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--- bib [2016/08/19 14:22]
Joseph Malloch
+++ bib [2021/01/19 01:19]
Joseph Malloch
@@ Line 1: / Line 1: @@
 ======Books======
+  @book{Holland_2018,
+    editor = {Simon Holland and Tom Mudd and Katie Wilkie-McKenna and Andrew McPherson and Marcelo ~M. Wanderley},
+    title = {New Directions in Music and Human-Computer Interaction},
+    publisher = {Springer International Publishing},
+    year = {2019},
+    isbn = {978-3-319-92068-9},
+    doi = {10.1007/978-3-319-92069-6},
+    url = {https://www.springer.com/us/book/9783319920689}}
   @book{Wanderley_2014_CMJ,
@@ Line 9: / Line 18: @@
     year = {2014},
     note = {guest editor},
-    uRL = {http://www.mitpressjournals.org/toc/comj/38/3}}
+    url = {http://www.mitpressjournals.org/toc/comj/38/3}}
   @book{Dias_2014_GW,
@@ Line 18: / Line 27: @@
     publisher = {Springer Verlag},
     year = {2009},
-    uRL = {http://www.springer.com/computer/hci/book/978-3-540-92864-5}}
+    url = {http://www.springer.com/computer/hci/book/978-3-540-92864-5}}
   @book{Miranda_2006_NDI,
@@ Line 25: / Line 34: @@
     publisher = {A-R Publications},
     title = {New Digital Instruments: Control and Interaction Beyond the Keyboard},
-    iSBN = {0-89579-585-X},
+    isbn = {0-89579-585-X},
-    uRL = {http://www.areditions.com/miranda-new-digital-musical-instruments.html},
+    url = {http://www.areditions.com/miranda-new-digital-musical-instruments.html},
     year = {2006}}
@@ Line 49: / Line 58: @@
     publisher = {IRCAM},
     year = {2000},
-    url = {http://www.music.mcgill.ca/~mwanderley/Trends}}
+    url = {http://www-media.idmil.org/media/Trends_Ircam/DOS/SOMM.pdf}}
 ======Book Chapters======
+  @incollection{Malloch_2019_Chapter,
+    author = {Joseph Malloch and J{\'e}r{\'e}mie Garcia and Marcelo ~M. Wanderley and Wendy ~E. Mackay and Michel Beaudouin-Lafon and St{\'e}phane Huot},
+    title = {A Design Workbench for Interactive Music Systems},
+    editor = {Simon Holland and Tom Mudd and Katie Wilkie-McKenna and Andrew McPherson and Marcelo ~M. Wanderley},
+    publisher = {Springer International Publishing},
+    booktitle = {New Directions in Music and Human-Computer Interaction},
+    pages = {},
+    year = {2019}}
+  @incollection{Malloch_2016_Chapter,
+    author = {Joseph Malloch and Marcelo ~M. Wanderley},
+    title = {Embodied Cognition and Digital Musical Instruments: Design and Performance},
+    editor = {Micheline Lesaffre and Marc Leman and Pieter-Jan Maes},
+    publisher = {Routledge},
+    booktitle = {The Routledge Companion to Embodied Music Interaction},
+    pages = {},
+    year = {2016}}
+  @incollection{Birnbaum_2016_Chapter,
+    author = {David Birnbaum and Rebecca Fiebrink and Joseph Malloch and Marcelo ~M. Wanderley},
+    title = {Towards a Dimension Space for Musical Devices},
+    editor = {Alexander Refsum Jensenius and Michael Lyons},
+    publisher = {Springer Verlag},
+    booktitle = {A {NIME} Reader – Fifteen Years of New Interfaces for Musical Expression},
+    pages = {},
+    year = {2016},
+    keywords = {dimension_space}}
   @incollection{Wanderley_2013_Chapter,
     author = {Marcelo ~M. Wanderley},
     title = {Mapping Strategies in Digital Musical Instruments: Concepts and tools},
-    editor = {Annie Luciani and Olivier Tache and Nicholas Castagné},
+    editor = {Annie Luciani and Olivier Tache and Nicholas Castagn{\'e}},
     publisher = {Enactive System Books},
-    booktitle = {Créativité Instrumentale, Créativité Ambiente: Colloque Art-Science Technologie 2011},
+    booktitle = {Cr{\'e}ativit{\'e} Instrumentale, Cr{\'e}ativit{\'e} Ambiente: Colloque Art-Science Technologie 2011},
     pages = {183--190},
     year = {2013}}
@@ Line 64: / Line 101: @@
   @incollection{Tache_2013_Chapter,
     author = {Olivier Tache and Stephen Sinclair and Jean-Loup Florens and Marcelo ~M. Wanderley},
-    title = {Qualités Tactiles et Sonores dans le Jeu Instrumental de Cordes Frottées: Exploration par la simulation},
+    title = {Qualit{\'e}s Tactiles et Sonores dans le Jeu Instrumental de Cordes Frott{\'e}es: Exploration par la simulation},
-    editor = {Annie Luciani and Olivier Tache and Nicholas Castagné},
+    editor = {Annie Luciani and Olivier Tache and Nicholas Castagn{\'e}},
     publisher = {Enactive System Books},
-    booktitle = {Créativité Instrumentale, Créativité Ambiente: Colloque Art-Science Technologie 2011},
+    booktitle = {Cr{\'e}ativit{\'e} Instrumentale, Cr{\'e}ativit{\'e} Ambiente: Colloque Art-Science Technologie 2011},
     pages = {225--242},
-    year = {2013}}
+    year = {2013},
+    keywords = {haptics}}
   @incollection{Malloch_2011_Chapter,
@@ Line 83: / Line 121: @@
     author = {Marcelo ~M. Wanderley},
     title = {Projeto e Utilizao de Instrumentos Musicais Digitais},
-    editor = {Damián Keller and Rogério Budasz},
+    editor = {Dami{\'a}n Keller and Rog{\'e}rio Budasz},
     publisher = {ANPOM (In Portuguese)},
-    booktitle = {Criação Musical e Tecnologias: Teoria e Prática Interdisciplinar 1},
+    booktitle = {Cria{\cc}{\~a}o Musical e Tecnologias: Teoria e Pr{\'a}tica Interdisciplinar 1},
     year = {2010}}
   @incollection{Jensenius_2010_Chapter,
-    author = {Alexander Refsum Jensenius and Marcelo ~M. Wanderley and Rolf Inge Godøy and Marc Leman},
+    author = {Alexander Refsum Jensenius and Marcelo ~M. Wanderley and Rolf Inge God{\o}y and Marc Leman},
     title = {Musical Gesture: Concepts and Methods in Research},
-    editor = {Rolf Inge Godøy and Marc Leman},
+    editor = {Rolf Inge God{\o}y and Marc Leman},
     publisher = {Routledge},
     address= {New York},
@@ Line 111: / Line 149: @@
     title = {Instrumentos Musicais Digitais - Gestos, Sensores e Interfaces},
     editor = {Beatriz Senoi Ilari},
-    publisher = {Editora da Universidade Federal do Paraná (In Portuguese)},
+    publisher = {Editora da Universidade Federal do Paran{\'a} (In Portuguese)},
     booktitle = {Musica, Em Busca da Mente Musical},
     year = {2006}}
@@ Line 131: / Line 169: @@
   @incollection{Wanderley_1999_Chapter,
     author = {Marcelo ~M. Wanderley and Philippe Depalle},
-    title = {Contrôle Gestuel de la Synthèse Sonore},
+    title = {Contrôle Gestuel de la Synth{\`e}se Sonore},
-    editor = {Hugues Vinet and François Delalande},
+    editor = {Hugues Vinet and Fran{\cc}ois Delalande},
-    publisher = {Hermès Science Publishing},
+    publisher = {Herm{\`e}s Science Publishing},
     address = {Paris, France},
     booktitle = {Interfaces Homme-Machine et Creation Musicale},
@@ Line 139: / Line 177: @@
 ======PhD Theses======
+=====2017=====
+  @phdthesis{Hattwick_2017_phdthesis,
+    author = {Ian Hattwick},
+    month = {November},
+    school = {McGill University},
+    supervisor = {Marcelo ~M. Wanderley},
+    title = {Creating Novel Digital Interfaces for Professional Artistic Productions in Collaborative Art-Science Research Projects},
+    defended = {November 08, 2017},
+    year = {2017}}
+  @phdthesis{Santos_2017_phdhesis,
+    author = {Thais Fernandes Santos},
+    month = {June},
+    school = {Universidade Federal de Minas Gerais (UFMG)},
+    supervisor = {Mauricio Alves Loureiro and Marcelo ~M. Wanderley},
+    title = {The Relationship between Ancillary Gestures and Musical Phrase Organization: Application to Flute Performance},
+    defended = {June 06, 2017},
+    year = {2017}}
 =====2016=====
@@ Line 158: / Line 216: @@
     title = {Vibrotactile Feedback and Stimulation in Music Performance},
     defended = {March 24, 2016},
-    year = {2016}}
+    year = {2016},
+    keywords = {haptics}}
 =====2015=====
@@ Line 190: / Line 249: @@
     supervisor = {Marcelo ~M. Wanderley},
     title = {A Framework and Tools for Mapping of Digital Musical Instruments},
+    defended = {November 04, 2013},
     year = {2013},
     keywords = {libmapper, t-stick, spine, prostheses}}
@@ Line 202: / Line 262: @@
     supervisor = {Marcelo ~M. Wanderley and Vincent Hayward},
     defended = {November 26, 2012},
-    year = {2012}}
+    year = {2012},
+    keywords = {}}
   @phdthesis{Zadel_2012_phdthesis,
@@ Line 210: / Line 271: @@
     supervisor = {Marcelo ~M. Wanderley and Gary Scavone},
     title = {Graphical Performance Software in Contexts: Explorations with Different Strokes},
-    year = {2012}}
+    year = {2012},
+    keywords = {different_strokes}}
   @phdthesis{Palacio-Quintin_2012_phdthesis,
-    author = {Cléo Palacio-Quintin},
+    author = {Cl{\'e}o Palacio-Quintin},
     month = {May},
     department = {Music Composition},
-    school = {Université de Montréal},
+    school = {Universit{\'e} de Montr{\'e}al},
-    supervisor = {Jean Piché and Marcelo ~M. Wanderley},
+    supervisor = {Jean Pich{\'e} and Marcelo ~M. Wanderley},
-    title = {Composition d'Oeuvres pour Hyper-flûtes et Traitement Audionumérique Interactif},
+    title = {Composition d'Oeuvres pour Hyper-flûtes et Traitement Audionum{\'e}rique Interactif},
     defended = {May 17, 2012},
     year = {2012},
@@ Line 237: / Line 299: @@
   @phdthesis{VanNort_2010_phdthesis,
-    author = {Doug Van Nort},
+    author = {Doug {Van Nort}},
     month = {January},
     school = {McGill University},
@@ Line 248: / Line 310: @@
   @phdthesis{Bouenard_2009_phdthesis,
-    author = {Alexandre Bouënard},
+    author = {Alexandre Bou{\"e}nard},
     month = {December},
     school = {European University of Brittany},
@@ Line 254: / Line 316: @@
     title = {Synthesis of Music Performances: Virtual Character Animation as a Controller of Sound Synthesis},
     defended = {December 10, 2009},
-    year = {2009}}
+    year = {2009},
+    keywords = {movement_analysis_and_synthesis}}
   @phdthesis{Marshall_2009_phdthesis,
@@ Line 305: / Line 368: @@
     supervisor = {Marcelo ~M. Wanderley},
     title = {A Flexible Tool for the Visualization of Musical Mapping Networks},
-    year = {2013}}
+    year = {2013},
+    keywords = {mapping_ui}}
   @mastersthesis{Wilansky_2013_mastersthesis,
@@ Line 314: / Line 378: @@
     supervisor = {Marcelo ~M. Wanderley},
     title = {A Production Tool for Analysis of the Mapping Layer in Digital Musical Instruments},
-    year = {2013}}
+    year = {2013},
+    keywords = {mapping_ui}}
   @mastersthesis{Ghamsari-Esfahani_2013_mastersthesis,
@@ Line 332: / Line 397: @@
     supervisor = {Marcelo ~M. Wanderley},
     title = {Exploring Music Through Sound: Sonification of Emotion, Gesture, and Corpora},
-    year = {2013}}
+    year = {2013},
+    keywords = {sonification}}
 =====2012=====
@@ Line 354: / Line 420: @@
     supervisor = {Marcelo ~M. Wanderley},
     title = {A Tool for Configuring Mappings for Musical Systems using Wireless Sensor Networks},
-    year = {2011}}
+    year = {2011},
+    keywords = {mapping_ui}}
   @mastersthesis{Germain_2011_mastersthesis,
     address = {Montreal, Canada},
-    author = {François Germain},
+    author = {Fran{\cc}ois G. Germain},
     month = {October},
     school = {McGill University},
@@ Line 393: / Line 460: @@
     school = {McGill University},
     supervisor = {Marcelo ~M. Wanderley and Vincent Verfaille},
-    title = {When Gestures are Perceived through Sounds: A Framework for Sonification of MusiciansÕ Ancillary Gestures},
+    title = {When Gestures are Perceived through Sounds: A Framework for Sonification of Musicians' Ancillary Gestures},
     year = {2008}}
@@ Line 403: / Line 470: @@
     supervisor = {Marcelo ~M. Wanderley},
     title = {Design of fMRI-compatible electronic musical interfaces},
-    year = {2008}}
+    year = {2008},
+    keywords = {fmri}}
 =====2007=====
@@ Line 442: / Line 510: @@
     supervisor = {Marcelo ~M. Wanderley},
     title = {Musical Vibrotactile Feedback},
-    year = {2007}}
+    year = {2007},
+    keywords = {vibrotaction}}
   @mastersthesis{Sinclair_2007_mastersthesis,
@@ Line 452: / Line 521: @@
     title = {Force-Feedback Hand Controllers for Musical Interaction},
     year = {2007},
-    keywords = {dimple}}
+    keywords = {dimple, force-feedback}}
   @mastersthesis{Burns_2007_mastersthesis,
@@ Line 461: / Line 530: @@
     supervisor = {Marcelo ~M. Wanderley},
     title = {Computer Vision Methods for Guitarist Left-Hand Fingering Recognition},
-    year = {2007}}
+    year = {2007},
+    keywords = {computer_vision, guitar}}
 =====2006=====
@@ Line 473: / Line 543: @@
     title = {A Software System for Laptop Performance and Improvisation},
     year = {2006},
-    keywords={different strokes}}
+    keywords={different_strokes}}
   @mastersthesis{Sinyor_2006_mastersthesis,
@@ Line 494: / Line 564: @@
     supervisor = {Marcelo ~M. Wanderley},
     title = {Conducting Gesture Recognition, Analysis and Performance System},
-    year = {2004}}
+    year = {2004},
+    keywords = {conducting, hmm}}
 ======Journal Articles======
+=====2019=====
+  @article{Massie-Laberge_2019_FIP,
+    author = {Catherine Massie-Laberge and Isabelle Cossette and Marcelo ~M. Wanderley},
+    journal = {Frontiers in Psychology},
+    title = {Kinematic Analysis of Pianists’ Expressive Performances of Romantic Excerpts: Applications for Enhanced Pedagogical Approaches},
+    DOI = {10.3389/fpsyg.2018.02725},
+    publisher = {},
+    volume = {},
+    number = {},
+    month = {January},
+    year = {2019},
+    pages = {},
+    keywords = {journal},
+    notes = {}}
+=====2018=====
+  @article{Caramiaux_2018_PLOSONE,
+    author = {Baptiste Caramiaux and Frederic Bevilacqua and Marcelo ~M. Wanderley and Caroline Palmer},
+    journal = {PLOS ONE},
+    title = {Dissociable Effects of Practice Variability on Learning Motor and Timing Skills},
+    DOI = {},
+    publisher = {},
+    volume = {},
+    number = {},
+    month = {},
+    year = {2018},
+    pages = {},
+    keywords = {journal},
+    notes = {}}
+  @article{Malloch_2018_Multimedia,
+    author = {Joseph Malloch and Stephen Sinclair and Marcelo ~M. Wanderley},
+    journal = {IEEE Multimedia},
+    title = {Generalized Multi-Instance Control Mapping for Interactive Media Systems},
+    DOI = {},
+    publisher = {IEEE},
+    volume = {25},
+    number = {1},
+    month = {January-March},
+    year = {2018},
+    pages = {},
+    keywords = {journal, libmapper},
+    notes = {}}
+=====2017=====
+  @article{Demos_2017_FIP,
+    author = {Alexander ~P. Demos and Daniel ~J. Carter and Marcelo ~M. Wanderley and Caroline Palmer},
+    journal = {Frontiers in Psychology},
+    title = {The unresponsive partner: Roles of social status, auditory feedback, and animacy in coordination of joint music performance},
+    DOI = {10.3389/fpsyg.2017.00149},
+    publisher = {},
+    volume = {},
+    number = {},
+    month = {February},
+    year = {2017},
+    pages = {},
+    keywords = {journal},
+    notes = {}}
+  @article{Maestre_2017_Multimedia,
+    author = {Esteban Maestre and Panos Papiotis and Marco Marchini and Quim Llimona and Oscar Mayor and Alfonso Perez and Marcelo ~M. Wanderley},
+    journal = {IEEE Multimedia},
+    title = {Online Access and Visualization of Enriched Multimodal Representations of Music Performance Recordings: the Quartet Dataset and the Repovizz System},
+    DOI = {10.1109/MMUL.2017.3},
+    publisher = {IEEE},
+    volume = {},
+    number = {},
+    month = {January-March},
+    year = {2017},
+    pages = {24--34},
+    keywords = {journal},
+    notes = {}}
+  @article{Calegario_2017_Multimedia,
+    author = {Filipe Calegario and Marcelo ~M. Wanderley and St{\'e}phane Huot and Giordano Cabral and Geber Ramalho},
+    journal = {IEEE Multimedia},
+    title = {Method and Toolkit for Generating Ideas and Prototyping Digital Musical Instruments},
+    DOI = {10.1109/MMUL.2017.18},
+    publisher = {IEEE},
+    volume = {},
+    number = {},
+    month = {January-March},
+    year = {2017},
+    pages = {63--71},
+    keywords = {journal},
+    notes = {}}
+=====2016=====
+  @article{Schumacher_2016_JNMR,
+    author = {Marlon Schumacher and Marcelo ~M. Wanderley},
+    journal = {Journal of New Music Research},
+    title = {Integrating Gesture Data in Computer-Aided Composition: A Framework for Representation, Processing and Mapping},
+    DOI = {10.1080/09298215.2016.1254662},
+    publisher = {Taylor \& Francis},
+    volume = {},
+    number = {},
+    month = {},
+    year = {2016},
+    pages = {},
+    keywords = {journal},
+    notes = {}}
 =====2015=====
@@ Line 504: / Line 681: @@
     journal = {IEEE Sensors Journal},
     title = {The Design, Implementation, and Testing of a Sensorized MRI-Compatible Cello},
-    dOI = {10.1109/JSEN.2015.2449876},
+    DOI = {10.1109/JSEN.2015.2449876},
     iSSN = {1530-437X},
     publisher = {IEEE},
@@ Line 518: / Line 695: @@
     journal = {IEEE Transactions on Audio, Speech and Language Processing},
     title = {Indirect Acquisition of Violin Instrumental Controls from Audio Signal with Hidden Markov Models},
-    dOI = {10.1109/TASLP.2015.2410140},
+    DOI = {10.1109/TASLP.2015.2410140},
     publisher = {IEEE},
     volume = {23},
@@ Line 524: / Line 701: @@
     month = {April},
     year = {2015},
-    keywords = {journal}}
+    keywords = {journal, indirect_acquisition, HMM}}
   @article{Maes_2015_EBR,
@@ Line 530: / Line 707: @@
     journal = {Experimental Brain Research},
     title = {The Role of Working Memory in the Temporal Control of Discrete and Continuous Movements},
-    dOI = {10.1007/s00221-014-4108-5},
+    DOI = {10.1007/s00221-014-4108-5},
     publisher = {Springer Berlin Heidelberg},
     volume = {233},
@@ Line 543: / Line 720: @@
     journal = Multimedia Tools and Applications,
     title = {Distributed Tools for Interactive Design of Heterogeneous Signal Networks},
-    dOI = {10.1007/s11042-014-1878-5},
+    DOI = {10.1007/s11042-014-1878-5},
     issn={1380-7501},
     publisher = {Springer US},
@@ Line 560: / Line 737: @@
     journal = {Quarterly Journal of Experimental Psychology},
     title = {Common Cues to Emotion in the Dynamic Facial Expressions of Speech and Song},
-    dOI = {10.1080/17470218.2014.971034},
+    DOI = {10.1080/17470218.2014.971034},
     publisher = {Taylor \& Francis},
     volume={68},
@@ Line 574: / Line 751: @@
     journal = {IEEE Transactions on Haptics},
     title = {Velocity estimation algorithms for audio-haptic simulations involving stick-slip},
-    dOI = {10.1109/TOH.2014.2346505},
+    DOI = {10.1109/TOH.2014.2346505},
     publisher = {IEEE},
     volume={7},
@@ Line 582: / Line 759: @@
     pages={533--544},
     uRL = {http://www.ncbi.nlm.nih.gov/pubmed/25122594},
-    keywords = {journal}}
+    keywords = {journal, velocity_estimation}}
   @article{VanNort_2014_CMJ,
-    author = {Doug Van Nort and Marcelo ~M. Wanderley and Philippe Depalle},
+    author = {Doug {Van Nort} and Marcelo ~M. Wanderley and Philippe Depalle},
     journal = {Computer Music Journal},
     title = {Mapping Control Structures to Sound Synthesis: Functional and Topological Perspectives},
-    dOI = {10.1162/COMJ_a_00253},
+    DOI = {10.1162/COMJ_a_00253},
     publisher = {MIT Press},
     volume={38},
@@ Line 602: / Line 779: @@
     journal = {Sensors Journal},
     title = {A Comprehensive Review of Sensors and Instrumentation Methods Used in Musical Expression},
-    dOI = {10.3390/s140813556},
+    DOI = {10.3390/s140813556},
     publisher = {MDPI},
     volume={14},
@@ Line 616: / Line 793: @@
     journal = {Journal of New Music Research},
     title = {Motion Analysis of Clarinet Performers},
-    dOI = {10.1080/09298215.2014.925939},
+    DOI = {10.1080/09298215.2014.925939},
     publisher = {Taylor \& Francis},
     volume={44},
@@ Line 630: / Line 807: @@
     journal = {IEEE Sensors Journal},
     title = {Multiple-model Linear Kalman Filter Framework for Unpredictable Signals},
-    dOI = {10.1109/JSEN.2013.2291683},
+    DOI = {10.1109/JSEN.2013.2291683},
     publisher = {IEEE},
     volume={14},
@@ Line 644: / Line 821: @@
     journal = {Organised Sound},
     title = {Sonification of Emotion: Strategies and Results from the Intersection with Music},
-    dOI = {10.1017/S1355771813000411},
+    DOI = {10.1017/S1355771813000411},
     publisher = {Cambridge University Press},
     volume={19},
@@ Line 658: / Line 835: @@
     journal = {Expert Systems with Applications},
     title = {Automatic Detection of Musicians' Ancillary Gestures based on Video Analysis},
-    dOI = {10.1016/j.eswa.2013.09.009},
+    DOI = {10.1016/j.eswa.2013.09.009},
     publisher = {Elsevier},
     volume={41},
@@ Line 672: / Line 849: @@
     journal = {Computer Music Journal},
     title = {In-House Development of Paper Force Sensors for Musical Applications},
-    dOI = {10.1162/COMJ_a_00237},
+    DOI = {10.1162/COMJ_a_00237},
     publisher = {MIT Press},
     volume={38},
@@ Line 686: / Line 863: @@
     journal = {Frontiers in Psychology},
     title = {Action-based Effect on Music Perception},
-    dOI = {10.3389/fpsyg.2013.01008},
+    DOI = {10.3389/fpsyg.2013.01008},
     iSSN={1664-1078},
     publisher = {Frontiers Media S.A.},
@@ Line 703: / Line 880: @@
     journal = {Acta Acustica united with Acustica},
     title = {Gestural strategies in the harp performance},
-    dOI = {10.3813/AAA.918677},
+    DOI = {10.3813/AAA.918677},
     publisher = {S. Hirzel Verlag},
     volume={99},
@@ Line 717: / Line 894: @@
     journal = {Computer Music Journal},
     title = {Trumpet Augmentation and Technological Symbiosis},
-    dOI = {10.1162/COMJ_a_00185},
+    DOI = {10.1162/COMJ_a_00185},
     iSSN = {0148-9267},
     publisher = {MIT Press},
@@ Line 732: / Line 909: @@
     journal = {Journal of Cognitive Neuroscience},
     title = {Repetition Suppression in Auditory-Motor Regions to Pitch and Temporal Structure in Music},
-    dOI = {10.1162/jocn_a_00322},
+    DOI = {10.1162/jocn_a_00322},
     publisher = {MIT Press},
     volume={25},
@@ Line 746: / Line 923: @@
     journal = {The International Journal of Multimedia \& Its Applications (IJMA)},
     title = {A Sonification Tool for the Analysis of Large Databases of Expressive Gesture},
-    dOI = {10.5121/ijma.2012.4602},
+    DOI = {10.5121/ijma.2012.4602},
     publisher = {AIRCC Publishing Corporation},
     volume={4},
@@ Line 756: / Line 933: @@
   @article{Bouenard_2012_VCJ,
-    author = {Alexandre Bouënard and Sylvie Gibet and Marcelo ~M. Wanderley},
+    author = {Alexandre Bou{\"e}nard and Sylvie Gibet and Marcelo ~M. Wanderley},
     journal = {The Visual Computer Journal},
     title = {Hybrid Inverse Motion Control for Virtual Characters Interacting with Sound Synthesis - Application to Percussion Motion},
-    dOI = {10.1007/s00371-011-0620-9},
+    DOI = {10.1007/s00371-011-0620-9},
     publisher = {Springer},
     volume={28},
@@ Line 767: / Line 944: @@
     pages={357--370},
     uRL = {http://www.springerlink.com/content/h3001p7282p75407},
-    keywords = {journal}}
+    keywords = {journal, movement_analysis_and_synthesis}}
   @article{Caramiaux_2012_JNMR,
-    author = {Baptiste Caramiaux and Marcelo ~M. Wanderley and Frédéric Bevilacqua},
+    author = {Baptiste Caramiaux and Marcelo ~M. Wanderley and Fr{\'e}d{\'e}ric Bevilacqua},
     journal = {Journal of New Music Research},
     title = {Segmenting and Parsing Instrumentalist's Gestures},
-    dOI = {10.1080/09298215.2011.643314},
+    DOI = {10.1080/09298215.2011.643314},
     publisher = {Routledge},
     volume={41},
@@ Line 785: / Line 962: @@
   @article{Bouenard_2011_CMJ,
-    author = {Alexandre Bouënard and Marcelo ~M. Wanderley and Sylvie Gibet and Fabrice Marandola},
+    author = {Alexandre Bou{\"e}nard and Marcelo ~M. Wanderley and Sylvie Gibet and Fabrice Marandola},
     journal = {Computer Music Journal},
     title = {Virtual Gesture Control and Synthesis of Music Performances: Qualitative Evaluation of Synthesized Timpani Exercises},
-    dOI = {10.1162/COMJ_a_00069},
+    DOI = {10.1162/COMJ_a_00069},
     publisher = {MIT Press},
     volume={35},
@@ Line 796: / Line 973: @@
     pages={57--72},
     uRL = {http://www.mitpressjournals.org/doi/abs/10.1162/COMJ_a_00069},
-    keywords = {journal}}
+    keywords = {journal, movement_analysis_and_synthesis}}
   @article{Vines_2011_Cognition,
@@ Line 802: / Line 979: @@
     journal = {Cognition},
     title = {Music to my eyes: Cross-modal interactions in the perception of emotions in musical performance},
-    dOI = {10.1016/j.cognition.2010.11.010},
+    DOI = {10.1016/j.cognition.2010.11.010},
     publisher = {Elsevier},
     volume={118},
@@ Line 817: / Line 994: @@
     journal = {Organised Sound},
     title = {Spatial Sound Synthesis in Computer-Aided Composition},
-    dOI = {10.1017/S1355771810000300},
+    DOI = {10.1017/S1355771810000300},
     publisher = {Cambridge University Press},
     volume={15},
@@ Line 839: / Line 1016: @@
   @article{Bouenard_2010_AA,
-    author = {Alexandre Bouënard and Marcelo ~M. Wanderley and Sylvie Gibet},
+    author = {Alexandre Bou{\"e}nard and Marcelo ~M. Wanderley and Sylvie Gibet},
     journal = {Acta Acustica united with Acustica, Special issue on Natural and Virtual Instruments: Control, Gesture and Player Interaction},
     title = {Gesture Control of Sound Synthesis: Analysis and Classification of Percussion Gestures},
-    dOI = {10.3813/AAA.918321},
+    DOI = {10.3813/AAA.918321},
     publisher = {S. Hirzel Verlag},
     volume={96},
@@ Line 849: / Line 1026: @@
     pages={668--677},
     uRL = {http://www.ingentaconnect.com/content/dav/aaua/2010/00000096/00000004/art00009},
-    keywords = {journal}}
+    keywords = {journal, movement_analysis_and_synthesis}}
   @article{Verfaille_2010_JASA,
@@ Line 855: / Line 1032: @@
     journal = {Journal of the Acoustical Society of America},
     title = {Detecting Overblown Flute Fingerings from the Residual Noise Spectrum},
-    dOI = {10.1121/1.3257205},
+    DOI = {10.1121/1.3257205},
     publisher = {Acoustical Society of America},
     volume={127},
@@ Line 870: / Line 1047: @@
     title = {Sensor Choice for Parameter Modulations in Digital Musical Instruments: Empirical Evidence from Pitch Modulation},
     journal = {Journal of New Music Research},
-    dOI = {10.1080/09298210903085865},
+    DOI = {10.1080/09298210903085865},
     volume = {38},
     number = {3},
@@ Line 883: / Line 1060: @@
     title = {Music and Motion -- How Music-related Ancillary Body Movements Contribute to the Experience of Music},
     journal = {Music Perception: An Interdisciplinary Journal},
-    dOI = {10.1525/mp.2009.26.4.335},
+    DOI = {10.1525/mp.2009.26.4.335},
     volume = {26},
     number = {4},
@@ Line 903: / Line 1080: @@
     publisher = {Elsevier Science Inc.},
     address = {New York, NY, USA},
-    keywords = {journal, dimple}}
+    keywords = {journal}}
 =====2008=====
@@ Line 911: / Line 1088: @@
     title = {Refining mapping strategies to improve the sound quality of physically controlled synthesis},
     journal = {Journal of the Acoustical Society of America},
-    dOI = {10.1121/1.2934968},
+    DOI = {10.1121/1.2934968},
     volume = {123},
     number = {5},
@@ Line 924: / Line 1101: @@
     title = {Indirect acquisition of flutist gestures: a case study of harmonic note fingerings},
     journal = {Journal of the Acoustical Society of America},
-    dOI = {10.1121/1.2935474},
+    DOI = {10.1121/1.2935474},
     volume = {123},
     number = {5},
@@ Line 939: / Line 1116: @@
     title = {Mapping strategies for sound synthesis, digital audio effects, and sonification of performer gestures},
     journal = {Journal of the Acoustical Society of America},
-    dOI = {10.1121/1.4786924},
+    DOI = {10.1121/1.4786924},
     volume = {119},
     number = {5},
@@ Line 951: / Line 1128: @@
     title = {Mapping Strategies for Gestural and Adaptive Control of Digital Audio Effects},
     journal = {Journal of New Music Research},
-    dOI = {10.1080/09298210600696881},
+    DOI = {10.1080/09298210600696881},
     volume = {35},
     number = {1},
@@ Line 974: / Line 1151: @@
   @article{VanNort_2006_OS,
-    author = {Doug Van Nort},
+    author = {Doug {Van Nort}},
     title = {Noise/Music and representation systems},
     journal = {Organised Sound},
-    dOI = {10.1017/S1355771806001452},
+    DOI = {10.1017/S1355771806001452},
     volume = {11},
     number = {2},
@@ Line 993: / Line 1170: @@
     title = {The Musical Significance of Clarinetists' Ancillary Gestures: An Exploration of the Field},
     journal = {Journal of New Music Research},
-    dOI = {10.1080/09298210500124208},
+    DOI = {10.1080/09298210500124208},
     volume = {34},
     number = {1},
@@ Line 1029: / Line 1206: @@
     volume = {32},
     year = {2003},
-    dOI = {10.1076/jnmr.32.4.429.18853},
+    DOI = {10.1076/jnmr.32.4.429.18853},
     uRL = {http://www.tandfonline.com/doi/abs/10.1076/jnmr.32.4.429.18853},
     keywords = {journal}}
@@ Line 1056: / Line 1233: @@
     month = {August},
     year = {2002},
-    dOI = {10.1017/S1355771802002030},
+    DOI = {10.1017/S1355771802002030},
     uRL = {http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=138211},
     keywords = {journal}}
@@ Line 1063: / Line 1240: @@
   @article{Wanderley_1997_Resonance,
-    author = {Philippe Depalle and Stéphan Tassart and Marcelo ~M. Wanderley},
+    author = {Philippe Depalle and St{\'e}phan Tassart and Marcelo ~M. Wanderley},
     journal = {Resonance},
     month = {Sept},
@@ Line 1079: / Line 1256: @@
     number = {69},
     pages = {29--34},
-    title = {Étude expérimentale de l'interaction musician/instrument dans le cas de l'harpe de concert},
+    title = {{\'E}tude exp{\'e}rimentale de l'interaction musician/instrument dans le cas de l'harpe de concert},
     year = {2012},
     address = {France},
@@ Line 1085: / Line 1262: @@
 ======Conference Papers======
+=====2019=====
+  @inproceedings{Bukkapatnam_2019_MOCO,
+    author = {Aditya Tirumala Bukkapatnam and Philippe Depalle and Marcelo ~M. Wanderley},
+    title = {Autoregressive Parameter Estimation for Equalizing Vibrotactile Systems},
+    booktitle = {Proceedings of the International Workshop on Haptic and Audio Interaction Design},
+    year = {2019},
+    location = {Lille, France},
+    pages = {},
+    keywords = {}}
+  @inproceedings{Meneses_2019_NIME,
+    author = {Eduardo ~A. ~L. Meneses and Johnty Wang and Sergio Freire and Marcelo ~M. Wanderley},
+    title = {A Comparison of Open-Source Linux Frameworks for an Augmented Musical Instrument Implementation},
+    booktitle = {Proceedings of the International Conference on New Interfaces for Musical Expression},
+    year = {2019},
+    location = {Porto Alegre, Brazil},
+    pages = {},
+    keywords = {}}
+  @inproceedings{Wang_2019_NIME,
+    author = {Johnty Wang and Axel Mulder and Marcelo ~M. Wanderley},
+    title = {Practical Considerations for MIDI over Bluetooth Low Energy as a Wireless Interface},
+    booktitle = {Proceedings of the International Conference on New Interfaces for Musical Expression},
+    year = {2019},
+    location = {Porto Alegre, Brazil},
+    pages = {},
+    keywords = {}}
+=====2018=====
+  @inproceedings{Massie-Laberge_2018_MOCO,
+    author = {Catherine Massie-Laberge and Isabelle Cossette and Marcelo ~M. Wanderley},
+    title = {Kinetic Analysis of Hip Motion During Piano Playing},
+    booktitle = {Proceedings of the 5th International Conference on Movement Computing (MOCO'18)},
+    year = {2018},
+    location = {Genoa, Italy},
+    pages = {},
+    keywords = {}}
+  @inproceedings{Meneses_2018_NIME,
+    author = {Eduardo ~A. ~L. Meneses and Sergio Freire and Marcelo ~M. Wanderley},
+    title = {GuitarAMI and GuiaRT: two independent yet complementary Augmented Nylon Guitar projects},
+    booktitle = {Proceedings of the 2018 International Conference on New Interfaces for Musical Expression},
+    year = {2018},
+    location = {Blacksburg, USA},
+    pages = {},
+    keywords = {}}
+  @inproceedings{Nieva_2018_NIME,
+    author = {Alex Nieva and Johnty Wang and Joseph Malloch and Marcelo ~M. Wanderley},
+    title = {The T-Stick: Maintaining a 12 year-old digital musical instrument},
+    booktitle = {Proceedings of the 2018 International Conference on New Interfaces for Musical Expression},
+    year = {2018},
+    location = {Blacksburg, USA},
+    pages = {},
+    keywords = {tstick}}
+  @inproceedings{Sullivan_2018_MOCO_a,
+    author = {John Sullivan and Alexandra Tibbitts and Brice Gatinet and Marcelo ~M. Wanderley},
+    title = {Gestural Control of Augmented Instrumental Performance: A Case Study of the Concert Harp},
+    booktitle = {Proceedings of 5th International Conference on Movement Computing (MOCO'18)},
+    year = {2018},
+    location = {Genoa, Italy},
+    pages = {},
+    keywords = {}}
+  @inproceedings{Sullivan_2018_MOCO_b,
+    author = {John Sullivan and Marcelo ~M. Wanderley},
+    title = {Stability, Reliability, Compatibility: Reviewing 40 Years of DMI Design},
+    booktitle = {Proceedings of the Sound and Music Computing Conference (SMC)},
+    year = {2018},
+    location = {Limassol, Cyprus},
+    pages = {},
+    keywords = {}}
+=====2017=====
+  @inproceedings{Barbosa_2017_NIME,
+    author = {Jeronimo Barbosa and Marcelo M. Wanderley and St{'\e}phane Huot},
+    title = {Exploring Playfulness in NIME Design: The Case of Live Looping Tools},
+    booktitle = {Proceedings of the 2017 International Conference on New Interfaces for Musical Expression},
+    year = {2017},
+    location = {Copenhagen, Denmark},
+    pages = {},
+    keywords = {}}
+  @inproceedings{Caramiaux_2017_ICMC,
+    author = {Baptiste Caramiaux and Fr{\'e}d{\'e}ric Bevilacqua and Marcelo ~M. Wanderley and Caroline Palmer},
+    title = {Individuality in Piano Performance Depends on Skill Learning},
+    booktitle = {Proceedings of the 4th International Conference of Movement Computing},
+    year = {2017},
+    location = {London, UK},
+    pages = {},
+    keywords = {}}
+  @inproceedings{Ignoto_2017_AHFE,
+    author = {Patrick Ignoto and Ian Hattwick and Marcelo M. Wanderley},
+    title = {Development of a Vibrotactile Metronome to Assist in Conducting Contemporary Classical Music},
+    booktitle = {Proceedings of the 8th International Conference on Applied Human Factors and Ergonomics (AHFE)},
+    year = {2017},
+    location = {Los Angeles, USA},
+    pages = {},
+    keywords = {}}
+  @inproceedings{Hattwick_2017_HCIIC,
+    author = {Ian Hattwick and Ivan Franco and Marcelo ~M. Wanderley},
+    title = {The Vibropixels: A Scalable Wireless Tactile Display System},
+    booktitle = {Proceedings of the Human-Computer Interaction International Conference},
+    year = {2017},
+    location = {Vancouver, Canada},
+    pages = {},
+    keywords = {}}
+  @inproceedings{Hattwick_2017_NIME,
+    author = {Ian Hattwick and Marcelo ~M. Wanderley},
+    title = {The Design Process for Creating Hardware Systems in Collaborative Artistic Projects},
+    booktitle = {Proceedings of the 2017 International Conference on New Interfaces for Musical Expression},
+    year = {2017},
+    location = {Copenhagen, Denmark},
+    pages = {},
+    keywords = {}}
+  @inproceedings{Meneses_2017_BSCM,
+    author = {Eduardo ~A. ~L. Meneses and Marcelo ~M. Wanderley},
+    title = {New developments on the augmentation of a classical guitar: Addition of embedded sound synthesis and OSC communication over network},
+    booktitle = {Proceedings of the 16th Brazilian Symposium on Computer Music},
+    year = {2017},
+    location = {S{\~a}o Paulo, Brazil},
+    pages = {},
+    keywords = {}}
+  @inproceedings{Wang_2017_SMC_a,
+    author = {Johnty Wang and Joseph Malloch and St{\'e}phane Huot and Fanny Chevalier and Marcelo ~M. Wanderley},
+    title = {Versioning and Annotation Support for Collaborative Mapping Design},
+    booktitle = {Proceedings of the 14th Sound and Music Computing Conference (SMC)},
+    year = {2017},
+    location = {Espoo, Finland},
+    pages = {},
+    keywords = {libmapper}}
+  @inproceedings{Wang_2017_SMC_b,
+    author = {Johnty Wang and Bob Pritchard and Bryn Nixon and Marcelo ~M. Wanderley},
+    title = {Explorations with Digital Control of MIDI-enabled Pipe Organs},
+    booktitle = {Proceedings of the 14th Sound and Music Computing Conference},
+    year = {2017},
+    location = {Espoo, Finland},
+    pages = {},
+    keywords = {}}
+=====2016=====
+  @inproceedings{Bhagwati_2016_TENOR,
+    address = {Cambridge, UK},
+    author = { Sandeep Bhagwati and Marcello Giordano and Joanna Berzowska and Alex Bachmayr and Julian Stein and Joseph Browne and Felix Del Tredici and Deborah Egloff and John Sullivan and Marcelo Wanderley and Isabelle Cossette },
+    title = {Musicking the Body Electric. The "body:suit:score" as a polyvalent score interface for situational scores.},
+    booktitle = {Proceedings of the International Conference on Technologies for Music Notation and Representation -- TENOR'16},
+    pages = {121--126},
+    year = {2016},
+    editor = {Richard Hoadley and Chris Nash and Dominique Fober},
+    publisher = {Anglia Ruskin University},
+    ISBN = {978-0-9931461-1-4}}
+  @inproceedings{Chen_2016_MOCO,
+    author = {Lei Chen, Sylvie Gibet and Pierre-Fran{\cc}ois Marteau and Fabrice Marandola and Marcelo ~M. Wanderley},
+    title = {Quantitative Evaluation of Percussive Gestures by Ranking Trainees versus Teacher},
+    booktitle = {Proceedings of the International Symposium on Movement and Computing (MOCO2016)},
+    year = {2016},
+    location = {Thessaloniki, Greece},
+    pages = {},
+    keywords = {}}
+  @inproceedings{Wanderley_2016_CHI,
+    author = {Marcelo ~M. Wanderley and Joseph Malloch and J{\'e}r{\'e}mie Garcia and Wendy Mackay and Michel Beaudouin-Lafon and St{\'e}phane Huot},
+    title = {Human Computer Interaction meets Computer Music: The MIDWAY Project},
+    booktitle = {The Music and HCI Workshop, CHI 2016},
+    year = {2016},
+    location = {San Jos{\'e}, USA},
+    pages = {},
+    keywords = {midway}}
+  @inproceedings{Franco_2016_CMMR,
+    author = {Ivan Franco and Marcelo ~M. Wanderley},
+    title = {The Mitt: Case Study in the Design of a Self-contained Digital Music Instrument},
+    booktitle = {Proceedings of the 12th International Symposium on Computer Music Multidisciplinary Research (CMMR)},
+    year = {2016},
+    location = {S{\~a}o Paulo, Brazil},
+    pages = {},
+    keywords = {mitt, prynth}}
+  @inproceedings{Massie-Laberge_2016_ICMPC_a,
+    author = {Catherine Massie-Laberge and Isabelle Cossette and Marcelo ~M. Wanderley},
+    title = {Hearing the Gesture: Perception of Body Actions in Romantic Piano Performances},
+    booktitle = {Proceedings of ICMPC 2016 International Conference for Music Perception and Cognition (ICMPC)},
+    year = {2016},
+    location = {San Francisco, USA},
+    pages = {},
+    keywords = {}}
+  @inproceedings{Massie-Laberge_2016_ICMPC_b,
+    author = {Catherine Massie-Laberge and Isabelle Cossette and Marcelo ~M. Wanderley},
+    title = {Motion Kinematics and Auditors’ Perception of Expressive Gesture in Romantic Piano Performances},
+    booktitle = {Proceedings of ICMPC 2016 International Conference for Music Perception and Cognition (ICMPC)},
+    year = {2016},
+    location = {San Francisco, USA},
+    pages = {},
+    keywords = {}}
 =====2015=====
@@ Line 1097: / Line 1482: @@
   @inproceedings{Barbosa_2015_NIME_a,
-    author = {Jeronimo Barbosa and Joseph Malloch and Stéphane Huot and Marcelo ~M. Wanderley},
+    author = {Jeronimo Barbosa and Joseph Malloch and St{\'e}phane Huot and Marcelo ~M. Wanderley},
     title = {What does 'Evaluation' mean for the NIME community?},
     booktitle = {Proceedings of the International Conference on New Interfaces for Musical Expression},
@@ Line 1127: / Line 1512: @@
     year = {2015},
     location = {Baton Rouge, USA},
-    pages = {}}
+    pages = {},
+    keywords = {prynth}}
   @inproceedings{Lamontagne_2015_SEA,
@@ Line 1135: / Line 1521: @@
     year = {2015},
     location = {Vancouver, Canada},
+    pages = {}}
+  @inproceedings{Tits_2015_ICMC,
+    author = {Micka{\"e}l Tits and Jo{\"e}lle Tilmanne and Nicolas d?Alessandro, Marcelo ~M. Wanderley},
+    title = {Feature Extraction and Expertise Analysis of Pianists? Motion-Captured Finger Gestures},
+    booktitle = {Proceedings of the International Computer Music Conference},
+    year = {2015},
+    location = {Denton, USA},
     pages = {}}
@@ Line 1197: / Line 1591: @@
   @inproceedings{Hattwick_2014_NIME_c,
-    author = {Ian Hattwick and Seth Woods},
+    author = {Ian Hattwick and Seth Woods and Marcelo ~M. Wanderley},
     title = {Almost Human: Moving Expressive Gesture from Cello to Spine},
     booktitle = {Proceedings of the Workshop on Practice-Based Research in New Interfaces for Musical Expression},
@@ Line 1234: / Line 1628: @@
     title = {Intonaspacio: A Digital Musical Instrument for Exploring Site-Specificities in Sound},
     booktitle = {Sound, Music, and Motion: 10th International Symposium, CMMR 2013 Revised Selected Papers},
-    editor = {Mitsuko Aramaki and Olivier Derrien and Richard Kronland-Martinet and Sølvi Ystad},
+    editor = {Mitsuko Aramaki and Olivier Derrien and Richard Kronland-Martinet and S{\o}lvi Ystad},
     publisher = {Springer-Verlag},
     series = {LNCS},
@@ Line 1240: / Line 1634: @@
     year = {2014},
     location = {Marseille, France},
-    dOI = {10.1007/978-3-319-12976-1_24},
+    DOI = {10.1007/978-3-319-12976-1_24},
     pages = {393--415}}
@@ Line 1319: / Line 1713: @@
   @inproceedings{Seger_2013_BSCM,
     author = {Rodrigo ~A. Seger and Alessandro ~L. Koerich and Marcelo ~M. Wanderley},
-    title = {Detecção de Movimentos Auxiliares de Clarinetistas Através de Visão Computacional},
+    title = {Detec{\cc}ão de Movimentos Auxiliares de Clarinetistas Atrav{\'e}s de Visão Computacional},
     booktitle = {Proceedings of the 14th Brazilian Symposium on Computer Music},
     year = {2013},
@@ Line 1342: / Line 1736: @@
   @inproceedings{Schiavoni_2013_SMC,
-    author = {Flávio Luiz Schiavoni and Marcelo Queiroz and Marcelo ~M. Wanderley},
+    author = {Fl{\'a}vio Luiz Schiavoni and Marcelo Queiroz and Marcelo ~M. Wanderley},
     title = {Network music with Medusa: A comparison of tempo alignment in existing MIDI APIs},
     booktitle = {Proceedings of the 2013 International Conference on Sound and Music Computing (SMC2013)},
@@ Line 1350: / Line 1744: @@
   @inproceedings{Schiavoni_2013_ICMC,
-    author = {Flávio Luiz Schiavoni and Marcelo Queiroz and Marcelo ~M. Wanderley},
+    author = {Fl{\'a}vio Luiz Schiavoni and Marcelo Queiroz and Marcelo ~M. Wanderley},
     title = {Alternatives in network transport protocols for audio streaming applications},
     booktitle = {Proceedings of the 2013 International Computer Music Conference (ICMC13)},
@@ Line 1367: / Line 1761: @@
   @inproceedings{Winters_2013_ICME_a,
     author = {R. Michael Winters and Ian Hattwick and Marcelo ~M. Wanderley},
-    title = {Emotional Data in Music Performance: Two AudioEnvironments for the Emotional Imaging Composer},
+    title = {Emotional Data in Music Performance: Two Audio Environments for the Emotional Imaging Composer},
     booktitle = {Proceedings of the 3rd International Conference on Music & Emotion (ICME2013)},
     year = {2013},
@@ Line 1419: / Line 1813: @@
     location = {Atlanta, Georgia},
     pages = {}}
   @inproceedings{Germain_2012_DAFx,
-    author = {François G. Germain and Jonathan ~S. Abel and Philippe Depalle and Marcelo ~M. Wanderley},
+    author = {Fran{\cc}ois G. Germain and Jonathan ~S. Abel and Philippe Depalle and Marcelo ~M. Wanderley},
     title = {Uniform Noise Sequences for Nonlinear System Identification},
     booktitle = {Proceedings 15th International Conference of Digital Audio Effects (DAFx-12)},
@@ Line 1428: / Line 1822: @@
     location = {York, UK},
     pages = {}}
   @inproceedings{Vigliensoni_2012_NIME,
     author = {Gabriel Vigliensoni and Marcelo ~M. Wanderley},
@@ Line 1437: / Line 1831: @@
     location = {Ann Arbor, USA},
     pages = {}}
   @inproceedings{Hollinger_2012_NIME,
     author = {Avrum Hollinger and Marcelo ~M. Wanderley},
@@ Line 1446: / Line 1840: @@
     location = {Ann Arbor, USA},
     pages = {}}
   @inproceedings{Hattwick_2012_NIME,
     author = {Ian Hattwick and Marcelo ~M. Wanderley},
@@ Line 1455: / Line 1849: @@
     location = {Ann Arbor, USA},
     pages = {},
-    keywords={dimension_space}}
+    keywords = {dimension_space}}
   @inproceedings{Tache_2012_NIME,
     author = {Olivier Tache and Jean-Loup Florens and Stephen Sinclair and Marcelo ~M. Wanderley},
@@ Line 1465: / Line 1859: @@
     location = {Ann Arbor, USA},
     pages = {}}
   @inproceedings{Giordano_2012_NIME,
     author = {Marcello Giordano and Stephen Sinclair and Marcelo ~M. Wanderley},
@@ Line 1474: / Line 1868: @@
     location = {Ann Arbor, USA},
     pages = {}}
   @inproceedings{Chadefaux_2012_Acoustics,
     author = {Delphine Chadefaux and Marcelo ~M. Wanderley and Jean-Loïc Le Carrou and Benoît Fabre and Laurent Daudet},
@@ Line 1494: / Line 1888: @@
     location = {Padova, Italy},
     pages = {}}
   @inproceedings{Giordano_2011_SMC,
     author = {Marcello Giordano and Marcelo ~M. Wanderley},
@@ Line 1503: / Line 1897: @@
     location = {Padova, Italy},
     pages = {}}
   @inproceedings{Sinclair_2011_WHC,
     author = {Stephen Sinclair and Marcelo ~M. Wanderley and Vincent Hayward and Gary Scavone},
@@ Line 1512: / Line 1906: @@
     location = {},
     pages = {}}
   @inproceedings{Donald_2011_NIME,
     author = {Erika Donald and Benjamin Duinker and and Eliot Britton},
@@ Line 1521: / Line 1915: @@
     location = {Oslo, Norway},
     pages = {}}
   @inproceedings{Marshall_2011_NIME,
     author = {Mark ~T. Marshall and Marcelo ~M. Wanderley},
@@ Line 1530: / Line 1924: @@
     location = {Oslo, Norway},
     pages = {}}
   @inproceedings{Bresson_2011_ICMC,
     author = {Jean Bresson and Marlon Schumacher},
@@ Line 1566: / Line 1960: @@
   @inproceedings{Bresson_2010_JIM,
     author = {Jean Bresson and Marlon Schumacher},
-    title = {Représentation des données de contrôle pour la spatialisation dans OpenMusic},
+    title = {Repr{\'e}sentation des donn{\'e}es de contrôle pour la spatialisation dans OpenMusic},
-    booktitle = {Actes des Journées d'Informatique Musicale},
+    booktitle = {Actes des Journ{\'e}es d'Informatique Musicale},
     year = {2010},
     month = {},
@@ Line 1574: / Line 1968: @@
   @inproceedings{Grond_2010_DAFx,
-    author = {Florian Grond and Alexandre Bouënard and Thomas Hermann and Marcelo ~M. Wanderley},
+    author = {Florian Grond and Alexandre Bou{\"e}nard and Thomas Hermann and Marcelo ~M. Wanderley},
     title = {Virtual Auditory Myography of Timpani-playing Avatars},
     booktitle = {Proceedings of the International Conference on Digital Audio Effects (DAFX)},
@@ Line 1580: / Line 1974: @@
     month = {},
     location = {Graz, Austria},
-    pages = {135--142}}
+    pages = {135--142},
+    keywords = {movement_analysis_and_synthesis}}
   @inproceedings{Bianco_2010_SMC,
-    author = {Tommaso Bianco and Marcelo ~M. Wanderley and Frederic Bevilacqua},
+    author = {Tommaso Bianco and Marcelo ~M. Wanderley and Fr{\'e}d{\'e}ric Bevilacqua},
     title = {Mimicry of tone production: results from a pilot experiment},
     booktitle = {Proceedings of the 7th of Sound and Music Computing (SMC) Conference},
@@ Line 1593: / Line 1988: @@
   @inproceedings{Stewart_2010_ICMC,
     author = {D. Andrew Stewart},
-    title = {Vigorous Music-Making: The Inherent ``Liveliness'' of a T-Stick Instrumentalist},
+    title = {Vigorous Music-Making: The Inherent ``Liveliness'' of a {T-Stick} Instrumentalist},
     booktitle = Proceedings of the 2010 International Computer Music Conference (ICMC2010),
     publisher = {ICMA},
@@ Line 1630: / Line 2025: @@
     month = {May},
     location = {New York, USA},
-    pages = {242--249}}
+    pages = {242--249},
+    keywords = {sensestage, minibee}}
   @inproceedings{Sinclair_2010_CFA,
     author = {Stephen Sinclair and Jean-Loup Florens and Marcelo ~M. Wanderley},
     title = {A Haptic Simulator for Gestural Interaction with the Bowed String},
-    booktitle = {Proceedings of the Congrès Français d'Acoustique (CFA)},
+    booktitle = {Proceedings of the Congr{\`e}s Fran{\cc}ais d'Acoustique (CFA)},
     year = {2010},
     month = {},
@@ Line 1644: / Line 2040: @@
     author = {Bruno ~L. Giordano and Federico Avanzini and Marcelo ~M. Wanderley and Stephen McAdams},
     title = {Multisensory Integration in Percussion Performance},
-    booktitle = {Proceedings of the Congrès Français d'Acoustique (CFA)},
+    booktitle = {Proceedings of the Congr{\`e}s Fran{\cc}ais d'Acoustique (CFA)},
     year = {2010},
     month = {},
@@ Line 1665: / Line 2061: @@
     pages = {227--238},
     uRL = {http://www.springerlink.com/content/k67511mr5k416834/fulltext.pdf},
-    dOI = {10.1007/978-3-540-92865-2_25}}
+    DOI = {10.1007/978-3-540-92865-2_25}}
   @inproceedings{Rasamimanana_2009_GW,
-    author = {Nicolas ~H. Rasamimanana and Delphine Bernardin and Marcelo ~M. Wanderley and Frederic Bevilacqua},
+    author = {Nicolas ~H. Rasamimanana and Delphine Bernardin and Marcelo ~M. Wanderley and Fr{\'e}d{\'e}ric Bevilacqua},
     title = {String Bowing Gestures at Varying Bow Stroke Frequencies: A Case Study},
-    booktitle = {Gesture-Based Human-Computer Interaction and Simulation · 7th International Gesture Workshop, GW 2007, Lisbon, Portugal, May 23-25, 2007, Revised Selected Papers},
+    booktitle = {Gesture-Based Human-Computer Interaction and Simulation - 7th International Gesture Workshop, GW 2007, Lisbon, Portugal, May 23-25, 2007, Revised Selected Papers},
     editor = {Miguel Sales Dias and Sylvie Gibet and Marcelo ~M. Wanderley and Rafael Bastos},
     series = {LNCS},
@@ Line 1679: / Line 2075: @@
     pages = {216--226},
     uRL = {http://www.springerlink.com/content/35400g00u1020516/fulltext.pdf},
-    dOI = {10.1007/978-3-540-92865-2_24}}
+    DOI = {10.1007/978-3-540-92865-2_24}}
   @inproceedings{Mazzarino_2009_GW,
@@ Line 1693: / Line 2089: @@
     pages = {48--56},
     uRL = {http://www.springerlink.com/content/g123184k8u734112/fulltext.pdf},
-    dOI = {10.1007/978-3-540-92865-2_5}}
+    DOI = {10.1007/978-3-540-92865-2_5}}
   @inproceedings{Palmer_2009_ISPS,
@@ Line 1714: / Line 2110: @@
   @inproceedings{Bouenard_2009_ICMC,
-    author = {Alexandre Bouënard and Marcelo ~M. Wanderley and Sylvie Gibet},
+    author = {Alexandre Bou{\"e}nard and Marcelo ~M. Wanderley and Sylvie Gibet},
     title = {Advantages and Limitations of Simulating Percussion Gestures for Sound Synthesis},
     booktitle = {Proceedings of the International Computer Music Conference (ICMC)},
@@ Line 1720: / Line 2116: @@
     month = {},
     location = {Montreal, Canada},
-    pages = {255--261}}
+    pages = {255--261},
+    keywords={movement_analysis_and_synthesis}}
   @inproceedings{Zadel_2009_ICMC,
     author = {Mark Zadel and Stephen Sinclair and Marcelo ~M. Wanderley},
-    title = {Haptic feedback for Different Strokes using DIMPLE},
+    title = {Haptic feedback for Different Strokes using {DIMPLE}},
     booktitle = {Proceedings of the International Computer Music Conference (ICMC)},
     year = {2009},
@@ Line 1730: / Line 2127: @@
     location = {Montreal, Canada},
     pages = {291--294},
-    keywords = {dimple}}
+    keywords = {different_strokes, dimple, haptics}}
   @inproceedings{Sinclair_2009_ICMC,
@@ Line 1770: / Line 2167: @@
   @inproceedings{Bouenard_2009_CASA,
-    author = {Alexandre Bouënard and Sylvie Gibet and Marcelo ~M. Wanderley},
+    author = {Alexandre Bou{\"e}nard and Sylvie Gibet and Marcelo ~M. Wanderley},
     title = {Hybrid Motion Control combining Inverse Kinematics and Inverse Dynamics Controllers for Simulating Percussion Gestures},
     booktitle = {Proceedings of the International Conference on Computer Animation and Social Agents (CASA)},
@@ Line 1776: / Line 2173: @@
     month = {},
     location = {Amsterdam, Netherlands},
-    pages = {17--20}}
+    pages = {17--20},
+    keywords={movement_analysis_and_synthesis}}
   @inproceedings{Collicutt_2009_NIME,
@@ Line 1803: / Line 2201: @@
     month = {},
     location = {Pittsburgh, USA},
-    pages = {131--134}}
+    pages = {131--134},
+    keywords = {sensestage}}
 =====2008=====
@@ Line 1820: / Line 2219: @@
     author = {Joseph Malloch and Stephen Sinclair and Marcelo ~M. Wanderley},
     booktitle = {Computer Music Modeling and Retrieval - Sense of Sounds},
-    editor = {Richard Kronland-Martinet and Sølvi Ystad and Kristoffer Jensen},
+    editor = {Richard Kronland-Martinet and S{\o}lvi Ystad and Kristoffer Jensen},
     pages = {401--425},
     publisher = {Springer-Verlag},
@@ Line 1839: / Line 2238: @@
   @inproceedings{Palacio-Quintin_2008_ICMC,
-    author = {Cléo Palacio-Quintin and Mark Zadel},
+    author = {Cl{\'e}o Palacio-Quintin and Mark Zadel},
     title = {Interactive Composition and Improvisation on the Hyper-Flute},
     booktitle = {Proceedings of the 2008 International Computer Music Conference (ICMC)},
@@ Line 1849: / Line 2248: @@
   @inproceedings{Bouenard_2008_Enactive,
-    author = {Alexandre Bouënard and Marcelo ~M. Wanderley and Sylvie Gibet},
+    author = {Alexandre Bou{\"e}nard and Marcelo ~M. Wanderley and Sylvie Gibet},
     title = {Analysis of Percussion Grip for Physically Based Character Animation},
     booktitle = {Proceedings of the International Conference on Enactive Interfaces (ENACTIVE)},
@@ Line 1855: / Line 2254: @@
     month = {},
     location = {Pisa, Italy},
-    pages = {22--27}}
+    pages = {22--27},
+    keywords={movement_analysis_and_synthesis}}
   @inproceedings{Marentakis_2008_ICAD,
@@ Line 1867: / Line 2267: @@
   @inproceedings{Bouenard_2008_NIME,
-    author = {Alexandre Bouënard and Sylvie Gibet and Marcelo ~M. Wanderley},
+    author = {Alexandre Bou{\"e}nard and Sylvie Gibet and Marcelo ~M. Wanderley},
     title = {Enhancing the Visualization of Percussion Gestures by Virtual Character Animation},
     booktitle = {Proceedings of the International Conference on New Interfaces for Musical Expression (NIME)},
@@ Line 1873: / Line 2273: @@
     month = {},
     location = {Genoa, Italy},
-    pages = {38--43}}
+    pages = {38--43},
+    keywords={movement_analysis_and_synthesis}}
 =====2007=====
@@ Line 1901: / Line 2302: @@
     booktitle = {Proceedings of the 2007 International Conference on New Interfaces for Musical Expression (NIME2007)},
     keywords = {input device},
-    title = {The T-Stick: From Musical Interface to Musical Instrument},
+    title = {The {T-Stick}: From Musical Interface to Musical Instrument},
     year = {2007},
     pages = {66--69},
@@ Line 1932: / Line 2333: @@
   @inproceedings{Jensenius_2007_Enactive,
     address = {Copenhagen, Denmark},
-    author = {Alexander Refsum Jensenius and Nicolas Castagné and Antonio Camurri and Esteban Maestre and Joseph Malloch and Douglas McGilvray},
+    author = {Alexander Refsum Jensenius and Nicolas Castagn{\'e} and Antonio Camurri and Esteban Maestre and Joseph Malloch and Douglas McGilvray},
     booktitle = {Proceedings of the International Conference on Enactive Interfaces (ENACTIVE)},
     month = {November},
@@ Line 1947: / Line 2348: @@
     year = {2007},
     pages = {209--212},
-    keywords = {dimple}}
+    keywords = {dimple, haptics}}
   @inproceedings{Sinclair_2007_PD,
@@ Line 1956: / Line 2357: @@
     title = {Using {PureData} to control a haptically-enabled virtual environment},
     year = {2007},
-    keywords = {dimple}}
+    keywords = {dimple, haptics, puredata}}
   @inproceedings{Birnbaum_2007_ICMC,
@@ Line 1969: / Line 2370: @@
   @inproceedings{Jensenius_2007_ICMC,
     address = {Copenhagen, Denmark},
-    author = {Alexander Refsum Jensenius and Antonio Camurri and Nicolas Castagné and Esteban Maestre and Joseph Malloch and Douglas McGilvray and Diemo Schwarz and Matthew Wright},
+    author = {Alexander Refsum Jensenius and Antonio Camurri and Nicolas Castagn{\'e} and Esteban Maestre and Joseph Malloch and Douglas McGilvray and Diemo Schwarz and Matthew Wright},
     booktitle = {Proceedings of the International Computer Music Conference (ICMC)},
     month = {August},
@@ Line 2001: / Line 2402: @@
     month = {},
     location = {Grenoble, France},
-    pages = {377--380}}
+    pages = {377--380},
+    keywords = {sound_spatialization}}
   @inproceedings{Nusseck_2007_Enactive,
@@ Line 2019: / Line 2421: @@
     month = {},
     location = {Grenoble, France},
-    pages = {}}
+    pages = {},
+    keywords = {paper_sensors}}
   @inproceedings{Kereliuk_2007_ICMC,
@@ Line 2028: / Line 2431: @@
     month = {},
     location = {Copenhagen, Denmark},
-    pages = {263--266}}
+    pages = {263--266},
+    keywords = {indirect_acquisition, flute}}
   @inproceedings{VanNort_2007_ICMC,
-    author = {Doug Van Nort and David Gauthier and Sha Xin Wei and Marcelo ~M. Wanderley},
+    author = {Doug {Van Nort} and David Gauthier and Sha Xin Wei and Marcelo ~M. Wanderley},
     title = {Extraction of Gestural Meaning from a Fabric-Based Instrument},
     booktitle = {Proceedings of the International Computer Music Conference (ICMC)},
@@ Line 2049: / Line 2453: @@
   @inproceedings{VanNort_2007_NIME,
-    author = {Doug Van Nort and Marcelo ~M. Wanderley},
+    author = {Doug {Van Nort} and Marcelo ~M. Wanderley},
     title = {Control Strategies for Navigation of Complex Sonic Spaces},
     booktitle = {Proceedings of the International Conference on New Interfaces for Musical Expression (NIME)},
@@ Line 2076: / Line 2480: @@
     publisher = {ICMA},
     title = {On the development of a system for gesture control of spatialization},
-    year = {2006}}
+    year = {2006},
+    keywords = {sound_spatialization}}
   @inproceedings{Marshall_2006_NIME,
@@ Line 2100: / Line 2505: @@
     publisher = {IRCAM---Centre Pompidou},
     title = {Paper FSRs and latex/fabric traction sensors: Methods for the development of home-made touch sensors},
-    year = {2006}}
+    year = {2006},
+    keywords = {paper_sensors}}
   @inproceedings{VanNort_2006_ICMC,
@@ Line 2108: / Line 2514: @@
     title = {The LoM Mapping Toolbox for Max/MSP/Jitter},
     year = {2006},
-    pages = {397--400}}
+    pages = {397--400},
+    keywords = {LoM, toolbox, software, mapping}}
   @inproceedings{Zadel_2006_NIME,
@@ Line 2116: / Line 2523: @@
     pages={168--171},
     year={2006},
-    organization={IRCAM---Centre Pompidou}}
+    organization={IRCAM---Centre Pompidou},
+    keywords = {different_strokes}}
   @inproceedings{Marshall_2006_CMMR,
@@ Line 2122: / Line 2530: @@
     title = {Evaluation of Sensors as Input Devices for Computer Music Interfaces},
     booktitle = {CMMR 2005 - Proc. of Computer Music Modeling and Retrieval 2005 Conference},
-    editor = {Richard Kronland-Martinet and Thierry Voinier and Sølvi Ystad},
+    editor = {Richard Kronland-Martinet and Thierry Voinier and S{\o}lvi Ystad},
     series = {LNCS},
     volume = {3902},
@@ Line 2136: / Line 2544: @@
     title = {Building Low-Cost Music Controllers},
     booktitle = {CMMR 2005 - Proc. of Computer Music Modeling and Retrieval 2005 Conference},
-    editor = {Richard Kronland-Martinet and Thierry Voinier and Sølvi Ystad},
+    editor = {Richard Kronland-Martinet and Thierry Voinier and S{\o}lvi Ystad},
     series = {LNCS},
     volume = {3902},
@@ Line 2162: / Line 2570: @@
     month = {},
     location = {New Orleans, USA},
-    pages = {}}
+    pages = {},
+    keywords = {different_strokes}}
   @inproceedings{Verfaille_2006_ICAD,
@@ Line 2171: / Line 2580: @@
     month = {},
     location = {London, UK},
-    pages = {194--197}}
+    pages = {194--197},
+    keywords = {sonification}}
   @inproceedings{Burns_2006_NIME,
@@ Line 2180: / Line 2590: @@
     month = {},
     location = {Paris, France},
-    pages = {196--199}}
+    pages = {196--199}
+    keywords = {computer_vision, Eyesweb}}
   @inproceedings{Wanderley_2006_NIME,
@@ Line 2199: / Line 2610: @@
     month = {},
     location = {Paris, France},
-    pages = {85--88}}
+    pages = {85--88},
+    keywords = {G-Spring}}
   @inproceedings{Burns_2006_SMC,
@@ Line 2208: / Line 2620: @@
     month = {},
     location = {Marseille, France},
-    pages = {1--7}}
+    pages = {1--7},
+    keywords = {computer_vision, guitar}}
   @inproceedings{VanNort_2006_SMC,
-    author = {Doug Van Nort and Marcelo ~M. Wanderley},
+    author = {Doug {Van Nort} and Marcelo ~M. Wanderley},
     title = {Exploring the Effect of Mapping Trajectories on Musical Performance},
     booktitle = {Proceedings of the Sound and Music Computing Conference (SMC)},
@@ Line 2229: / Line 2642: @@
     location={Vancouver, Canada},
     organization={University of British Columbia},
-    keywords={dimension_space}}
+    keywords = {dimension_space}}
   @inproceedings{Jensenius_2005_ICMC,
-    author = {Alexander Refsum Jensenius and Rolf Inge Godøy and Marcelo ~M. Wanderley},
+    author = {Alexander Refsum Jensenius and Rolf Inge God{\o}y and Marcelo ~M. Wanderley},
     title = {Developing Tools for Studying Musical Gestures within the MAX/MSP/JITTER Environment},
     booktitle = {Proceedings of the International Computer Music Conference (ICMC)},
@@ Line 2309: / Line 2722: @@
   @inproceedings{VanNort_2004_NIME,
-    author = {Doug Van Nort and Marcelo ~M. Wanderley and Philippe Depalle},
+    author = {Doug {Van Nort} and Marcelo ~M. Wanderley and Philippe Depalle},
     title = {On the Choice of Mappings based on Geometrical Properties},
     booktitle = {Proceedings of the International Conference on New Interfaces for Musical Expression (NIME)},
@@ Line 2361: / Line 2774: @@
   @inproceedings{Wanderley_2001_ICMC,
-    author = {Marcelo ~M. Wanderley and Marie-Hélène Serra and Marc Battier and Xavier Rodet},
+    author = {Marcelo ~M. Wanderley and Marie-H{\'e}l{\`e}ne Serra and Marc Battier and Xavier Rodet},
     title = {{Gesture Control Research at Ircam}},
     booktitle = {Proceedings of the International Computer Music Conference},
@@ Line 2429: / Line 2842: @@
   @inproceedings{Wanderley_1998_JIM,
-    author = {Marcelo ~M. Wanderley and Marc Battier and Philippe Depalle and Shlomo Dubnov and Vincent Hayward and Francisco Iovino and Véronique Larcher and Mikhail Malt and Patrice Pierrot and Joseph Butch Rovan and Christophe Vergez},
+    author = {Marcelo ~M. Wanderley and Marc Battier and Philippe Depalle and Shlomo Dubnov and Vincent Hayward and Francisco Iovino and V{\'e}ronique Larcher and Mikhail Malt and Patrice Pierrot and Joseph Butch Rovan and Christophe Vergez},
     booktitle = Proceedings Journ{\'e}es d'Informatique Musicale,
     title = {{Gestural Research at Ircam: A Progress Report}},
@@ Line 2461: / Line 2874: @@
   @inproceedings{Lima_1996_BSCM,
-    author = {Geraldo Henrique Torres Lima and Marcelo ~M. Maes and Márlio Bonfim and Marcus ~V. Lamar and Marcelo ~M. Wanderley},
+    author = {Geraldo Henrique Torres Lima and Marcelo ~M. Maes and M{\'a}rlio Bonfim and Marcus ~V. Lamar and Marcelo ~M. Wanderley},
     booktitle = {Proceedings of the 3rd Brazilian Symposium on Computer Music },
     pages = {12--16},
@@ Line 2468: / Line 2881: @@
   @inproceedings{Wanderley_1996_ICSPAT,
-    author = {Vinicius Auer and Marcelo ~M. Maes and Márlio Bonfim and Marcelo ~M. Wanderley and Marcus ~V. Lamar},
+    author = {Vinicius Auer and Marcelo ~M. Maes and M{\'a}rlio Bonfim and Marcelo ~M. Wanderley and Marcus ~V. Lamar},
     booktitle = {Proceedings of the International Congress on Signal Processing Applications Technology - ICSPAT},
     title = {{3D Position Signals Acquisition System with Application in real-time Processing}},
@@ Line 2475: / Line 2888: @@
 ======Extended Abstracts in Conference Proceedings======
+  @inproceedings{Wanderley_2016_CHI,
+    author = {Marcelo ~M. Wanderley and Joseph Malloch and J{\'e}r{\'e}mie Garcia and Wendy Mackay and Michel Beaudouin-Lafon and St{\'e}phane Huot},
+    title = {Human Computer Interaction meets Computer Music: The MIDWAY Project},
+    booktitle = {CHI '16 Extended Abstracts on Human Factors in Computing Systems},
+    year = {2016},
+    location = {San Jose, USA},
+    pages = {},
+    numpages = {},
+    publisher = {ACM},
+    address = {New York, NY, USA},
+    DOI = {},
+    acmid = {},
+    keywords = {communications, control, mapping, music, HCI},
+    note = {}}
   @inproceedings{Malloch_2013_CHI,
@@ Line 2488: / Line 2916: @@
     address = {New York, NY, USA},
     url = {http://doi.acm.org/10.1145/2468356.2479617},
-    doi = {10.1145/2468356.2479617},
+    DOI = {10.1145/2468356.2479617},
     acmid = {2479617},
     keywords = {communications, control, mapping, music, network},
-    note = {extended_abstract}}
+    note = {}}
   @inproceedings{Stewart_2010_CHI,
     author = {D. Andrew Stewart and Joseph Malloch},
-    title = {Everybody to the power of one, for soprano T-Stick},
+    title = {Everybody to the power of one, for soprano {T-Stick}},
     booktitle = {CHI '10 Extended Abstracts on Human Factors in Computing Systems},
     year = {2010},
@@ Line 2503: / Line 2931: @@
     address = {New York, NY, USA},
     keywords = {t-stick},
-    note = {extended_abstract}}
+    note = {}}
 ======Abstracts in Conference Proceedings======
@@ Line 2510: / Line 2938: @@
     author = {Erika Donald and Marcelo ~M. Wanderley and Isabelle Cossette},
     title = {Effects of Tempo on Bow Arm and Center of Mass Movements in Highly Skilled Cellists and Their Pedagogical Implications},
-    booktitle = {ICMPC 2010 Conference},
+    booktitle = {{ICMPC} 2010 Conference},
     howpublished = {Abstract},
     year = {2010},
@@ Line 2520: / Line 2948: @@
   @misc{Bouenard_2009_GW,
-    author = {Alexandre Bouënard and Marcelo ~M. Wanderley and Sylvie Gibet},
+    author = {Alexandre Bou{\"e}nard and Marcelo ~M. Wanderley and Sylvie Gibet},
     title = {Analysis of Timpani Preparatory Gesture Parameterization},
     booktitle = {International Gesture Workshop},
@@ Line 2530: / Line 2958: @@
     publisher = {},
     address = {},
-    keywords = {}}
+    keywords={movement_analysis_and_synthesis}}
   @misc{Rasamimanana_2007_GW,
-    author = {Nicolas Rasamimanana and Delphine Bernardin and Marcelo ~M. Wanderley and Frederic Bevilacqua},
+    author = {Nicolas Rasamimanana and Delphine Bernardin and Marcelo ~M. Wanderley and Fr{\'e}d{\'e}ric Bevilacqua},
     title = {Case study of string bowing gestures in tremolo},
     booktitle = {International Gesture Workshop},
@@ Line 2646: / Line 3074: @@
   @misc{Burns_2005_GW,
     author = {Anne-Marie Burns and Barbara Mazzarino},
-    title = {Finger Tracking Methods Using EyesWeb},
+    title = {Finger Tracking Methods Using {EyesWeb}},
     booktitle = {6th International Workshop on Gesture in Human-Computer Interaction and Simulation (Gesture Workshop 2005)},
     howpublished = {Abstract},
@@ Line 2655: / Line 3083: @@
     publisher = {},
     address = {},
-    keywords = {}}
+    keywords = {computer_vision, eyesweb}}
   @misc{Casciato_2005_PM,
     author = {Carmine Casciato and Alexander Refsum Jensenius and Marcelo ~M. Wanderley},
     title = {Studying Free Dance Movements to Music},
-    booktitle = {ESCOM 2005 Performance Matters! Conference},
+    booktitle = {{ESCOM} 2005 Performance Matters! Conference},
     howpublished = {Abstract},
     month = {September},
@@ Line 2673: / Line 3101: @@
     author = {Joseph Butch Rovan and Marcelo ~M. Wanderley},
     title = {Gestural Controllers: Strategies for Expressive Application},
-    booktitle = {SEAMUS Conference},
+    booktitle = {{SEAMUS} Conference},
     howpublished = {Abstract},
     year = {1998},
@@ Line 2689: / Line 3117: @@
     month = {July},
     number = {MUMT-IDMIL-13-01},
-    title = {Use of 3D Printed Components in the Creation of the Prosthetic Instruments},
+    title = {Use of {3D} Printed Components in the Creation of the Prosthetic Instruments},
     year = {2013}}
@@ Line 2697: / Line 3125: @@
     month = {October},
     number = {MUMT-IDMIL-12-03},
-    title = {NSERC Engage Grant "Audio Environment for the Emotional Imaging Composer"},
+    title = {{NSERC} Engage Grant "Audio Environment for the Emotional Imaging Composer"},
     year = {2012}}
@@ Line 2705: / Line 3133: @@
     month = {October},
     number = {MUMT-IDMIL-12-02},
-    title = {IDMIL Engage report: SANDDE},
+    title = {{IDMIL} {Engage} report: {SANDDE}},
     year = {2012}}
@@ Line 2753: / Line 3181: @@
     month = {},
     number = {MUMT-IDMIL-10-01},
-    title = {Building a Soprano T-Stick},
+    title = {Building a Soprano {T-Stick}},
-    year = {2010}}
+    year = {2010},
+    keywords = {t-stick}}
   @techreport{Bouenard_2009_IDMIL,
-    author = {Alexandre Bouënard and Sylvie Gibet and Marcelo ~M. Wanderley},
+    author = {Alexandre Bou{\"e}nard and Sylvie Gibet and Marcelo ~M. Wanderley},
     institution = {McGill University, Music Technology Area},
     month = {January},
     number = {MUMT-IDMIL-09-01},
     title = {Real-Time Simulation and Interaction of Percussion Gestures with Sound Synthesis},
-    year = {2009}}
+    year = {2009},
+    keywords={movement_analysis_and_synthesis}}
   @techreport{Sinclair_2008_IDMIL,
@@ Line 2777: / Line 3207: @@
     month = {},
     number = {MUMT-SPCL-07-03},
-    title = {Report on the Making of the DAFx-06 Proceedings},
+    title = {Report on the Making of the {DAFx-06} Proceedings},
     year = {2007}}
@@ Line 2793: / Line 3223: @@
     month = {December},
     number = {MUMT-IDMIL-07-11},
-    title = {Adding Vibrotactile Feedback to the T-Stick Digital Musical Instrument},
+    title = {Adding Vibrotactile Feedback to the {T-Stick} Digital Musical Instrument},
-    year = {2007}}
+    year = {2007},
+    keywords = {t-stick}}
   @techreport{Casciato_2007_IDMIL,
@@ Line 2801: / Line 3232: @@
     month = {},
     number = {MUMT-IDMIL-07-10},
-    title = {HD Video Capture},
+    title = {{HD} Video Capture},
     year = {2007}}
@@ Line 2825: / Line 3256: @@
     month = {},
     number = {MUMT-IDMIL-07-07},
-    title = {Report on the McGill/UCSD workshop on Gesture-controlled Spatialization},
+    title = {Report on the {McGill}/{UCSD} workshop on Gesture-controlled Spatialization},
     year = {2007}}
@@ Line 2849: / Line 3280: @@
     month = {},
     number = {MUMT-IDMIL-07-04},
-    title = {Mapping and routing OSC messages in the IDMIL},
+    title = {Mapping and routing {OSC} messages in the {IDMIL}},
     year = {2007}}
@@ Line 2873: / Line 3304: @@
     month = {February},
     number = {MUMT-IDMIL-07-01},
-    title = {OSC for Haptic Virtual Environments: Specification},
+    title = {{OSC} for Haptic Virtual Environments: Specification},
-    year = {2007},
+    year = {2007}}
-    keywords = {dimple}}
   @techreport{Hollinger_2006_IDMIL,
@@ Line 2890: / Line 3320: @@
     month = {},
     number = {MUMT-IDMIL-06-03},
-    title = {The Tralf},
+    title = {The {Tralf}},
     year = {2006}}
@@ Line 2898: / Line 3328: @@
     month = {},
     number = {MUMT-IDMIL-06-02},
-    title = {The FM Gloves},
+    title = {The {FM} Gloves},
     year = {2006}}
@@ Line 2906: / Line 3336: @@
     month = {},
     number = {MUMT-IDMIL-06-01},
-    title = {The T-Stick Gestural Controller},
+    title = {The {T-Stick} Gestural Controller},
-    year = {2006}}
+    year = {2006},
+    keywords = {t-stick}}
   @techreport{Malloch_2005_IDMIL,
@@ Line 2930: / Line 3361: @@
     month = {August},
     number = {MUMT-IDMIL-05-03},
-    title = {Traitement et Visualisation de Vonnées Gestuelles Captées par Optotrak},
+    title = {Traitement et Visualisation de Donn{\'e}es Gestuelles Capt{\'e}es par {Optotrak}},
     year = {2005}}
@@ Line 2946: / Line 3377: @@
     month = {Feb},
     number = {MUMT-IDMIL-05-01},
-    title = {On the Use of Laban-Bartenieff Techniques to Describe Ancillary Gestures of Clarinetists},
+    title = {On the Use of {Laban-Bartenieff} Techniques to Describe Ancillary Gestures of Clarinetists},
     year = {2005}}
@@ Line 2954: / Line 3385: @@
     month = {},
     number = {MUMT-IDMIL-04-02},
-    title = {The Celloboard ? a Physical Interface for Music-Making},
+    title = {The Celloboard: a Physical Interface for Music-Making},
     year = {2004}}
@@ Line 2968: / Line 3399: @@
     author = {David Birnbaum},
     note = {Project report, McGill University},
-    title = {The Touch Flute: Exploring roles of vibrotactile feedback in musical performance},
+    title = {The {Touch Flute}: Exploring roles of vibrotactile feedback in musical performance},
     year = {2003}}
@@ Line 2997: / Line 3428: @@
     title = {Les Nouveaux Gestes de la Musique},
     year = {1997}}

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