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======Books====== | ======Books====== | ||
+ | |||
+ | @book{Holland_2018, | ||
+ | editor = {Simon Holland and Tom Mudd and Katie Wilkie-McKenna and Andrew McPherson and Marcelo ~M. Wanderley}, | ||
+ | title = {New Directions in Music and Human-Computer Interaction}, | ||
+ | publisher = {Springer International Publishing}, | ||
+ | year = {2019}, | ||
+ | isbn = {978-3-319-92068-9}, | ||
+ | doi = {10.1007/ | ||
+ | url = {https:// | ||
@book{Wanderley_2014_CMJ, | @book{Wanderley_2014_CMJ, | ||
Line 49: | Line 58: | ||
publisher = {IRCAM}, | publisher = {IRCAM}, | ||
year = {2000}, | year = {2000}, | ||
- | url = {http:// | + | url = {http://www-media.idmil.org/media/Trends_Ircam/ |
======Book Chapters====== | ======Book Chapters====== | ||
+ | |||
+ | @incollection{Malloch_2019_Chapter, | ||
+ | author = {Joseph Malloch and J{\' | ||
+ | title = {A Design Workbench for Interactive Music Systems}, | ||
+ | editor = {Simon Holland and Tom Mudd and Katie Wilkie-McKenna and Andrew McPherson and Marcelo ~M. Wanderley}, | ||
+ | publisher = {Springer International Publishing}, | ||
+ | booktitle = {New Directions in Music and Human-Computer Interaction}, | ||
+ | pages = {}, | ||
+ | year = {2019}} | ||
+ | |||
+ | @incollection{Malloch_2016_Chapter, | ||
+ | author = {Joseph Malloch and Marcelo ~M. Wanderley}, | ||
+ | title = {Embodied Cognition and Digital Musical Instruments: | ||
+ | editor = {Micheline Lesaffre and Marc Leman and Pieter-Jan Maes}, | ||
+ | publisher = {Routledge}, | ||
+ | booktitle = {The Routledge Companion to Embodied Music Interaction}, | ||
+ | pages = {}, | ||
+ | year = {2016}} | ||
+ | |||
+ | @incollection{Birnbaum_2016_Chapter, | ||
+ | author = {David Birnbaum and Rebecca Fiebrink and Joseph Malloch and Marcelo ~M. Wanderley}, | ||
+ | title = {Towards a Dimension Space for Musical Devices}, | ||
+ | editor = {Alexander Refsum Jensenius and Michael Lyons}, | ||
+ | publisher = {Springer Verlag}, | ||
+ | booktitle = {A {NIME} Reader – Fifteen Years of New Interfaces for Musical Expression}, | ||
+ | pages = {}, | ||
+ | year = {2016}, | ||
+ | keywords = {dimension_space}} | ||
@incollection{Wanderley_2013_Chapter, | @incollection{Wanderley_2013_Chapter, | ||
Line 69: | Line 106: | ||
booktitle = {Cr{\' | booktitle = {Cr{\' | ||
pages = {225--242}, | pages = {225--242}, | ||
- | year = {2013}. | + | year = {2013}, |
keywords = {haptics}} | keywords = {haptics}} | ||
Line 84: | Line 121: | ||
author = {Marcelo ~M. Wanderley}, | author = {Marcelo ~M. Wanderley}, | ||
title = {Projeto e Utilizao de Instrumentos Musicais Digitais}, | title = {Projeto e Utilizao de Instrumentos Musicais Digitais}, | ||
- | editor = {Damián | + | editor = {Dami{\' |
publisher = {ANPOM (In Portuguese)}, | publisher = {ANPOM (In Portuguese)}, | ||
- | booktitle = {Criação | + | booktitle = {Cria{\cc}{\~a}o |
year = {2010}} | year = {2010}} | ||
@incollection{Jensenius_2010_Chapter, | @incollection{Jensenius_2010_Chapter, | ||
- | author = {Alexander Refsum Jensenius and Marcelo ~M. Wanderley and Rolf Inge Godøy | + | author = {Alexander Refsum Jensenius and Marcelo ~M. Wanderley and Rolf Inge God{\o}y |
title = {Musical Gesture: Concepts and Methods in Research}, | title = {Musical Gesture: Concepts and Methods in Research}, | ||
- | editor = {Rolf Inge Godøy | + | editor = {Rolf Inge God{\o}y |
publisher = {Routledge}, | publisher = {Routledge}, | ||
address= {New York}, | address= {New York}, | ||
Line 112: | Line 149: | ||
title = {Instrumentos Musicais Digitais - Gestos, Sensores e Interfaces}, | title = {Instrumentos Musicais Digitais - Gestos, Sensores e Interfaces}, | ||
editor = {Beatriz Senoi Ilari}, | editor = {Beatriz Senoi Ilari}, | ||
- | publisher = {Editora da Universidade Federal do Paraná | + | publisher = {Editora da Universidade Federal do Paran{\' |
booktitle = {Musica, Em Busca da Mente Musical}, | booktitle = {Musica, Em Busca da Mente Musical}, | ||
year = {2006}} | year = {2006}} | ||
Line 132: | Line 169: | ||
@incollection{Wanderley_1999_Chapter, | @incollection{Wanderley_1999_Chapter, | ||
author = {Marcelo ~M. Wanderley and Philippe Depalle}, | author = {Marcelo ~M. Wanderley and Philippe Depalle}, | ||
- | title = {Contrôle Gestuel de la Synthèse | + | title = {Contrôle Gestuel de la Synth{\`e}se |
- | editor = {Hugues Vinet and François | + | editor = {Hugues Vinet and Fran{\cc}ois |
- | publisher = {Hermès | + | publisher = {Herm{\`e}s |
address = {Paris, France}, | address = {Paris, France}, | ||
booktitle = {Interfaces Homme-Machine et Creation Musicale}, | booktitle = {Interfaces Homme-Machine et Creation Musicale}, | ||
Line 140: | Line 177: | ||
======PhD Theses====== | ======PhD Theses====== | ||
+ | |||
+ | =====2017===== | ||
+ | |||
+ | @phdthesis{Hattwick_2017_phdthesis, | ||
+ | author = {Ian Hattwick}, | ||
+ | month = {November}, | ||
+ | school = {McGill University}, | ||
+ | supervisor = {Marcelo ~M. Wanderley}, | ||
+ | title = {Creating Novel Digital Interfaces for Professional Artistic Productions in Collaborative Art-Science Research Projects}, | ||
+ | defended = {November 08, 2017}, | ||
+ | year = {2017}} | ||
+ | |||
+ | @phdthesis{Santos_2017_phdhesis, | ||
+ | author = {Thais Fernandes Santos}, | ||
+ | month = {June}, | ||
+ | school = {Universidade Federal de Minas Gerais (UFMG)}, | ||
+ | supervisor = {Mauricio Alves Loureiro and Marcelo ~M. Wanderley}, | ||
+ | title = {The Relationship between Ancillary Gestures and Musical Phrase Organization: | ||
+ | defended = {June 06, 2017}, | ||
+ | year = {2017}} | ||
=====2016===== | =====2016===== | ||
Line 192: | Line 249: | ||
supervisor = {Marcelo ~M. Wanderley}, | supervisor = {Marcelo ~M. Wanderley}, | ||
title = {A Framework and Tools for Mapping of Digital Musical Instruments}, | title = {A Framework and Tools for Mapping of Digital Musical Instruments}, | ||
+ | defended = {November 04, 2013}, | ||
year = {2013}, | year = {2013}, | ||
keywords = {libmapper, t-stick, spine, prostheses}} | keywords = {libmapper, t-stick, spine, prostheses}} | ||
Line 217: | Line 275: | ||
@phdthesis{Palacio-Quintin_2012_phdthesis, | @phdthesis{Palacio-Quintin_2012_phdthesis, | ||
- | author = {Cl{\'e}o Palacio-Quintin}, | + | author = {Cl{\'e}o Palacio-Quintin}, |
month = {May}, | month = {May}, | ||
department = {Music Composition}, | department = {Music Composition}, | ||
Line 252: | Line 310: | ||
@phdthesis{Bouenard_2009_phdthesis, | @phdthesis{Bouenard_2009_phdthesis, | ||
- | author = {Alexandre | + | author = {Alexandre |
month = {December}, | month = {December}, | ||
school = {European University of Brittany}, | school = {European University of Brittany}, | ||
Line 258: | Line 316: | ||
title = {Synthesis of Music Performances: | title = {Synthesis of Music Performances: | ||
defended = {December 10, 2009}, | defended = {December 10, 2009}, | ||
- | year = {2009}} | + | year = {2009}, |
+ | keywords = {movement_analysis_and_synthesis}} | ||
@phdthesis{Marshall_2009_phdthesis, | @phdthesis{Marshall_2009_phdthesis, | ||
Line 366: | Line 425: | ||
@mastersthesis{Germain_2011_mastersthesis, | @mastersthesis{Germain_2011_mastersthesis, | ||
address = {Montreal, Canada}, | address = {Montreal, Canada}, | ||
- | author = {François | + | author = {Fran{\cc}ois G. Germain}, |
month = {October}, | month = {October}, | ||
school = {McGill University}, | school = {McGill University}, | ||
Line 401: | Line 460: | ||
school = {McGill University}, | school = {McGill University}, | ||
supervisor = {Marcelo ~M. Wanderley and Vincent Verfaille}, | supervisor = {Marcelo ~M. Wanderley and Vincent Verfaille}, | ||
- | title = {When Gestures are Perceived through Sounds: A Framework for Sonification of MusiciansÕ | + | title = {When Gestures are Perceived through Sounds: A Framework for Sonification of Musicians' |
year = {2008}} | year = {2008}} | ||
Line 509: | Line 568: | ||
======Journal Articles====== | ======Journal Articles====== | ||
+ | |||
+ | =====2019===== | ||
+ | |||
+ | @article{Massie-Laberge_2019_FIP, | ||
+ | author = {Catherine Massie-Laberge and Isabelle Cossette and Marcelo ~M. Wanderley}, | ||
+ | journal = {Frontiers in Psychology}, | ||
+ | title = {Kinematic Analysis of Pianists’ Expressive Performances of Romantic Excerpts: Applications for Enhanced Pedagogical Approaches}, | ||
+ | DOI = {10.3389/ | ||
+ | publisher = {}, | ||
+ | volume = {}, | ||
+ | number = {}, | ||
+ | month = {January}, | ||
+ | year = {2019}, | ||
+ | pages = {}, | ||
+ | keywords = {journal}, | ||
+ | notes = {}} | ||
+ | |||
+ | =====2018===== | ||
+ | |||
+ | @article{Caramiaux_2018_PLOSONE, | ||
+ | author = {Baptiste Caramiaux and Frederic Bevilacqua and Marcelo ~M. Wanderley and Caroline Palmer}, | ||
+ | journal = {PLOS ONE}, | ||
+ | title = {Dissociable Effects of Practice Variability on Learning Motor and Timing Skills}, | ||
+ | DOI = {}, | ||
+ | publisher = {}, | ||
+ | volume = {}, | ||
+ | number = {}, | ||
+ | month = {}, | ||
+ | year = {2018}, | ||
+ | pages = {}, | ||
+ | keywords = {journal}, | ||
+ | notes = {}} | ||
+ | |||
+ | @article{Malloch_2018_Multimedia, | ||
+ | author = {Joseph Malloch and Stephen Sinclair and Marcelo ~M. Wanderley}, | ||
+ | journal = {IEEE Multimedia}, | ||
+ | title = {Generalized Multi-Instance Control Mapping for Interactive Media Systems}, | ||
+ | DOI = {}, | ||
+ | publisher = {IEEE}, | ||
+ | volume = {25}, | ||
+ | number = {1}, | ||
+ | month = {January-March}, | ||
+ | year = {2018}, | ||
+ | pages = {}, | ||
+ | keywords = {journal, libmapper}, | ||
+ | notes = {}} | ||
+ | |||
+ | =====2017===== | ||
+ | |||
+ | @article{Demos_2017_FIP, | ||
+ | author = {Alexander ~P. Demos and Daniel ~J. Carter and Marcelo ~M. Wanderley and Caroline Palmer}, | ||
+ | journal = {Frontiers in Psychology}, | ||
+ | title = {The unresponsive partner: Roles of social status, auditory feedback, and animacy in coordination of joint music performance}, | ||
+ | DOI = {10.3389/ | ||
+ | publisher = {}, | ||
+ | volume = {}, | ||
+ | number = {}, | ||
+ | month = {February}, | ||
+ | year = {2017}, | ||
+ | pages = {}, | ||
+ | keywords = {journal}, | ||
+ | notes = {}} | ||
+ | |||
+ | @article{Maestre_2017_Multimedia, | ||
+ | author = {Esteban Maestre and Panos Papiotis and Marco Marchini and Quim Llimona and Oscar Mayor and Alfonso Perez and Marcelo ~M. Wanderley}, | ||
+ | journal = {IEEE Multimedia}, | ||
+ | title = {Online Access and Visualization of Enriched Multimodal Representations of Music Performance Recordings: the Quartet Dataset and the Repovizz System}, | ||
+ | DOI = {10.1109/ | ||
+ | publisher = {IEEE}, | ||
+ | volume = {}, | ||
+ | number = {}, | ||
+ | month = {January-March}, | ||
+ | year = {2017}, | ||
+ | pages = {24--34}, | ||
+ | keywords = {journal}, | ||
+ | notes = {}} | ||
+ | |||
+ | @article{Calegario_2017_Multimedia, | ||
+ | author = {Filipe Calegario and Marcelo ~M. Wanderley and St{\' | ||
+ | journal = {IEEE Multimedia}, | ||
+ | title = {Method and Toolkit for Generating Ideas and Prototyping Digital Musical Instruments}, | ||
+ | DOI = {10.1109/ | ||
+ | publisher = {IEEE}, | ||
+ | volume = {}, | ||
+ | number = {}, | ||
+ | month = {January-March}, | ||
+ | year = {2017}, | ||
+ | pages = {63--71}, | ||
+ | keywords = {journal}, | ||
+ | notes = {}} | ||
+ | |||
+ | =====2016===== | ||
+ | |||
+ | @article{Schumacher_2016_JNMR, | ||
+ | author = {Marlon Schumacher and Marcelo ~M. Wanderley}, | ||
+ | journal = {Journal of New Music Research}, | ||
+ | title = {Integrating Gesture Data in Computer-Aided Composition: | ||
+ | DOI = {10.1080/ | ||
+ | publisher = {Taylor \& Francis}, | ||
+ | volume = {}, | ||
+ | number = {}, | ||
+ | month = {}, | ||
+ | year = {2016}, | ||
+ | pages = {}, | ||
+ | keywords = {journal}, | ||
+ | notes = {}} | ||
=====2015===== | =====2015===== | ||
Line 516: | Line 681: | ||
journal = {IEEE Sensors Journal}, | journal = {IEEE Sensors Journal}, | ||
title = {The Design, Implementation, | title = {The Design, Implementation, | ||
- | | + | |
iSSN = {1530-437X}, | iSSN = {1530-437X}, | ||
publisher = {IEEE}, | publisher = {IEEE}, | ||
Line 530: | Line 695: | ||
journal = {IEEE Transactions on Audio, Speech and Language Processing}, | journal = {IEEE Transactions on Audio, Speech and Language Processing}, | ||
title = {Indirect Acquisition of Violin Instrumental Controls from Audio Signal with Hidden Markov Models}, | title = {Indirect Acquisition of Violin Instrumental Controls from Audio Signal with Hidden Markov Models}, | ||
- | | + | |
publisher = {IEEE}, | publisher = {IEEE}, | ||
volume = {23}, | volume = {23}, | ||
Line 542: | Line 707: | ||
journal = {Experimental Brain Research}, | journal = {Experimental Brain Research}, | ||
title = {The Role of Working Memory in the Temporal Control of Discrete and Continuous Movements}, | title = {The Role of Working Memory in the Temporal Control of Discrete and Continuous Movements}, | ||
- | | + | |
publisher = {Springer Berlin Heidelberg}, | publisher = {Springer Berlin Heidelberg}, | ||
volume = {233}, | volume = {233}, | ||
Line 555: | Line 720: | ||
journal = Multimedia Tools and Applications, | journal = Multimedia Tools and Applications, | ||
title = {Distributed Tools for Interactive Design of Heterogeneous Signal Networks}, | title = {Distributed Tools for Interactive Design of Heterogeneous Signal Networks}, | ||
- | | + | |
issn={1380-7501}, | issn={1380-7501}, | ||
publisher = {Springer US}, | publisher = {Springer US}, | ||
Line 572: | Line 737: | ||
journal = {Quarterly Journal of Experimental Psychology}, | journal = {Quarterly Journal of Experimental Psychology}, | ||
title = {Common Cues to Emotion in the Dynamic Facial Expressions of Speech and Song}, | title = {Common Cues to Emotion in the Dynamic Facial Expressions of Speech and Song}, | ||
- | | + | |
publisher = {Taylor \& Francis}, | publisher = {Taylor \& Francis}, | ||
volume={68}, | volume={68}, | ||
Line 586: | Line 751: | ||
journal = {IEEE Transactions on Haptics}, | journal = {IEEE Transactions on Haptics}, | ||
title = {Velocity estimation algorithms for audio-haptic simulations involving stick-slip}, | title = {Velocity estimation algorithms for audio-haptic simulations involving stick-slip}, | ||
- | | + | |
publisher = {IEEE}, | publisher = {IEEE}, | ||
volume={7}, | volume={7}, | ||
Line 600: | Line 765: | ||
journal = {Computer Music Journal}, | journal = {Computer Music Journal}, | ||
title = {Mapping Control Structures to Sound Synthesis: Functional and Topological Perspectives}, | title = {Mapping Control Structures to Sound Synthesis: Functional and Topological Perspectives}, | ||
- | | + | |
publisher = {MIT Press}, | publisher = {MIT Press}, | ||
volume={38}, | volume={38}, | ||
Line 614: | Line 779: | ||
journal = {Sensors Journal}, | journal = {Sensors Journal}, | ||
title = {A Comprehensive Review of Sensors and Instrumentation Methods Used in Musical Expression}, | title = {A Comprehensive Review of Sensors and Instrumentation Methods Used in Musical Expression}, | ||
- | | + | |
publisher = {MDPI}, | publisher = {MDPI}, | ||
volume={14}, | volume={14}, | ||
Line 628: | Line 793: | ||
journal = {Journal of New Music Research}, | journal = {Journal of New Music Research}, | ||
title = {Motion Analysis of Clarinet Performers}, | title = {Motion Analysis of Clarinet Performers}, | ||
- | | + | |
publisher = {Taylor \& Francis}, | publisher = {Taylor \& Francis}, | ||
volume={44}, | volume={44}, | ||
Line 642: | Line 807: | ||
journal = {IEEE Sensors Journal}, | journal = {IEEE Sensors Journal}, | ||
title = {Multiple-model Linear Kalman Filter Framework for Unpredictable Signals}, | title = {Multiple-model Linear Kalman Filter Framework for Unpredictable Signals}, | ||
- | | + | |
publisher = {IEEE}, | publisher = {IEEE}, | ||
volume={14}, | volume={14}, | ||
Line 656: | Line 821: | ||
journal = {Organised Sound}, | journal = {Organised Sound}, | ||
title = {Sonification of Emotion: Strategies and Results from the Intersection with Music}, | title = {Sonification of Emotion: Strategies and Results from the Intersection with Music}, | ||
- | | + | |
publisher = {Cambridge University Press}, | publisher = {Cambridge University Press}, | ||
volume={19}, | volume={19}, | ||
Line 670: | Line 835: | ||
journal = {Expert Systems with Applications}, | journal = {Expert Systems with Applications}, | ||
title = {Automatic Detection of Musicians' | title = {Automatic Detection of Musicians' | ||
- | | + | |
publisher = {Elsevier}, | publisher = {Elsevier}, | ||
volume={41}, | volume={41}, | ||
Line 684: | Line 849: | ||
journal = {Computer Music Journal}, | journal = {Computer Music Journal}, | ||
title = {In-House Development of Paper Force Sensors for Musical Applications}, | title = {In-House Development of Paper Force Sensors for Musical Applications}, | ||
- | | + | |
publisher = {MIT Press}, | publisher = {MIT Press}, | ||
volume={38}, | volume={38}, | ||
Line 698: | Line 863: | ||
journal = {Frontiers in Psychology}, | journal = {Frontiers in Psychology}, | ||
title = {Action-based Effect on Music Perception}, | title = {Action-based Effect on Music Perception}, | ||
- | | + | |
iSSN={1664-1078}, | iSSN={1664-1078}, | ||
publisher = {Frontiers Media S.A.}, | publisher = {Frontiers Media S.A.}, | ||
Line 715: | Line 880: | ||
journal = {Acta Acustica united with Acustica}, | journal = {Acta Acustica united with Acustica}, | ||
title = {Gestural strategies in the harp performance}, | title = {Gestural strategies in the harp performance}, | ||
- | | + | |
publisher = {S. Hirzel Verlag}, | publisher = {S. Hirzel Verlag}, | ||
volume={99}, | volume={99}, | ||
Line 729: | Line 894: | ||
journal = {Computer Music Journal}, | journal = {Computer Music Journal}, | ||
title = {Trumpet Augmentation and Technological Symbiosis}, | title = {Trumpet Augmentation and Technological Symbiosis}, | ||
- | | + | |
iSSN = {0148-9267}, | iSSN = {0148-9267}, | ||
publisher = {MIT Press}, | publisher = {MIT Press}, | ||
Line 744: | Line 909: | ||
journal = {Journal of Cognitive Neuroscience}, | journal = {Journal of Cognitive Neuroscience}, | ||
title = {Repetition Suppression in Auditory-Motor Regions to Pitch and Temporal Structure in Music}, | title = {Repetition Suppression in Auditory-Motor Regions to Pitch and Temporal Structure in Music}, | ||
- | | + | |
publisher = {MIT Press}, | publisher = {MIT Press}, | ||
volume={25}, | volume={25}, | ||
Line 758: | Line 923: | ||
journal = {The International Journal of Multimedia \& Its Applications (IJMA)}, | journal = {The International Journal of Multimedia \& Its Applications (IJMA)}, | ||
title = {A Sonification Tool for the Analysis of Large Databases of Expressive Gesture}, | title = {A Sonification Tool for the Analysis of Large Databases of Expressive Gesture}, | ||
- | | + | |
publisher = {AIRCC Publishing Corporation}, | publisher = {AIRCC Publishing Corporation}, | ||
volume={4}, | volume={4}, | ||
Line 768: | Line 933: | ||
@article{Bouenard_2012_VCJ, | @article{Bouenard_2012_VCJ, | ||
- | author = {Alexandre | + | author = {Alexandre |
journal = {The Visual Computer Journal}, | journal = {The Visual Computer Journal}, | ||
title = {Hybrid Inverse Motion Control for Virtual Characters Interacting with Sound Synthesis - Application to Percussion Motion}, | title = {Hybrid Inverse Motion Control for Virtual Characters Interacting with Sound Synthesis - Application to Percussion Motion}, | ||
- | | + | |
publisher = {Springer}, | publisher = {Springer}, | ||
volume={28}, | volume={28}, | ||
Line 779: | Line 944: | ||
pages={357--370}, | pages={357--370}, | ||
uRL = {http:// | uRL = {http:// | ||
- | keywords = {journal}} | + | keywords = {journal, movement_analysis_and_synthesis}} |
@article{Caramiaux_2012_JNMR, | @article{Caramiaux_2012_JNMR, | ||
Line 785: | Line 950: | ||
journal = {Journal of New Music Research}, | journal = {Journal of New Music Research}, | ||
title = {Segmenting and Parsing Instrumentalist' | title = {Segmenting and Parsing Instrumentalist' | ||
- | | + | |
publisher = {Routledge}, | publisher = {Routledge}, | ||
volume={41}, | volume={41}, | ||
Line 797: | Line 962: | ||
@article{Bouenard_2011_CMJ, | @article{Bouenard_2011_CMJ, | ||
- | author = {Alexandre | + | author = {Alexandre |
journal = {Computer Music Journal}, | journal = {Computer Music Journal}, | ||
title = {Virtual Gesture Control and Synthesis of Music Performances: | title = {Virtual Gesture Control and Synthesis of Music Performances: | ||
- | | + | |
publisher = {MIT Press}, | publisher = {MIT Press}, | ||
volume={35}, | volume={35}, | ||
Line 808: | Line 973: | ||
pages={57--72}, | pages={57--72}, | ||
uRL = {http:// | uRL = {http:// | ||
- | keywords = {journal}} | + | keywords = {journal, movement_analysis_and_synthesis}} |
@article{Vines_2011_Cognition, | @article{Vines_2011_Cognition, | ||
Line 814: | Line 979: | ||
journal = {Cognition}, | journal = {Cognition}, | ||
title = {Music to my eyes: Cross-modal interactions in the perception of emotions in musical performance}, | title = {Music to my eyes: Cross-modal interactions in the perception of emotions in musical performance}, | ||
- | | + | |
publisher = {Elsevier}, | publisher = {Elsevier}, | ||
volume={118}, | volume={118}, | ||
Line 829: | Line 994: | ||
journal = {Organised Sound}, | journal = {Organised Sound}, | ||
title = {Spatial Sound Synthesis in Computer-Aided Composition}, | title = {Spatial Sound Synthesis in Computer-Aided Composition}, | ||
- | | + | |
publisher = {Cambridge University Press}, | publisher = {Cambridge University Press}, | ||
volume={15}, | volume={15}, | ||
Line 851: | Line 1016: | ||
@article{Bouenard_2010_AA, | @article{Bouenard_2010_AA, | ||
- | author = {Alexandre | + | author = {Alexandre |
journal = {Acta Acustica united with Acustica, Special issue on Natural and Virtual Instruments: | journal = {Acta Acustica united with Acustica, Special issue on Natural and Virtual Instruments: | ||
title = {Gesture Control of Sound Synthesis: Analysis and Classification of Percussion Gestures}, | title = {Gesture Control of Sound Synthesis: Analysis and Classification of Percussion Gestures}, | ||
- | | + | |
publisher = {S. Hirzel Verlag}, | publisher = {S. Hirzel Verlag}, | ||
volume={96}, | volume={96}, | ||
Line 861: | Line 1026: | ||
pages={668--677}, | pages={668--677}, | ||
uRL = {http:// | uRL = {http:// | ||
- | keywords = {journal}} | + | keywords = {journal, movement_analysis_and_synthesis}} |
@article{Verfaille_2010_JASA, | @article{Verfaille_2010_JASA, | ||
Line 867: | Line 1032: | ||
journal = {Journal of the Acoustical Society of America}, | journal = {Journal of the Acoustical Society of America}, | ||
title = {Detecting Overblown Flute Fingerings from the Residual Noise Spectrum}, | title = {Detecting Overblown Flute Fingerings from the Residual Noise Spectrum}, | ||
- | | + | |
publisher = {Acoustical Society of America}, | publisher = {Acoustical Society of America}, | ||
volume={127}, | volume={127}, | ||
Line 882: | Line 1047: | ||
title = {Sensor Choice for Parameter Modulations in Digital Musical Instruments: | title = {Sensor Choice for Parameter Modulations in Digital Musical Instruments: | ||
journal = {Journal of New Music Research}, | journal = {Journal of New Music Research}, | ||
- | | + | |
volume = {38}, | volume = {38}, | ||
number = {3}, | number = {3}, | ||
Line 895: | Line 1060: | ||
title = {Music and Motion -- How Music-related Ancillary Body Movements Contribute to the Experience of Music}, | title = {Music and Motion -- How Music-related Ancillary Body Movements Contribute to the Experience of Music}, | ||
journal = {Music Perception: An Interdisciplinary Journal}, | journal = {Music Perception: An Interdisciplinary Journal}, | ||
- | | + | |
volume = {26}, | volume = {26}, | ||
number = {4}, | number = {4}, | ||
Line 923: | Line 1088: | ||
title = {Refining mapping strategies to improve the sound quality of physically controlled synthesis}, | title = {Refining mapping strategies to improve the sound quality of physically controlled synthesis}, | ||
journal = {Journal of the Acoustical Society of America}, | journal = {Journal of the Acoustical Society of America}, | ||
- | | + | |
volume = {123}, | volume = {123}, | ||
number = {5}, | number = {5}, | ||
Line 936: | Line 1101: | ||
title = {Indirect acquisition of flutist gestures: a case study of harmonic note fingerings}, | title = {Indirect acquisition of flutist gestures: a case study of harmonic note fingerings}, | ||
journal = {Journal of the Acoustical Society of America}, | journal = {Journal of the Acoustical Society of America}, | ||
- | | + | |
volume = {123}, | volume = {123}, | ||
number = {5}, | number = {5}, | ||
Line 951: | Line 1116: | ||
title = {Mapping strategies for sound synthesis, digital audio effects, and sonification of performer gestures}, | title = {Mapping strategies for sound synthesis, digital audio effects, and sonification of performer gestures}, | ||
journal = {Journal of the Acoustical Society of America}, | journal = {Journal of the Acoustical Society of America}, | ||
- | | + | |
volume = {119}, | volume = {119}, | ||
number = {5}, | number = {5}, | ||
Line 963: | Line 1128: | ||
title = {Mapping Strategies for Gestural and Adaptive Control of Digital Audio Effects}, | title = {Mapping Strategies for Gestural and Adaptive Control of Digital Audio Effects}, | ||
journal = {Journal of New Music Research}, | journal = {Journal of New Music Research}, | ||
- | | + | |
volume = {35}, | volume = {35}, | ||
number = {1}, | number = {1}, | ||
Line 989: | Line 1154: | ||
title = {Noise/ | title = {Noise/ | ||
journal = {Organised Sound}, | journal = {Organised Sound}, | ||
- | | + | |
volume = {11}, | volume = {11}, | ||
number = {2}, | number = {2}, | ||
Line 1005: | Line 1170: | ||
title = {The Musical Significance of Clarinetists' | title = {The Musical Significance of Clarinetists' | ||
journal = {Journal of New Music Research}, | journal = {Journal of New Music Research}, | ||
- | | + | |
volume = {34}, | volume = {34}, | ||
number = {1}, | number = {1}, | ||
Line 1041: | Line 1206: | ||
volume = {32}, | volume = {32}, | ||
year = {2003}, | year = {2003}, | ||
- | | + | |
uRL = {http:// | uRL = {http:// | ||
keywords = {journal}} | keywords = {journal}} | ||
Line 1068: | Line 1233: | ||
month = {August}, | month = {August}, | ||
year = {2002}, | year = {2002}, | ||
- | | + | |
uRL = {http:// | uRL = {http:// | ||
keywords = {journal}} | keywords = {journal}} | ||
Line 1097: | Line 1262: | ||
======Conference Papers====== | ======Conference Papers====== | ||
+ | |||
+ | =====2019===== | ||
+ | |||
+ | @inproceedings{Bukkapatnam_2019_MOCO, | ||
+ | author = {Aditya Tirumala Bukkapatnam and Philippe Depalle and Marcelo ~M. Wanderley}, | ||
+ | title = {Autoregressive Parameter Estimation for Equalizing Vibrotactile Systems}, | ||
+ | booktitle = {Proceedings of the International Workshop on Haptic and Audio Interaction Design}, | ||
+ | year = {2019}, | ||
+ | location = {Lille, France}, | ||
+ | pages = {}, | ||
+ | keywords = {}} | ||
+ | |||
+ | @inproceedings{Meneses_2019_NIME, | ||
+ | author = {Eduardo ~A. ~L. Meneses and Johnty Wang and Sergio Freire and Marcelo ~M. Wanderley}, | ||
+ | title = {A Comparison of Open-Source Linux Frameworks for an Augmented Musical Instrument Implementation}, | ||
+ | booktitle = {Proceedings of the International Conference on New Interfaces for Musical Expression}, | ||
+ | year = {2019}, | ||
+ | location = {Porto Alegre, Brazil}, | ||
+ | pages = {}, | ||
+ | keywords = {}} | ||
+ | |||
+ | @inproceedings{Wang_2019_NIME, | ||
+ | author = {Johnty Wang and Axel Mulder and Marcelo ~M. Wanderley}, | ||
+ | title = {Practical Considerations for MIDI over Bluetooth Low Energy as a Wireless Interface}, | ||
+ | booktitle = {Proceedings of the International Conference on New Interfaces for Musical Expression}, | ||
+ | year = {2019}, | ||
+ | location = {Porto Alegre, Brazil}, | ||
+ | pages = {}, | ||
+ | keywords = {}} | ||
+ | |||
+ | =====2018===== | ||
+ | |||
+ | @inproceedings{Massie-Laberge_2018_MOCO, | ||
+ | author = {Catherine Massie-Laberge and Isabelle Cossette and Marcelo ~M. Wanderley}, | ||
+ | title = {Kinetic Analysis of Hip Motion During Piano Playing}, | ||
+ | booktitle = {Proceedings of the 5th International Conference on Movement Computing (MOCO' | ||
+ | year = {2018}, | ||
+ | location = {Genoa, Italy}, | ||
+ | pages = {}, | ||
+ | keywords = {}} | ||
+ | |||
+ | @inproceedings{Meneses_2018_NIME, | ||
+ | author = {Eduardo ~A. ~L. Meneses and Sergio Freire and Marcelo ~M. Wanderley}, | ||
+ | title = {GuitarAMI and GuiaRT: two independent yet complementary Augmented Nylon Guitar projects}, | ||
+ | booktitle = {Proceedings of the 2018 International Conference on New Interfaces for Musical Expression}, | ||
+ | year = {2018}, | ||
+ | location = {Blacksburg, | ||
+ | pages = {}, | ||
+ | keywords = {}} | ||
+ | |||
+ | @inproceedings{Nieva_2018_NIME, | ||
+ | author = {Alex Nieva and Johnty Wang and Joseph Malloch and Marcelo ~M. Wanderley}, | ||
+ | title = {The T-Stick: Maintaining a 12 year-old digital musical instrument}, | ||
+ | booktitle = {Proceedings of the 2018 International Conference on New Interfaces for Musical Expression}, | ||
+ | year = {2018}, | ||
+ | location = {Blacksburg, | ||
+ | pages = {}, | ||
+ | keywords = {tstick}} | ||
+ | |||
+ | @inproceedings{Sullivan_2018_MOCO_a, | ||
+ | author = {John Sullivan and Alexandra Tibbitts and Brice Gatinet and Marcelo ~M. Wanderley}, | ||
+ | title = {Gestural Control of Augmented Instrumental Performance: | ||
+ | booktitle = {Proceedings of 5th International Conference on Movement Computing (MOCO' | ||
+ | year = {2018}, | ||
+ | location = {Genoa, Italy}, | ||
+ | pages = {}, | ||
+ | keywords = {}} | ||
+ | |||
+ | @inproceedings{Sullivan_2018_MOCO_b, | ||
+ | author = {John Sullivan and Marcelo ~M. Wanderley}, | ||
+ | title = {Stability, Reliability, | ||
+ | booktitle = {Proceedings of the Sound and Music Computing Conference (SMC)}, | ||
+ | year = {2018}, | ||
+ | location = {Limassol, Cyprus}, | ||
+ | pages = {}, | ||
+ | keywords = {}} | ||
+ | |||
+ | =====2017===== | ||
+ | |||
+ | @inproceedings{Barbosa_2017_NIME, | ||
+ | author = {Jeronimo Barbosa and Marcelo M. Wanderley and St{' | ||
+ | title = {Exploring Playfulness in NIME Design: The Case of Live Looping Tools}, | ||
+ | booktitle = {Proceedings of the 2017 International Conference on New Interfaces for Musical Expression}, | ||
+ | year = {2017}, | ||
+ | location = {Copenhagen, | ||
+ | pages = {}, | ||
+ | keywords = {}} | ||
+ | |||
+ | @inproceedings{Caramiaux_2017_ICMC, | ||
+ | author = {Baptiste Caramiaux and Fr{\' | ||
+ | title = {Individuality in Piano Performance Depends on Skill Learning}, | ||
+ | booktitle = {Proceedings of the 4th International Conference of Movement Computing}, | ||
+ | year = {2017}, | ||
+ | location = {London, UK}, | ||
+ | pages = {}, | ||
+ | keywords = {}} | ||
+ | |||
+ | @inproceedings{Ignoto_2017_AHFE, | ||
+ | author = {Patrick Ignoto and Ian Hattwick and Marcelo M. Wanderley}, | ||
+ | title = {Development of a Vibrotactile Metronome to Assist in Conducting Contemporary Classical Music}, | ||
+ | booktitle = {Proceedings of the 8th International Conference on Applied Human Factors and Ergonomics (AHFE)}, | ||
+ | year = {2017}, | ||
+ | location = {Los Angeles, USA}, | ||
+ | pages = {}, | ||
+ | keywords = {}} | ||
+ | |||
+ | @inproceedings{Hattwick_2017_HCIIC, | ||
+ | author = {Ian Hattwick and Ivan Franco and Marcelo ~M. Wanderley}, | ||
+ | title = {The Vibropixels: | ||
+ | booktitle = {Proceedings of the Human-Computer Interaction International Conference}, | ||
+ | year = {2017}, | ||
+ | location = {Vancouver, Canada}, | ||
+ | pages = {}, | ||
+ | keywords = {}} | ||
+ | |||
+ | @inproceedings{Hattwick_2017_NIME, | ||
+ | author = {Ian Hattwick and Marcelo ~M. Wanderley}, | ||
+ | title = {The Design Process for Creating Hardware Systems in Collaborative Artistic Projects}, | ||
+ | booktitle = {Proceedings of the 2017 International Conference on New Interfaces for Musical Expression}, | ||
+ | year = {2017}, | ||
+ | location = {Copenhagen, | ||
+ | pages = {}, | ||
+ | keywords = {}} | ||
+ | |||
+ | @inproceedings{Meneses_2017_BSCM, | ||
+ | author = {Eduardo ~A. ~L. Meneses and Marcelo ~M. Wanderley}, | ||
+ | title = {New developments on the augmentation of a classical guitar: Addition of embedded sound synthesis and OSC communication over network}, | ||
+ | booktitle = {Proceedings of the 16th Brazilian Symposium on Computer Music}, | ||
+ | year = {2017}, | ||
+ | location = {S{\~a}o Paulo, Brazil}, | ||
+ | pages = {}, | ||
+ | keywords = {}} | ||
+ | |||
+ | @inproceedings{Wang_2017_SMC_a, | ||
+ | author = {Johnty Wang and Joseph Malloch and St{\' | ||
+ | title = {Versioning and Annotation Support for Collaborative Mapping Design}, | ||
+ | booktitle = {Proceedings of the 14th Sound and Music Computing Conference (SMC)}, | ||
+ | year = {2017}, | ||
+ | location = {Espoo, Finland}, | ||
+ | pages = {}, | ||
+ | keywords = {libmapper}} | ||
+ | |||
+ | @inproceedings{Wang_2017_SMC_b, | ||
+ | author = {Johnty Wang and Bob Pritchard and Bryn Nixon and Marcelo ~M. Wanderley}, | ||
+ | title = {Explorations with Digital Control of MIDI-enabled Pipe Organs}, | ||
+ | booktitle = {Proceedings of the 14th Sound and Music Computing Conference}, | ||
+ | year = {2017}, | ||
+ | location = {Espoo, Finland}, | ||
+ | pages = {}, | ||
+ | keywords = {}} | ||
+ | |||
+ | =====2016===== | ||
+ | |||
+ | @inproceedings{Bhagwati_2016_TENOR, | ||
+ | address = {Cambridge, UK}, | ||
+ | author = { Sandeep Bhagwati and Marcello Giordano and Joanna Berzowska and Alex Bachmayr and Julian Stein and Joseph Browne and Felix Del Tredici and Deborah Egloff and John Sullivan and Marcelo Wanderley and Isabelle Cossette }, | ||
+ | title = {Musicking the Body Electric. The " | ||
+ | booktitle = {Proceedings of the International Conference on Technologies for Music Notation and Representation -- TENOR' | ||
+ | pages = {121--126}, | ||
+ | year = {2016}, | ||
+ | editor = {Richard Hoadley and Chris Nash and Dominique Fober}, | ||
+ | publisher = {Anglia Ruskin University}, | ||
+ | ISBN = {978-0-9931461-1-4}} | ||
+ | |||
+ | @inproceedings{Chen_2016_MOCO, | ||
+ | author = {Lei Chen, Sylvie Gibet and Pierre-Fran{\cc}ois Marteau and Fabrice Marandola and Marcelo ~M. Wanderley}, | ||
+ | title = {Quantitative Evaluation of Percussive Gestures by Ranking Trainees versus Teacher}, | ||
+ | booktitle = {Proceedings of the International Symposium on Movement and Computing (MOCO2016)}, | ||
+ | year = {2016}, | ||
+ | location = {Thessaloniki, | ||
+ | pages = {}, | ||
+ | keywords = {}} | ||
+ | |||
+ | @inproceedings{Wanderley_2016_CHI, | ||
+ | author = {Marcelo ~M. Wanderley and Joseph Malloch and J{\' | ||
+ | title = {Human Computer Interaction meets Computer Music: The MIDWAY Project}, | ||
+ | booktitle = {The Music and HCI Workshop, CHI 2016}, | ||
+ | year = {2016}, | ||
+ | location = {San Jos{\' | ||
+ | pages = {}, | ||
+ | keywords = {midway}} | ||
@inproceedings{Franco_2016_CMMR, | @inproceedings{Franco_2016_CMMR, | ||
- | author = {Ivan Franco and Marcelo M. Wanderley}, | + | author = {Ivan Franco and Marcelo |
title = {The Mitt: Case Study in the Design of a Self-contained Digital Music Instrument}, | title = {The Mitt: Case Study in the Design of a Self-contained Digital Music Instrument}, | ||
booktitle = {Proceedings of the 12th International Symposium on Computer Music Multidisciplinary Research (CMMR)}, | booktitle = {Proceedings of the 12th International Symposium on Computer Music Multidisciplinary Research (CMMR)}, | ||
year = {2016}, | year = {2016}, | ||
- | location = {São Paulo, Brazil}, | + | location = {S{\~a}o |
- | pages = {}} | + | pages = {}, |
+ | keywords = {mitt, prynth}} | ||
+ | |||
+ | @inproceedings{Massie-Laberge_2016_ICMPC_a, | ||
+ | author = {Catherine Massie-Laberge and Isabelle Cossette and Marcelo ~M. Wanderley}, | ||
+ | title = {Hearing the Gesture: Perception of Body Actions in Romantic Piano Performances}, | ||
+ | booktitle = {Proceedings of ICMPC 2016 International Conference for Music Perception and Cognition (ICMPC)}, | ||
+ | year = {2016}, | ||
+ | location = {San Francisco, USA}, | ||
+ | pages = {}, | ||
+ | keywords = {}} | ||
+ | |||
+ | @inproceedings{Massie-Laberge_2016_ICMPC_b, | ||
+ | author = {Catherine Massie-Laberge and Isabelle Cossette and Marcelo ~M. Wanderley}, | ||
+ | title = {Motion Kinematics and Auditors’ Perception of Expressive Gesture in Romantic Piano Performances}, | ||
+ | booktitle = {Proceedings of ICMPC 2016 International Conference for Music Perception and Cognition (ICMPC)}, | ||
+ | year = {2016}, | ||
+ | location = {San Francisco, USA}, | ||
+ | pages = {}, | ||
+ | keywords | ||
=====2015===== | =====2015===== | ||
Line 1117: | Line 1482: | ||
@inproceedings{Barbosa_2015_NIME_a, | @inproceedings{Barbosa_2015_NIME_a, | ||
- | author = {Jeronimo Barbosa and Joseph Malloch and St{\' | + | author = {Jeronimo Barbosa and Joseph Malloch and St{\' |
title = {What does ' | title = {What does ' | ||
booktitle = {Proceedings of the International Conference on New Interfaces for Musical Expression}, | booktitle = {Proceedings of the International Conference on New Interfaces for Musical Expression}, | ||
Line 1147: | Line 1512: | ||
year = {2015}, | year = {2015}, | ||
location = {Baton Rouge, USA}, | location = {Baton Rouge, USA}, | ||
- | pages = {}} | + | pages = {}, |
+ | keywords = {prynth}} | ||
@inproceedings{Lamontagne_2015_SEA, | @inproceedings{Lamontagne_2015_SEA, | ||
Line 1155: | Line 1521: | ||
year = {2015}, | year = {2015}, | ||
location = {Vancouver, Canada}, | location = {Vancouver, Canada}, | ||
+ | pages = {}} | ||
+ | |||
+ | @inproceedings{Tits_2015_ICMC, | ||
+ | author = {Micka{\" | ||
+ | title = {Feature Extraction and Expertise Analysis of Pianists? Motion-Captured Finger Gestures}, | ||
+ | booktitle = {Proceedings of the International Computer Music Conference}, | ||
+ | year = {2015}, | ||
+ | location = {Denton, USA}, | ||
pages = {}} | pages = {}} | ||
Line 1217: | Line 1591: | ||
@inproceedings{Hattwick_2014_NIME_c, | @inproceedings{Hattwick_2014_NIME_c, | ||
- | author = {Ian Hattwick and Seth Woods}, | + | author = {Ian Hattwick and Seth Woods and Marcelo ~M. Wanderley}, |
title = {Almost Human: Moving Expressive Gesture from Cello to Spine}, | title = {Almost Human: Moving Expressive Gesture from Cello to Spine}, | ||
booktitle = {Proceedings of the Workshop on Practice-Based Research in New Interfaces for Musical Expression}, | booktitle = {Proceedings of the Workshop on Practice-Based Research in New Interfaces for Musical Expression}, | ||
Line 1254: | Line 1628: | ||
title = {Intonaspacio: | title = {Intonaspacio: | ||
booktitle = {Sound, Music, and Motion: 10th International Symposium, CMMR 2013 Revised Selected Papers}, | booktitle = {Sound, Music, and Motion: 10th International Symposium, CMMR 2013 Revised Selected Papers}, | ||
- | editor = {Mitsuko Aramaki and Olivier Derrien and Richard Kronland-Martinet and Sølvi | + | editor = {Mitsuko Aramaki and Olivier Derrien and Richard Kronland-Martinet and S{\o}lvi |
publisher = {Springer-Verlag}, | publisher = {Springer-Verlag}, | ||
series = {LNCS}, | series = {LNCS}, | ||
Line 1260: | Line 1634: | ||
year = {2014}, | year = {2014}, | ||
location = {Marseille, France}, | location = {Marseille, France}, | ||
- | | + | |
pages = {393--415}} | pages = {393--415}} | ||
Line 1339: | Line 1713: | ||
@inproceedings{Seger_2013_BSCM, | @inproceedings{Seger_2013_BSCM, | ||
author = {Rodrigo ~A. Seger and Alessandro ~L. Koerich and Marcelo ~M. Wanderley}, | author = {Rodrigo ~A. Seger and Alessandro ~L. Koerich and Marcelo ~M. Wanderley}, | ||
- | title = {Detecção | + | title = {Detec{\cc}ão |
booktitle = {Proceedings of the 14th Brazilian Symposium on Computer Music}, | booktitle = {Proceedings of the 14th Brazilian Symposium on Computer Music}, | ||
year = {2013}, | year = {2013}, | ||
Line 1362: | Line 1736: | ||
@inproceedings{Schiavoni_2013_SMC, | @inproceedings{Schiavoni_2013_SMC, | ||
- | author = {Flávio | + | author = {Fl{\' |
title = {Network music with Medusa: A comparison of tempo alignment in existing MIDI APIs}, | title = {Network music with Medusa: A comparison of tempo alignment in existing MIDI APIs}, | ||
booktitle = {Proceedings of the 2013 International Conference on Sound and Music Computing (SMC2013)}, | booktitle = {Proceedings of the 2013 International Conference on Sound and Music Computing (SMC2013)}, | ||
Line 1370: | Line 1744: | ||
@inproceedings{Schiavoni_2013_ICMC, | @inproceedings{Schiavoni_2013_ICMC, | ||
- | author = {Flávio | + | author = {Fl{\' |
title = {Alternatives in network transport protocols for audio streaming applications}, | title = {Alternatives in network transport protocols for audio streaming applications}, | ||
booktitle = {Proceedings of the 2013 International Computer Music Conference (ICMC13)}, | booktitle = {Proceedings of the 2013 International Computer Music Conference (ICMC13)}, | ||
Line 1387: | Line 1761: | ||
@inproceedings{Winters_2013_ICME_a, | @inproceedings{Winters_2013_ICME_a, | ||
author = {R. Michael Winters and Ian Hattwick and Marcelo ~M. Wanderley}, | author = {R. Michael Winters and Ian Hattwick and Marcelo ~M. Wanderley}, | ||
- | title = {Emotional Data in Music Performance: | + | title = {Emotional Data in Music Performance: |
booktitle = {Proceedings of the 3rd International Conference on Music & Emotion (ICME2013)}, | booktitle = {Proceedings of the 3rd International Conference on Music & Emotion (ICME2013)}, | ||
year = {2013}, | year = {2013}, | ||
Line 1439: | Line 1813: | ||
location = {Atlanta, Georgia}, | location = {Atlanta, Georgia}, | ||
pages = {}} | pages = {}} | ||
- | | + | |
@inproceedings{Germain_2012_DAFx, | @inproceedings{Germain_2012_DAFx, | ||
- | author = {François | + | author = {Fran{\cc}ois |
title = {Uniform Noise Sequences for Nonlinear System Identification}, | title = {Uniform Noise Sequences for Nonlinear System Identification}, | ||
booktitle = {Proceedings 15th International Conference of Digital Audio Effects (DAFx-12)}, | booktitle = {Proceedings 15th International Conference of Digital Audio Effects (DAFx-12)}, | ||
Line 1448: | Line 1822: | ||
location = {York, UK}, | location = {York, UK}, | ||
pages = {}} | pages = {}} | ||
- | | + | |
@inproceedings{Vigliensoni_2012_NIME, | @inproceedings{Vigliensoni_2012_NIME, | ||
author = {Gabriel Vigliensoni and Marcelo ~M. Wanderley}, | author = {Gabriel Vigliensoni and Marcelo ~M. Wanderley}, | ||
Line 1457: | Line 1831: | ||
location = {Ann Arbor, USA}, | location = {Ann Arbor, USA}, | ||
pages = {}} | pages = {}} | ||
- | | + | |
@inproceedings{Hollinger_2012_NIME, | @inproceedings{Hollinger_2012_NIME, | ||
author = {Avrum Hollinger and Marcelo ~M. Wanderley}, | author = {Avrum Hollinger and Marcelo ~M. Wanderley}, | ||
Line 1474: | Line 1848: | ||
month = {}, | month = {}, | ||
location = {Ann Arbor, USA}, | location = {Ann Arbor, USA}, | ||
- | pages = {}} | + | pages = {}, |
- | + | keywords = {dimension_space}} | |
@inproceedings{Tache_2012_NIME, | @inproceedings{Tache_2012_NIME, | ||
author = {Olivier Tache and Jean-Loup Florens and Stephen Sinclair and Marcelo ~M. Wanderley}, | author = {Olivier Tache and Jean-Loup Florens and Stephen Sinclair and Marcelo ~M. Wanderley}, | ||
Line 1484: | Line 1859: | ||
location = {Ann Arbor, USA}, | location = {Ann Arbor, USA}, | ||
pages = {}} | pages = {}} | ||
- | | + | |
@inproceedings{Giordano_2012_NIME, | @inproceedings{Giordano_2012_NIME, | ||
author = {Marcello Giordano and Stephen Sinclair and Marcelo ~M. Wanderley}, | author = {Marcello Giordano and Stephen Sinclair and Marcelo ~M. Wanderley}, | ||
Line 1493: | Line 1868: | ||
location = {Ann Arbor, USA}, | location = {Ann Arbor, USA}, | ||
pages = {}} | pages = {}} | ||
- | | + | |
@inproceedings{Chadefaux_2012_Acoustics, | @inproceedings{Chadefaux_2012_Acoustics, | ||
author = {Delphine Chadefaux and Marcelo ~M. Wanderley and Jean-Loïc Le Carrou and Benoît Fabre and Laurent Daudet}, | author = {Delphine Chadefaux and Marcelo ~M. Wanderley and Jean-Loïc Le Carrou and Benoît Fabre and Laurent Daudet}, | ||
Line 1513: | Line 1888: | ||
location = {Padova, Italy}, | location = {Padova, Italy}, | ||
pages = {}} | pages = {}} | ||
- | | + | |
@inproceedings{Giordano_2011_SMC, | @inproceedings{Giordano_2011_SMC, | ||
author = {Marcello Giordano and Marcelo ~M. Wanderley}, | author = {Marcello Giordano and Marcelo ~M. Wanderley}, | ||
Line 1522: | Line 1897: | ||
location = {Padova, Italy}, | location = {Padova, Italy}, | ||
pages = {}} | pages = {}} | ||
- | | + | |
@inproceedings{Sinclair_2011_WHC, | @inproceedings{Sinclair_2011_WHC, | ||
author = {Stephen Sinclair and Marcelo ~M. Wanderley and Vincent Hayward and Gary Scavone}, | author = {Stephen Sinclair and Marcelo ~M. Wanderley and Vincent Hayward and Gary Scavone}, | ||
Line 1531: | Line 1906: | ||
location = {}, | location = {}, | ||
pages = {}} | pages = {}} | ||
- | | + | |
@inproceedings{Donald_2011_NIME, | @inproceedings{Donald_2011_NIME, | ||
author = {Erika Donald and Benjamin Duinker and and Eliot Britton}, | author = {Erika Donald and Benjamin Duinker and and Eliot Britton}, | ||
Line 1540: | Line 1915: | ||
location = {Oslo, Norway}, | location = {Oslo, Norway}, | ||
pages = {}} | pages = {}} | ||
- | | + | |
@inproceedings{Marshall_2011_NIME, | @inproceedings{Marshall_2011_NIME, | ||
author = {Mark ~T. Marshall and Marcelo ~M. Wanderley}, | author = {Mark ~T. Marshall and Marcelo ~M. Wanderley}, | ||
Line 1549: | Line 1924: | ||
location = {Oslo, Norway}, | location = {Oslo, Norway}, | ||
pages = {}} | pages = {}} | ||
- | | + | |
@inproceedings{Bresson_2011_ICMC, | @inproceedings{Bresson_2011_ICMC, | ||
author = {Jean Bresson and Marlon Schumacher}, | author = {Jean Bresson and Marlon Schumacher}, | ||
Line 1593: | Line 1968: | ||
@inproceedings{Grond_2010_DAFx, | @inproceedings{Grond_2010_DAFx, | ||
- | author = {Florian Grond and Alexandre | + | author = {Florian Grond and Alexandre |
title = {Virtual Auditory Myography of Timpani-playing Avatars}, | title = {Virtual Auditory Myography of Timpani-playing Avatars}, | ||
booktitle = {Proceedings of the International Conference on Digital Audio Effects (DAFX)}, | booktitle = {Proceedings of the International Conference on Digital Audio Effects (DAFX)}, | ||
Line 1599: | Line 1974: | ||
month = {}, | month = {}, | ||
location = {Graz, Austria}, | location = {Graz, Austria}, | ||
- | pages = {135--142}} | + | pages = {135--142}, |
+ | keywords = {movement_analysis_and_synthesis}} | ||
@inproceedings{Bianco_2010_SMC, | @inproceedings{Bianco_2010_SMC, | ||
- | author = {Tommaso Bianco and Marcelo ~M. Wanderley and Frederic | + | author = {Tommaso Bianco and Marcelo ~M. Wanderley and Fr{\' |
title = {Mimicry of tone production: results from a pilot experiment}, | title = {Mimicry of tone production: results from a pilot experiment}, | ||
booktitle = {Proceedings of the 7th of Sound and Music Computing (SMC) Conference}, | booktitle = {Proceedings of the 7th of Sound and Music Computing (SMC) Conference}, | ||
Line 1649: | Line 2025: | ||
month = {May}, | month = {May}, | ||
location = {New York, USA}, | location = {New York, USA}, | ||
- | pages = {242--249}} | + | pages = {242--249}, |
+ | keywords = {sensestage, | ||
@inproceedings{Sinclair_2010_CFA, | @inproceedings{Sinclair_2010_CFA, | ||
author = {Stephen Sinclair and Jean-Loup Florens and Marcelo ~M. Wanderley}, | author = {Stephen Sinclair and Jean-Loup Florens and Marcelo ~M. Wanderley}, | ||
title = {A Haptic Simulator for Gestural Interaction with the Bowed String}, | title = {A Haptic Simulator for Gestural Interaction with the Bowed String}, | ||
- | booktitle = {Proceedings of the Congrès Français | + | booktitle = {Proceedings of the Congr{\`e}s Fran{\cc}ais |
year = {2010}, | year = {2010}, | ||
month = {}, | month = {}, | ||
Line 1663: | Line 2040: | ||
author = {Bruno ~L. Giordano and Federico Avanzini and Marcelo ~M. Wanderley and Stephen McAdams}, | author = {Bruno ~L. Giordano and Federico Avanzini and Marcelo ~M. Wanderley and Stephen McAdams}, | ||
title = {Multisensory Integration in Percussion Performance}, | title = {Multisensory Integration in Percussion Performance}, | ||
- | booktitle = {Proceedings of the Congrès Français | + | booktitle = {Proceedings of the Congr{\`e}s Fran{\cc}ais |
year = {2010}, | year = {2010}, | ||
month = {}, | month = {}, | ||
Line 1684: | Line 2061: | ||
pages = {227--238}, | pages = {227--238}, | ||
uRL = {http:// | uRL = {http:// | ||
- | | + | |
@inproceedings{Rasamimanana_2009_GW, | @inproceedings{Rasamimanana_2009_GW, | ||
- | author = {Nicolas ~H. Rasamimanana and Delphine Bernardin and Marcelo ~M. Wanderley and Frederic | + | author = {Nicolas ~H. Rasamimanana and Delphine Bernardin and Marcelo ~M. Wanderley and Fr{\' |
title = {String Bowing Gestures at Varying Bow Stroke Frequencies: | title = {String Bowing Gestures at Varying Bow Stroke Frequencies: | ||
- | booktitle = {Gesture-Based Human-Computer Interaction and Simulation | + | booktitle = {Gesture-Based Human-Computer Interaction and Simulation |
editor = {Miguel Sales Dias and Sylvie Gibet and Marcelo ~M. Wanderley and Rafael Bastos}, | editor = {Miguel Sales Dias and Sylvie Gibet and Marcelo ~M. Wanderley and Rafael Bastos}, | ||
series = {LNCS}, | series = {LNCS}, | ||
Line 1698: | Line 2075: | ||
pages = {216--226}, | pages = {216--226}, | ||
uRL = {http:// | uRL = {http:// | ||
- | | + | |
@inproceedings{Mazzarino_2009_GW, | @inproceedings{Mazzarino_2009_GW, | ||
Line 1712: | Line 2089: | ||
pages = {48--56}, | pages = {48--56}, | ||
uRL = {http:// | uRL = {http:// | ||
- | | + | |
@inproceedings{Palmer_2009_ISPS, | @inproceedings{Palmer_2009_ISPS, | ||
Line 1733: | Line 2110: | ||
@inproceedings{Bouenard_2009_ICMC, | @inproceedings{Bouenard_2009_ICMC, | ||
- | author = {Alexandre | + | author = {Alexandre |
title = {Advantages and Limitations of Simulating Percussion Gestures for Sound Synthesis}, | title = {Advantages and Limitations of Simulating Percussion Gestures for Sound Synthesis}, | ||
booktitle = {Proceedings of the International Computer Music Conference (ICMC)}, | booktitle = {Proceedings of the International Computer Music Conference (ICMC)}, | ||
Line 1739: | Line 2116: | ||
month = {}, | month = {}, | ||
location = {Montreal, Canada}, | location = {Montreal, Canada}, | ||
- | pages = {255--261}} | + | pages = {255--261}, |
+ | keywords={movement_analysis_and_synthesis}} | ||
@inproceedings{Zadel_2009_ICMC, | @inproceedings{Zadel_2009_ICMC, | ||
Line 1748: | Line 2126: | ||
month = {}, | month = {}, | ||
location = {Montreal, Canada}, | location = {Montreal, Canada}, | ||
- | pages = {291--294}} | + | pages = {291--294}, |
+ | keywords = {different_strokes, | ||
@inproceedings{Sinclair_2009_ICMC, | @inproceedings{Sinclair_2009_ICMC, | ||
Line 1788: | Line 2167: | ||
@inproceedings{Bouenard_2009_CASA, | @inproceedings{Bouenard_2009_CASA, | ||
- | author = {Alexandre | + | author = {Alexandre |
title = {Hybrid Motion Control combining Inverse Kinematics and Inverse Dynamics Controllers for Simulating Percussion Gestures}, | title = {Hybrid Motion Control combining Inverse Kinematics and Inverse Dynamics Controllers for Simulating Percussion Gestures}, | ||
booktitle = {Proceedings of the International Conference on Computer Animation and Social Agents (CASA)}, | booktitle = {Proceedings of the International Conference on Computer Animation and Social Agents (CASA)}, | ||
Line 1794: | Line 2173: | ||
month = {}, | month = {}, | ||
location = {Amsterdam, Netherlands}, | location = {Amsterdam, Netherlands}, | ||
- | pages = {17--20}} | + | pages = {17--20}, |
+ | keywords={movement_analysis_and_synthesis}} | ||
@inproceedings{Collicutt_2009_NIME, | @inproceedings{Collicutt_2009_NIME, | ||
Line 1821: | Line 2201: | ||
month = {}, | month = {}, | ||
location = {Pittsburgh, | location = {Pittsburgh, | ||
- | pages = {131--134}} | + | pages = {131--134}, |
+ | keywords = {sensestage}} | ||
=====2008===== | =====2008===== | ||
Line 1838: | Line 2219: | ||
author = {Joseph Malloch and Stephen Sinclair and Marcelo ~M. Wanderley}, | author = {Joseph Malloch and Stephen Sinclair and Marcelo ~M. Wanderley}, | ||
booktitle = {Computer Music Modeling and Retrieval - Sense of Sounds}, | booktitle = {Computer Music Modeling and Retrieval - Sense of Sounds}, | ||
- | editor = {Richard Kronland-Martinet and Sølvi | + | editor = {Richard Kronland-Martinet and S{\o}lvi |
pages = {401--425}, | pages = {401--425}, | ||
publisher = {Springer-Verlag}, | publisher = {Springer-Verlag}, | ||
Line 1867: | Line 2248: | ||
@inproceedings{Bouenard_2008_Enactive, | @inproceedings{Bouenard_2008_Enactive, | ||
- | author = {Alexandre | + | author = {Alexandre |
title = {Analysis of Percussion Grip for Physically Based Character Animation}, | title = {Analysis of Percussion Grip for Physically Based Character Animation}, | ||
booktitle = {Proceedings of the International Conference on Enactive Interfaces (ENACTIVE)}, | booktitle = {Proceedings of the International Conference on Enactive Interfaces (ENACTIVE)}, | ||
Line 1873: | Line 2254: | ||
month = {}, | month = {}, | ||
location = {Pisa, Italy}, | location = {Pisa, Italy}, | ||
- | pages = {22--27}} | + | pages = {22--27}, |
+ | keywords={movement_analysis_and_synthesis}} | ||
@inproceedings{Marentakis_2008_ICAD, | @inproceedings{Marentakis_2008_ICAD, | ||
Line 1885: | Line 2267: | ||
@inproceedings{Bouenard_2008_NIME, | @inproceedings{Bouenard_2008_NIME, | ||
- | author = {Alexandre | + | author = {Alexandre |
title = {Enhancing the Visualization of Percussion Gestures by Virtual Character Animation}, | title = {Enhancing the Visualization of Percussion Gestures by Virtual Character Animation}, | ||
booktitle = {Proceedings of the International Conference on New Interfaces for Musical Expression (NIME)}, | booktitle = {Proceedings of the International Conference on New Interfaces for Musical Expression (NIME)}, | ||
Line 1891: | Line 2273: | ||
month = {}, | month = {}, | ||
location = {Genoa, Italy}, | location = {Genoa, Italy}, | ||
- | pages = {38--43}} | + | pages = {38--43}, |
+ | keywords={movement_analysis_and_synthesis}} | ||
=====2007===== | =====2007===== | ||
Line 1945: | Line 2328: | ||
title = {Extending {DIMPLE}: a Rigid Body Simulator for Interactive Control of Sound}, | title = {Extending {DIMPLE}: a Rigid Body Simulator for Interactive Control of Sound}, | ||
year = {2007}, | year = {2007}, | ||
- | pages = {263--266}} | + | pages = {263--266}, |
+ | keywords = {dimple}} | ||
@inproceedings{Jensenius_2007_Enactive, | @inproceedings{Jensenius_2007_Enactive, | ||
Line 1963: | Line 2347: | ||
title = {Defining a control standard for easily integrating haptic virtual environments with existing audio/ | title = {Defining a control standard for easily integrating haptic virtual environments with existing audio/ | ||
year = {2007}, | year = {2007}, | ||
- | pages = {209--212}} | + | pages = {209--212}, |
+ | keywords = {dimple, haptics}} | ||
@inproceedings{Sinclair_2007_PD, | @inproceedings{Sinclair_2007_PD, | ||
Line 1971: | Line 2356: | ||
month = {August}, | month = {August}, | ||
title = {Using {PureData} to control a haptically-enabled virtual environment}, | title = {Using {PureData} to control a haptically-enabled virtual environment}, | ||
- | year = {2007}} | + | year = {2007}, |
+ | keywords = {dimple, haptics, puredata}} | ||
@inproceedings{Birnbaum_2007_ICMC, | @inproceedings{Birnbaum_2007_ICMC, | ||
Line 2016: | Line 2402: | ||
month = {}, | month = {}, | ||
location = {Grenoble, France}, | location = {Grenoble, France}, | ||
- | pages = {377--380}} | + | pages = {377--380}, |
+ | keywords = {sound_spatialization}} | ||
@inproceedings{Nusseck_2007_Enactive, | @inproceedings{Nusseck_2007_Enactive, | ||
Line 2034: | Line 2421: | ||
month = {}, | month = {}, | ||
location = {Grenoble, France}, | location = {Grenoble, France}, | ||
- | pages = {}} | + | pages = {}, |
+ | keywords = {paper_sensors}} | ||
@inproceedings{Kereliuk_2007_ICMC, | @inproceedings{Kereliuk_2007_ICMC, | ||
Line 2043: | Line 2431: | ||
month = {}, | month = {}, | ||
location = {Copenhagen, | location = {Copenhagen, | ||
- | pages = {263--266}} | + | pages = {263--266}, |
+ | keywords = {indirect_acquisition, | ||
@inproceedings{VanNort_2007_ICMC, | @inproceedings{VanNort_2007_ICMC, | ||
Line 2091: | Line 2480: | ||
publisher = {ICMA}, | publisher = {ICMA}, | ||
title = {On the development of a system for gesture control of spatialization}, | title = {On the development of a system for gesture control of spatialization}, | ||
- | year = {2006}} | + | year = {2006}, |
+ | keywords = {sound_spatialization}} | ||
@inproceedings{Marshall_2006_NIME, | @inproceedings{Marshall_2006_NIME, | ||
Line 2115: | Line 2505: | ||
publisher = {IRCAM---Centre Pompidou}, | publisher = {IRCAM---Centre Pompidou}, | ||
title = {Paper FSRs and latex/ | title = {Paper FSRs and latex/ | ||
- | year = {2006}} | + | year = {2006}, |
+ | keywords = {paper_sensors}} | ||
@inproceedings{VanNort_2006_ICMC, | @inproceedings{VanNort_2006_ICMC, | ||
Line 2123: | Line 2514: | ||
title = {The LoM Mapping Toolbox for Max/ | title = {The LoM Mapping Toolbox for Max/ | ||
year = {2006}, | year = {2006}, | ||
- | pages = {397--400}} | + | pages = {397--400}, |
+ | keywords = {LoM, toolbox, software, mapping}} | ||
@inproceedings{Zadel_2006_NIME, | @inproceedings{Zadel_2006_NIME, | ||
Line 2131: | Line 2523: | ||
pages={168--171}, | pages={168--171}, | ||
year={2006}, | year={2006}, | ||
- | organization={IRCAM---Centre Pompidou}} | + | organization={IRCAM---Centre Pompidou}, |
+ | keywords = {different_strokes}} | ||
@inproceedings{Marshall_2006_CMMR, | @inproceedings{Marshall_2006_CMMR, | ||
Line 2137: | Line 2530: | ||
title = {Evaluation of Sensors as Input Devices for Computer Music Interfaces}, | title = {Evaluation of Sensors as Input Devices for Computer Music Interfaces}, | ||
booktitle = {CMMR 2005 - Proc. of Computer Music Modeling and Retrieval 2005 Conference}, | booktitle = {CMMR 2005 - Proc. of Computer Music Modeling and Retrieval 2005 Conference}, | ||
- | editor = {Richard Kronland-Martinet and Thierry Voinier and Sølvi | + | editor = {Richard Kronland-Martinet and Thierry Voinier and S{\o}lvi |
series = {LNCS}, | series = {LNCS}, | ||
volume = {3902}, | volume = {3902}, | ||
Line 2151: | Line 2544: | ||
title = {Building Low-Cost Music Controllers}, | title = {Building Low-Cost Music Controllers}, | ||
booktitle = {CMMR 2005 - Proc. of Computer Music Modeling and Retrieval 2005 Conference}, | booktitle = {CMMR 2005 - Proc. of Computer Music Modeling and Retrieval 2005 Conference}, | ||
- | editor = {Richard Kronland-Martinet and Thierry Voinier and Sølvi | + | editor = {Richard Kronland-Martinet and Thierry Voinier and S{\o}lvi |
series = {LNCS}, | series = {LNCS}, | ||
volume = {3902}, | volume = {3902}, | ||
Line 2177: | Line 2570: | ||
month = {}, | month = {}, | ||
location = {New Orleans, USA}, | location = {New Orleans, USA}, | ||
- | pages = {}} | + | pages = {}, |
+ | keywords = {different_strokes}} | ||
@inproceedings{Verfaille_2006_ICAD, | @inproceedings{Verfaille_2006_ICAD, | ||
Line 2186: | Line 2580: | ||
month = {}, | month = {}, | ||
location = {London, UK}, | location = {London, UK}, | ||
- | pages = {194--197}} | + | pages = {194--197}, |
+ | keywords = {sonification}} | ||
@inproceedings{Burns_2006_NIME, | @inproceedings{Burns_2006_NIME, | ||
Line 2195: | Line 2590: | ||
month = {}, | month = {}, | ||
location = {Paris, France}, | location = {Paris, France}, | ||
- | pages = {196--199}} | + | pages = {196--199} |
+ | keywords = {computer_vision, | ||
@inproceedings{Wanderley_2006_NIME, | @inproceedings{Wanderley_2006_NIME, | ||
Line 2214: | Line 2610: | ||
month = {}, | month = {}, | ||
location = {Paris, France}, | location = {Paris, France}, | ||
- | pages = {85--88}} | + | pages = {85--88}, |
+ | keywords = {G-Spring}} | ||
@inproceedings{Burns_2006_SMC, | @inproceedings{Burns_2006_SMC, | ||
Line 2223: | Line 2620: | ||
month = {}, | month = {}, | ||
location = {Marseille, France}, | location = {Marseille, France}, | ||
- | pages = {1--7}} | + | pages = {1--7}, |
+ | keywords = {computer_vision, | ||
@inproceedings{VanNort_2006_SMC, | @inproceedings{VanNort_2006_SMC, | ||
Line 2243: | Line 2641: | ||
year={2005}, | year={2005}, | ||
location={Vancouver, | location={Vancouver, | ||
- | organization={University of British Columbia}} | + | organization={University of British Columbia}, |
+ | keywords = {dimension_space}} | ||
@inproceedings{Jensenius_2005_ICMC, | @inproceedings{Jensenius_2005_ICMC, | ||
- | author = {Alexander Refsum Jensenius and Rolf Inge Godøy | + | author = {Alexander Refsum Jensenius and Rolf Inge God{\o}y |
title = {Developing Tools for Studying Musical Gestures within the MAX/ | title = {Developing Tools for Studying Musical Gestures within the MAX/ | ||
booktitle = {Proceedings of the International Computer Music Conference (ICMC)}, | booktitle = {Proceedings of the International Computer Music Conference (ICMC)}, | ||
Line 2375: | Line 2774: | ||
@inproceedings{Wanderley_2001_ICMC, | @inproceedings{Wanderley_2001_ICMC, | ||
- | author = {Marcelo ~M. Wanderley and Marie-H{\' | + | author = {Marcelo ~M. Wanderley and Marie-H{\' |
title = {{Gesture Control Research at Ircam}}, | title = {{Gesture Control Research at Ircam}}, | ||
booktitle = {Proceedings of the International Computer Music Conference}, | booktitle = {Proceedings of the International Computer Music Conference}, | ||
Line 2475: | Line 2874: | ||
@inproceedings{Lima_1996_BSCM, | @inproceedings{Lima_1996_BSCM, | ||
- | author = {Geraldo Henrique Torres Lima and Marcelo ~M. Maes and Márlio | + | author = {Geraldo Henrique Torres Lima and Marcelo ~M. Maes and M{\' |
booktitle = {Proceedings of the 3rd Brazilian Symposium on Computer Music }, | booktitle = {Proceedings of the 3rd Brazilian Symposium on Computer Music }, | ||
pages = {12--16}, | pages = {12--16}, | ||
Line 2482: | Line 2881: | ||
@inproceedings{Wanderley_1996_ICSPAT, | @inproceedings{Wanderley_1996_ICSPAT, | ||
- | author = {Vinicius Auer and Marcelo ~M. Maes and Márlio | + | author = {Vinicius Auer and Marcelo ~M. Maes and M{\' |
booktitle = {Proceedings of the International Congress on Signal Processing Applications Technology - ICSPAT}, | booktitle = {Proceedings of the International Congress on Signal Processing Applications Technology - ICSPAT}, | ||
title = {{3D Position Signals Acquisition System with Application in real-time Processing}}, | title = {{3D Position Signals Acquisition System with Application in real-time Processing}}, | ||
Line 2500: | Line 2899: | ||
publisher = {ACM}, | publisher = {ACM}, | ||
address = {New York, NY, USA}, | address = {New York, NY, USA}, | ||
- | | + | |
acmid = {}, | acmid = {}, | ||
keywords = {communications, | keywords = {communications, | ||
Line 2517: | Line 2916: | ||
address = {New York, NY, USA}, | address = {New York, NY, USA}, | ||
url = {http:// | url = {http:// | ||
- | | + | |
acmid = {2479617}, | acmid = {2479617}, | ||
keywords = {communications, | keywords = {communications, | ||
Line 2539: | Line 2938: | ||
author = {Erika Donald and Marcelo ~M. Wanderley and Isabelle Cossette}, | author = {Erika Donald and Marcelo ~M. Wanderley and Isabelle Cossette}, | ||
title = {Effects of Tempo on Bow Arm and Center of Mass Movements in Highly Skilled Cellists and Their Pedagogical Implications}, | title = {Effects of Tempo on Bow Arm and Center of Mass Movements in Highly Skilled Cellists and Their Pedagogical Implications}, | ||
- | booktitle = {ICMPC 2010 Conference}, | + | booktitle = {{ICMPC} 2010 Conference}, |
howpublished = {Abstract}, | howpublished = {Abstract}, | ||
year = {2010}, | year = {2010}, | ||
Line 2549: | Line 2948: | ||
@misc{Bouenard_2009_GW, | @misc{Bouenard_2009_GW, | ||
- | author = {Alexandre | + | author = {Alexandre |
title = {Analysis of Timpani Preparatory Gesture Parameterization}, | title = {Analysis of Timpani Preparatory Gesture Parameterization}, | ||
booktitle = {International Gesture Workshop}, | booktitle = {International Gesture Workshop}, | ||
Line 2559: | Line 2958: | ||
publisher = {}, | publisher = {}, | ||
address = {}, | address = {}, | ||
- | keywords = {}} | + | keywords={movement_analysis_and_synthesis}} |
@misc{Rasamimanana_2007_GW, | @misc{Rasamimanana_2007_GW, | ||
- | author = {Nicolas Rasamimanana and Delphine Bernardin and Marcelo ~M. Wanderley and Frederic | + | author = {Nicolas Rasamimanana and Delphine Bernardin and Marcelo ~M. Wanderley and Fr{\' |
title = {Case study of string bowing gestures in tremolo}, | title = {Case study of string bowing gestures in tremolo}, | ||
booktitle = {International Gesture Workshop}, | booktitle = {International Gesture Workshop}, | ||
Line 2675: | Line 3074: | ||
@misc{Burns_2005_GW, | @misc{Burns_2005_GW, | ||
author = {Anne-Marie Burns and Barbara Mazzarino}, | author = {Anne-Marie Burns and Barbara Mazzarino}, | ||
- | title = {Finger Tracking Methods Using EyesWeb}, | + | title = {Finger Tracking Methods Using {EyesWeb}}, |
booktitle = {6th International Workshop on Gesture in Human-Computer Interaction and Simulation (Gesture Workshop 2005)}, | booktitle = {6th International Workshop on Gesture in Human-Computer Interaction and Simulation (Gesture Workshop 2005)}, | ||
howpublished = {Abstract}, | howpublished = {Abstract}, | ||
Line 2684: | Line 3083: | ||
publisher = {}, | publisher = {}, | ||
address = {}, | address = {}, | ||
- | keywords = {}} | + | keywords = {computer_vision, |
@misc{Casciato_2005_PM, | @misc{Casciato_2005_PM, | ||
author = {Carmine Casciato and Alexander Refsum Jensenius and Marcelo ~M. Wanderley}, | author = {Carmine Casciato and Alexander Refsum Jensenius and Marcelo ~M. Wanderley}, | ||
title = {Studying Free Dance Movements to Music}, | title = {Studying Free Dance Movements to Music}, | ||
- | booktitle = {ESCOM 2005 Performance Matters! Conference}, | + | booktitle = {{ESCOM} 2005 Performance Matters! Conference}, |
howpublished = {Abstract}, | howpublished = {Abstract}, | ||
month = {September}, | month = {September}, | ||
Line 2702: | Line 3101: | ||
author = {Joseph Butch Rovan and Marcelo ~M. Wanderley}, | author = {Joseph Butch Rovan and Marcelo ~M. Wanderley}, | ||
title = {Gestural Controllers: | title = {Gestural Controllers: | ||
- | booktitle = {SEAMUS Conference}, | + | booktitle = {{SEAMUS} Conference}, |
howpublished = {Abstract}, | howpublished = {Abstract}, | ||
year = {1998}, | year = {1998}, | ||
Line 2718: | Line 3117: | ||
month = {July}, | month = {July}, | ||
number = {MUMT-IDMIL-13-01}, | number = {MUMT-IDMIL-13-01}, | ||
- | title = {Use of 3D Printed Components in the Creation of the Prosthetic Instruments}, | + | title = {Use of {3D} Printed Components in the Creation of the Prosthetic Instruments}, |
year = {2013}} | year = {2013}} | ||
Line 2726: | Line 3125: | ||
month = {October}, | month = {October}, | ||
number = {MUMT-IDMIL-12-03}, | number = {MUMT-IDMIL-12-03}, | ||
- | title = {NSERC Engage Grant "Audio Environment for the Emotional Imaging Composer" | + | title = {{NSERC} Engage Grant "Audio Environment for the Emotional Imaging Composer" |
year = {2012}} | year = {2012}} | ||
Line 2734: | Line 3133: | ||
month = {October}, | month = {October}, | ||
number = {MUMT-IDMIL-12-02}, | number = {MUMT-IDMIL-12-02}, | ||
- | title = {IDMIL Engage report: SANDDE}, | + | title = {{IDMIL} {Engage} report: |
year = {2012}} | year = {2012}} | ||
Line 2787: | Line 3186: | ||
@techreport{Bouenard_2009_IDMIL, | @techreport{Bouenard_2009_IDMIL, | ||
- | author = {Alexandre | + | author = {Alexandre |
institution = {McGill University, Music Technology Area}, | institution = {McGill University, Music Technology Area}, | ||
month = {January}, | month = {January}, | ||
number = {MUMT-IDMIL-09-01}, | number = {MUMT-IDMIL-09-01}, | ||
title = {Real-Time Simulation and Interaction of Percussion Gestures with Sound Synthesis}, | title = {Real-Time Simulation and Interaction of Percussion Gestures with Sound Synthesis}, | ||
- | year = {2009}} | + | year = {2009}, |
+ | keywords={movement_analysis_and_synthesis}} | ||
@techreport{Sinclair_2008_IDMIL, | @techreport{Sinclair_2008_IDMIL, | ||
Line 2807: | Line 3207: | ||
month = {}, | month = {}, | ||
number = {MUMT-SPCL-07-03}, | number = {MUMT-SPCL-07-03}, | ||
- | title = {Report on the Making of the DAFx-06 Proceedings}, | + | title = {Report on the Making of the {DAFx-06} Proceedings}, |
year = {2007}} | year = {2007}} | ||
Line 2832: | Line 3232: | ||
month = {}, | month = {}, | ||
number = {MUMT-IDMIL-07-10}, | number = {MUMT-IDMIL-07-10}, | ||
- | title = {HD Video Capture}, | + | title = {{HD} Video Capture}, |
year = {2007}} | year = {2007}} | ||
Line 2856: | Line 3256: | ||
month = {}, | month = {}, | ||
number = {MUMT-IDMIL-07-07}, | number = {MUMT-IDMIL-07-07}, | ||
- | title = {Report on the McGill/UCSD workshop on Gesture-controlled Spatialization}, | + | title = {Report on the {McGill}/{UCSD} workshop on Gesture-controlled Spatialization}, |
year = {2007}} | year = {2007}} | ||
Line 2880: | Line 3280: | ||
month = {}, | month = {}, | ||
number = {MUMT-IDMIL-07-04}, | number = {MUMT-IDMIL-07-04}, | ||
- | title = {Mapping and routing OSC messages in the IDMIL}, | + | title = {Mapping and routing |
year = {2007}} | year = {2007}} | ||
Line 2904: | Line 3304: | ||
month = {February}, | month = {February}, | ||
number = {MUMT-IDMIL-07-01}, | number = {MUMT-IDMIL-07-01}, | ||
- | title = {OSC for Haptic Virtual Environments: | + | title = {{OSC} for Haptic Virtual Environments: |
year = {2007}} | year = {2007}} | ||
Line 2920: | Line 3320: | ||
month = {}, | month = {}, | ||
number = {MUMT-IDMIL-06-03}, | number = {MUMT-IDMIL-06-03}, | ||
- | title = {The Tralf}, | + | title = {The {Tralf}}, |
year = {2006}} | year = {2006}} | ||
Line 2928: | Line 3328: | ||
month = {}, | month = {}, | ||
number = {MUMT-IDMIL-06-02}, | number = {MUMT-IDMIL-06-02}, | ||
- | title = {The FM Gloves}, | + | title = {The {FM} Gloves}, |
year = {2006}} | year = {2006}} | ||
Line 2961: | Line 3361: | ||
month = {August}, | month = {August}, | ||
number = {MUMT-IDMIL-05-03}, | number = {MUMT-IDMIL-05-03}, | ||
- | title = {Traitement et Visualisation de Vonn{\' | + | title = {Traitement et Visualisation de Donn{\' |
year = {2005}} | year = {2005}} | ||
Line 2977: | Line 3377: | ||
month = {Feb}, | month = {Feb}, | ||
number = {MUMT-IDMIL-05-01}, | number = {MUMT-IDMIL-05-01}, | ||
- | title = {On the Use of Laban-Bartenieff Techniques to Describe Ancillary Gestures of Clarinetists}, | + | title = {On the Use of {Laban-Bartenieff} Techniques to Describe Ancillary Gestures of Clarinetists}, |
year = {2005}} | year = {2005}} | ||
Line 2985: | Line 3385: | ||
month = {}, | month = {}, | ||
number = {MUMT-IDMIL-04-02}, | number = {MUMT-IDMIL-04-02}, | ||
- | title = {The Celloboard | + | title = {The Celloboard: a Physical Interface for Music-Making}, |
year = {2004}} | year = {2004}} | ||
Line 2999: | Line 3399: | ||
author = {David Birnbaum}, | author = {David Birnbaum}, | ||
note = {Project report, McGill University}, | note = {Project report, McGill University}, | ||
- | title = {The Touch Flute: Exploring roles of vibrotactile feedback in musical performance}, | + | title = {The {Touch Flute}: Exploring roles of vibrotactile feedback in musical performance}, |
year = {2003}} | year = {2003}} | ||
Line 3028: | Line 3428: | ||
title = {Les Nouveaux Gestes de la Musique}, | title = {Les Nouveaux Gestes de la Musique}, | ||
year = {1997}} | year = {1997}} | ||
+ |