development of mapping strategies and digital musical instruments for collaborative performance

digital manufacturing techniques

user-centered design

BM Jazz Studies, University of Southern California

MFA Integrated Composition, Improvisation, and Technology, UC Irvine

Adaptive Use Musical Instrument

Les Gestes

Audio Environment for the Emotional Imaging Composer

Unsounding Objects

Multi-Media Playroom

Ian Hattwick and Marcelo M. Wanderley. "Interactive Lighting in the Pearl: Considerations and Implementation". In Proceedings of the International Conference on New Interfaces for Musical Expression, 2015, Baton Rouge, USA.

Valerie Lamontagne, Ian Hattwick, Marcello Giordano, Ivan Franco, Deborah Egloff, Maurizio Martinucci, Christopher Salter, Marcello Giordano, and Marcelo M. Wanderley. "The Ilinx Garments: Whole-body tactile experience in a multisensorial art installation." In Proceedings of the International Symposium on Electronic Art, 2015, Vancouver, Canada. (accepted)

Ian Hattwick, Ivan Franco, Marcello Giordano, Deborah Egloff, Valerie Lamontagne, Ian Arawjo, Maurizio Martinucci, Chris Salter, and Marcelo M. Wanderley. "Compositional Approaches to the Design and Use of A Vibrotactile Garment." In Proceedings of the International Computer Music Conference, 2015, Denton, USA. (accepted)

Marcello Giordano, Ian Hattwick, Ivan Franco, Deborah Egloff, Valerie Lamontagne, TeZ, Chris Salter and Marcelo M. Wanderley. "Design and Implementation of a Whole-Body Haptic Suit for “Ilinx”, a Multisensory Art Installation" In Proceedings of the SMC Conference, 2015.

Ian Hattwick, Preston Beebe, Zachary Hale, Marcelo M. Wanderley, Philippe Leroux, and Fabrice Marendola. “Unsounding Objects: Audio Feature Extraction for the Control of Sound Synthesis.” In Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 597-600, London, UK.

Ian Hattwick, Joseph Malloch and Marcelo M. Wanderley“Forming Shapes to Bodies: Design for Manufacturing in the Prosthetic Instruments.” In Proceedings of the International Conference on New Interfaces for Musical Expression, pp. 443-448, London, UK.

Ian Hattwick, Seth Woods, and Marcelo M. Wanderley. “Almost Human: Moving Expressive Gesture from Cello to Spine.” In Proceedings of the Workshop on Practice-Based Research in New Interfaces for Musical Expression, NIME2014, London, UK.

R. Michael Winters, Ian Hattwick, and Marcelo M. Wanderley. ”Emotional Data in Music Performance: Two AudioEnvironments for the Emotional Imaging Composer.” In Proceedings of the 3rd International Conference on Music & Emotion (ICME2013).

Ian Hattwick and Marcelo M. Wanderley. "A Dimension Space for Evaluating Collaborative Musical Performance Systems." In Proceedings of the International Conference on New Interfaces for Musical Expression, Ann Harbour, 2012.

Ian Hattwick and Kojiro Umezaki. "Approaches to Collaboration in a Digital Music Ensemble." In Proceedings of the International Conference on New Interfaces for Musical Expression, Ann Harbour, 2012.

Ian Hattwick. “An Approach to Interaction in the Physical Computing Ensemble.” In Proceedings of the 1st Symposium on Laptop Ensembles and Orchestras, Baton Rouge, 2012.

Ian Hattwick, Joseph Malloch, and Marcelo M. Wanderley. Use of 3D Printed Components in the Creation of the Prosthetic Instruments, 2013.