preparatory Gesture Parameterization}, | ||
booktitle = {International Gesture Workshop}, | booktitle = {International Gesture Workshop}, | ||
Line 2530: | Line 2955: | ||
publisher = {}, | publisher = {}, | ||
address = {}, | address = {}, | ||
- | keywords = {}} | + | keywords={movement_analysis_and_synthesis}} |
@misc{Rasamimanana_2007_GW, | @misc{Rasamimanana_2007_GW, | ||
- | author = {Nicolas Rasamimanana and Delphine Bernardin and Marcelo ~M. Wanderley and Frederic | + | author = {Nicolas Rasamimanana and Delphine Bernardin and Marcelo ~M. Wanderley and Fr{\' |
title = {Case study of string bowing gestures in tremolo}, | title = {Case study of string bowing gestures in tremolo}, | ||
booktitle = {International Gesture Workshop}, | booktitle = {International Gesture Workshop}, | ||
Line 2646: | Line 3071: | ||
@misc{Burns_2005_GW, | @misc{Burns_2005_GW, | ||
author = {Anne-Marie Burns and Barbara Mazzarino}, | author = {Anne-Marie Burns and Barbara Mazzarino}, | ||
- | title = {Finger Tracking Methods Using EyesWeb}, | + | title = {Finger Tracking Methods Using {EyesWeb}}, |
booktitle = {6th International Workshop on Gesture in Human-Computer Interaction and Simulation (Gesture Workshop 2005)}, | booktitle = {6th International Workshop on Gesture in Human-Computer Interaction and Simulation (Gesture Workshop 2005)}, | ||
howpublished = {Abstract}, | howpublished = {Abstract}, | ||
Line 2655: | Line 3080: | ||
publisher = {}, | publisher = {}, | ||
address = {}, | address = {}, | ||
- | keywords = {}} | + | keywords = {computer_vision, |
@misc{Casciato_2005_PM, | @misc{Casciato_2005_PM, | ||
author = {Carmine Casciato and Alexander Refsum Jensenius and Marcelo ~M. Wanderley}, | author = {Carmine Casciato and Alexander Refsum Jensenius and Marcelo ~M. Wanderley}, | ||
title = {Studying Free Dance Movements to Music}, | title = {Studying Free Dance Movements to Music}, | ||
- | booktitle = {ESCOM 2005 Performance Matters! Conference}, | + | booktitle = {{ESCOM} 2005 Performance Matters! Conference}, |
howpublished = {Abstract}, | howpublished = {Abstract}, | ||
month = {September}, | month = {September}, | ||
Line 2673: | Line 3098: | ||
author = {Joseph Butch Rovan and Marcelo ~M. Wanderley}, | author = {Joseph Butch Rovan and Marcelo ~M. Wanderley}, | ||
title = {Gestural Controllers: | title = {Gestural Controllers: | ||
- | booktitle = {SEAMUS Conference}, | + | booktitle = {{SEAMUS} Conference}, |
howpublished = {Abstract}, | howpublished = {Abstract}, | ||
year = {1998}, | year = {1998}, | ||
Line 2689: | Line 3114: | ||
month = {July}, | month = {July}, | ||
number = {MUMT-IDMIL-13-01}, | number = {MUMT-IDMIL-13-01}, | ||
- | title = {Use of 3D Printed Components in the Creation of the Prosthetic Instruments}, | + | title = {Use of {3D} Printed Components in the Creation of the Prosthetic Instruments}, |
year = {2013}} | year = {2013}} | ||
Line 2697: | Line 3122: | ||
month = {October}, | month = {October}, | ||
number = {MUMT-IDMIL-12-03}, | number = {MUMT-IDMIL-12-03}, | ||
- | title = {NSERC Engage Grant "Audio Environment for the Emotional Imaging Composer" | + | title = {{NSERC} Engage Grant "Audio Environment for the Emotional Imaging Composer" |
year = {2012}} | year = {2012}} | ||
Line 2705: | Line 3130: | ||
month = {October}, | month = {October}, | ||
number = {MUMT-IDMIL-12-02}, | number = {MUMT-IDMIL-12-02}, | ||
- | title = {IDMIL Engage report: SANDDE}, | + | title = {{IDMIL} {Engage} report: |
year = {2012}} | year = {2012}} | ||
Line 2753: | Line 3178: | ||
month = {}, | month = {}, | ||
number = {MUMT-IDMIL-10-01}, | number = {MUMT-IDMIL-10-01}, | ||
- | title = {Building a Soprano T-Stick}, | + | title = {Building a Soprano |
- | year = {2010}} | + | year = {2010}, |
+ | keywords = {t-stick}} | ||
@techreport{Bouenard_2009_IDMIL, | @techreport{Bouenard_2009_IDMIL, | ||
- | author = {Alexandre | + | author = {Alexandre |
institution = {McGill University, Music Technology Area}, | institution = {McGill University, Music Technology Area}, | ||
month = {January}, | month = {January}, | ||
number = {MUMT-IDMIL-09-01}, | number = {MUMT-IDMIL-09-01}, | ||
title = {Real-Time Simulation and Interaction of Percussion Gestures with Sound Synthesis}, | title = {Real-Time Simulation and Interaction of Percussion Gestures with Sound Synthesis}, | ||
- | year = {2009}} | + | year = {2009}, |
+ | keywords={movement_analysis_and_synthesis}} | ||
@techreport{Sinclair_2008_IDMIL, | @techreport{Sinclair_2008_IDMIL, | ||
Line 2777: | Line 3204: | ||
month = {}, | month = {}, | ||
number = {MUMT-SPCL-07-03}, | number = {MUMT-SPCL-07-03}, | ||
- | title = {Report on the Making of the DAFx-06 Proceedings}, | + | title = {Report on the Making of the {DAFx-06} Proceedings}, |
year = {2007}} | year = {2007}} | ||
Line 2793: | Line 3220: | ||
month = {December}, | month = {December}, | ||
number = {MUMT-IDMIL-07-11}, | number = {MUMT-IDMIL-07-11}, | ||
- | title = {Adding Vibrotactile Feedback to the T-Stick Digital Musical Instrument}, | + | title = {Adding Vibrotactile Feedback to the {T-Stick} Digital Musical Instrument}, |
- | year = {2007}} | + | year = {2007}, |
+ | keywords = {t-stick}} | ||
@techreport{Casciato_2007_IDMIL, | @techreport{Casciato_2007_IDMIL, | ||
Line 2801: | Line 3229: | ||
month = {}, | month = {}, | ||
number = {MUMT-IDMIL-07-10}, | number = {MUMT-IDMIL-07-10}, | ||
- | title = {HD Video Capture}, | + | title = {{HD} Video Capture}, |
year = {2007}} | year = {2007}} | ||
Line 2825: | Line 3253: | ||
month = {}, | month = {}, | ||
number = {MUMT-IDMIL-07-07}, | number = {MUMT-IDMIL-07-07}, | ||
- | title = {Report on the McGill/UCSD workshop on Gesture-controlled Spatialization}, | + | title = {Report on the {McGill}/{UCSD} workshop on Gesture-controlled Spatialization}, |
year = {2007}} | year = {2007}} | ||
Line 2849: | Line 3277: | ||
month = {}, | month = {}, | ||
number = {MUMT-IDMIL-07-04}, | number = {MUMT-IDMIL-07-04}, | ||
- | title = {Mapping and routing OSC messages in the IDMIL}, | + | title = {Mapping and routing |
year = {2007}} | year = {2007}} | ||
Line 2873: | Line 3301: | ||
month = {February}, | month = {February}, | ||
number = {MUMT-IDMIL-07-01}, | number = {MUMT-IDMIL-07-01}, | ||
- | title = {OSC for Haptic Virtual Environments: | + | title = {{OSC} for Haptic Virtual Environments: |
- | year = {2007}, | + | year = {2007}} |
- | keywords = {dimple}} | + | |
@techreport{Hollinger_2006_IDMIL, | @techreport{Hollinger_2006_IDMIL, | ||
Line 2890: | Line 3317: | ||
month = {}, | month = {}, | ||
number = {MUMT-IDMIL-06-03}, | number = {MUMT-IDMIL-06-03}, | ||
- | title = {The Tralf}, | + | title = {The {Tralf}}, |
year = {2006}} | year = {2006}} | ||
Line 2898: | Line 3325: | ||
month = {}, | month = {}, | ||
number = {MUMT-IDMIL-06-02}, | number = {MUMT-IDMIL-06-02}, | ||
- | title = {The FM Gloves}, | + | title = {The {FM} Gloves}, |
year = {2006}} | year = {2006}} | ||
Line 2906: | Line 3333: | ||
month = {}, | month = {}, | ||
number = {MUMT-IDMIL-06-01}, | number = {MUMT-IDMIL-06-01}, | ||
- | title = {The T-Stick Gestural Controller}, | + | title = {The {T-Stick} Gestural Controller}, |
- | year = {2006}} | + | year = {2006}, |
+ | keywords = {t-stick}} | ||
@techreport{Malloch_2005_IDMIL, | @techreport{Malloch_2005_IDMIL, | ||
Line 2930: | Line 3358: | ||
month = {August}, | month = {August}, | ||
number = {MUMT-IDMIL-05-03}, | number = {MUMT-IDMIL-05-03}, | ||
- | title = {Traitement et Visualisation de Vonnées | + | title = {Traitement et Visualisation de Donn{\' |
year = {2005}} | year = {2005}} | ||
Line 2946: | Line 3374: | ||
month = {Feb}, | month = {Feb}, | ||
number = {MUMT-IDMIL-05-01}, | number = {MUMT-IDMIL-05-01}, | ||
- | title = {On the Use of Laban-Bartenieff Techniques to Describe Ancillary Gestures of Clarinetists}, | + | title = {On the Use of {Laban-Bartenieff} Techniques to Describe Ancillary Gestures of Clarinetists}, |
year = {2005}} | year = {2005}} | ||
Line 2954: | Line 3382: | ||
month = {}, | month = {}, | ||
number = {MUMT-IDMIL-04-02}, | number = {MUMT-IDMIL-04-02}, | ||
- | title = {The Celloboard | + | title = {The Celloboard: a Physical Interface for Music-Making}, |
year = {2004}} | year = {2004}} | ||
Line 2968: | Line 3396: | ||
author = {David Birnbaum}, | author = {David Birnbaum}, | ||
note = {Project report, McGill University}, | note = {Project report, McGill University}, | ||
- | title = {The Touch Flute: Exploring roles of vibrotactile feedback in musical performance}, | + | title = {The {Touch Flute}: Exploring roles of vibrotactile feedback in musical performance}, |
year = {2003}} | year = {2003}} | ||
Line 2997: | Line 3425: | ||
title = {Les Nouveaux Gestes de la Musique}, | title = {Les Nouveaux Gestes de la Musique}, | ||
year = {1997}} | year = {1997}} | ||
+ |