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Books

2019

Simon Holland, Tom Mudd, Katie Wilkie-McKenna, Andrew McPherson and Marcelo M. Wanderley (editors). "New Directions in Music and Human-Computer Interaction". Springer International Publishing, 2019. DOI: 10.1007/978-3-319-92069-6. ISBN: 978-3-319-92068-9.

2014

Marcelo M. Wanderley and Joseph Malloch (guest editors). "Advances in the Design of Mapping for Computer Music". In Computer Music Journal, vol. 38, number 3, 2014.

2009

Miguel S. Dias, Sylvie Gibet, Marcelo M. Wanderley and Rafael Bastos (editors). "Gesture-Based Human-Computer Interaction and Simulation -- 7th International Gesture Workshop (GW 2007), Revised Selected Papers". Springer Verlag, 2009.

2006

Eduardo Reck Miranda and Marcelo M. Wanderley (editors). "New Digital Instruments: Control and Interaction Beyond the Keyboard". A-R Publications, 2006. ISBN: 0-89579-585-X.

2002

Marcelo M. Wanderley (guest editor). "Mapping Strategies in Real-time Computer Music". Organised Sound, vol. 7, number 2, Cambridge University Press, 2002.

2000

Marcelo M. Wanderley and Marc Battier (editors). "Trends in Gestural Control of Music". IRCAM, 2000, pages 71–94.

Book Chapters

2019

Joseph Malloch, Jérémie Garcia, Marcelo M. Wanderley, Wendy E. Mackay, Michel Beaudouin-Lafon and Stéphane Huot. "A Design Workbench for Interactive Music Systems". In Simon Holland, Tom Mudd, Katie Wilkie-McKenna, Andrew McPherson and Marcelo M. Wanderley , eds. New Directions in Music and Human-Computer Interaction, Springer International Publishing, 2019.

2016

Joseph Malloch and Marcelo M. Wanderley. "Embodied Cognition and Digital Musical Instruments: Design and Performance". In Micheline Lesaffre, Marc Leman and Pieter-Jan Maes , eds. The Routledge Companion to Embodied Music Interaction, Routledge, 2016.

David Birnbaum, Rebecca Fiebrink, Joseph Malloch and Marcelo M. Wanderley. "Towards a Dimension Space for Musical Devices". In Alexander Refsum Jensenius and Michael Lyons , eds. A NIME Reader – Fifteen Years of New Interfaces for Musical Expression, Springer Verlag, 2016.

2013

Marcelo M. Wanderley. "Mapping Strategies in Digital Musical Instruments: Concepts and tools". In Annie Luciani, Olivier Tache and Nicholas Castagné , eds. Créativité Instrumentale, Créativité Ambiente: Colloque Art-Science Technologie 2011, Enactive System Books, 2013, pages 183–190.

Olivier Tache, Stephen Sinclair, Jean-Loup Florens and Marcelo M. Wanderley. "Qualités Tactiles et Sonores dans le Jeu Instrumental de Cordes Frottées: Exploration par la simulation". In Annie Luciani, Olivier Tache and Nicholas Castagné , eds. Créativité Instrumentale, Créativité Ambiente: Colloque Art-Science Technologie 2011, Enactive System Books, 2013, pages 225–242.

2011

Joseph Malloch, Stephen Sinclair, Avrum Hollinger and Marcelo M. Wanderley. "Input Devices and Music Interaction". In Jorge Solis and Kia Ng , eds. Musical Robots and Interactive Music Systems, Springer Verlag, 2011.

2010

Marcelo M. Wanderley. "Projeto e Utilizao de Instrumentos Musicais Digitais". In Damián Keller and Rogério Budasz , eds. Criação Musical e Tecnologias: Teoria e Prática Interdisciplinar 1, ANPOM (In Portuguese), 2010.

Alexander Refsum Jensenius, Marcelo M. Wanderley, Rolf Inge Godøy and Marc Leman. "Musical Gesture: Concepts and Methods in Research". In Rolf Inge Godøy and Marc Leman , eds. Musical Gestures: Sound, Movement and Meaning, Routledge, 2010, pages 12–35.

2006

Marcelo M. Wanderley. "Instrumentos Musicais Digitais - Gestos, Sensores e Interfaces". In Beatriz Senoi Ilari , ed. Musica, Em Busca da Mente Musical, Editora da Universidade Federal do Paraná (In Portuguese), 2006.

2000

Marcelo M. Wanderley and Marc Battier (editors). "Round Table". In Trends in Gestural Control of Music, Ircam—Centre Pompidou, 2000.

Claude Cadoz and Marcelo M. Wanderley. "Gesture-Music". In Trends in Gestural Control of Music, Ircam—Centre Pompidou, 2000.

1999

Marcelo M. Wanderley and Philippe Depalle. "Contrôle Gestuel de la Synthèse Sonore". In Hugues Vinet and François Delalande , eds. Interfaces Homme-Machine et Creation Musicale, Hermès Science Publishing, 1999.

Journal Articles

2019

Catherine Massie-Laberge, Isabelle Cossette and Marcelo M. Wanderley. "Kinematic Analysis of Pianists’ Expressive Performances of Romantic Excerpts: Applications for Enhanced Pedagogical Approaches". Frontiers in Psychology, 2019. DOI: 10.3389/fpsyg.2018.02725.

2018

Joseph Malloch, Stephen Sinclair and Marcelo M. Wanderley. "Generalized Multi-Instance Control Mapping for Interactive Media Systems". IEEE Multimedia, vol. 25, number 1, IEEE, 2018.

Baptiste Caramiaux, Frederic Bevilacqua, Marcelo M. Wanderley and Caroline Palmer. "Dissociable Effects of Practice Variability on Learning Motor and Timing Skills". PLOS ONE, 2018.

2017

Alexander P. Demos, Daniel J. Carter, Marcelo M. Wanderley and Caroline Palmer. "The unresponsive partner: Roles of social status, auditory feedback, and animacy in coordination of joint music performance". Frontiers in Psychology, 2017. DOI: 10.3389/fpsyg.2017.00149.

Esteban Maestre, Panos Papiotis, Marco Marchini, Quim Llimona, Oscar Mayor, Alfonso Perez and Marcelo M. Wanderley. "Online Access and Visualization of Enriched Multimodal Representations of Music Performance Recordings: the Quartet Dataset and the Repovizz System". IEEE Multimedia, IEEE, 2017, pages 24–34. DOI: 10.1109/MMUL.2017.3.

Filipe Calegario, Marcelo M. Wanderley, Stéphane Huot, Giordano Cabral and Geber Ramalho. "Method and Toolkit for Generating Ideas and Prototyping Digital Musical Instruments". IEEE Multimedia, IEEE, 2017, pages 63–71. DOI: 10.1109/MMUL.2017.18.

2016

Marlon Schumacher and Marcelo M. Wanderley. "Integrating Gesture Data in Computer-Aided Composition: A Framework for Representation, Processing and Mapping". Journal of New Music Research, Taylor & Francis, 2016. DOI: 10.1080/09298215.2016.1254662.

2015

Avrum Hollinger and Marcelo M. Wanderley. "The Design, Implementation, and Testing of a Sensorized MRI-Compatible Cello". IEEE Sensors Journal, vol. 15, number 11, IEEE, 2015, pages 6125–6134. DOI: 10.1109/JSEN.2015.2449876.

Alfonso Perez Carrillo and Marcelo M. Wanderley. "Indirect Acquisition of Violin Instrumental Controls from Audio Signal with Hidden Markov Models". IEEE Transactions on Audio, Speech and Language Processing, vol. 23, number 5, IEEE, 2015. DOI: 10.1109/TASLP.2015.2410140.

Pieter-Jan Maes, Caroline Palmer and Marcelo M. Wanderley. "The Role of Working Memory in the Temporal Control of Discrete and Continuous Movements". Experimental Brain Research, vol. 233, number 1, Springer Berlin Heidelberg, 2015. DOI: 10.1007/s00221-014-4108-5.

2014

Steven R. Livingstone, William F. Thompson, Marcelo M. Wanderley and Caroline Palmer. "Common Cues to Emotion in the Dynamic Facial Expressions of Speech and Song". Quarterly Journal of Experimental Psychology, vol. 68, number 5, Taylor & Francis, 2014, pages 952–970. DOI: 10.1080/17470218.2014.971034.

Stephen Sinclair, Marcelo M. Wanderley and Vincent Hayward. "Velocity estimation algorithms for audio-haptic simulations involving stick-slip". IEEE Transactions on Haptics, vol. 7, number 4, IEEE, 2014, pages 533–544. DOI: 10.1109/TOH.2014.2346505.

Carolina Brum Medeiros and Marcelo M. Wanderley. "A Comprehensive Review of Sensors and Instrumentation Methods Used in Musical Expression". Sensors Journal, vol. 14, number 8, MDPI, 2014, pages 13556–13591. DOI: 10.3390/s140813556.

Euler C. F. Teixeira, Mauricio A. Loureiro, Marcelo M. Wanderley and Hani C. Yehia. "Motion Analysis of Clarinet Performers". Journal of New Music Research, vol. 44, number 2, Taylor & Francis, 2014, pages 97–111. DOI: 10.1080/09298215.2014.925939.

Rodolphe Koehly, Marcelo M. Wanderley, Theodorus van de Ven and Denis Curtil. "In-House Development of Paper Force Sensors for Musical Applications". Computer Music Journal, vol. 38, number 2, MIT Press, 2014, pages 22–35. DOI: 10.1162/COMJ_a_00237.

Carolina Brum Medeiros and Marcelo M. Wanderley. "Multiple-model Linear Kalman Filter Framework for Unpredictable Signals". IEEE Sensors Journal, vol. 14, number 4, IEEE, 2014, pages 979–991. DOI: 10.1109/JSEN.2013.2291683.

Rodrigo A. Seger, Marcelo M. Wanderley and Alessandro L. Koerich. "Automatic Detection of Musicians' Ancillary Gestures based on Video Analysis". Expert Systems with Applications, vol. 41, number 4, Elsevier, 2014, pages 2098–2106. DOI: 10.1016/j.eswa.2013.09.009.

Joseph Malloch, Stephen Sinclair and Marcelo M. Wanderley. "Distributed Tools for Interactive Design of Heterogeneous Signal Networks". Multimedia Tools and Applications, vol. 74, number 15, Springer US, 2014, pages 5683-5707. DOI: 10.1007/s11042-014-1878-5.

Pieter-Jan Maes, Marc Leman, Caroline Palmer and Marcelo M. Wanderley. "Action-based Effect on Music Perception". Frontiers in Psychology, vol. 4, number 1008, Frontiers Media S.A., 2014, pages 1–14. DOI: 10.3389/fpsyg.2013.01008.

Doug Van Nort, Marcelo M. Wanderley and Philippe Depalle. "Mapping Control Structures to Sound Synthesis: Functional and Topological Perspectives". Computer Music Journal, vol. 38, number 3, MIT Press, 2014, pages 6–22. DOI: 10.1162/COMJ_a_00253.

R. Michael Winters and Marcelo M. Wanderley. "Sonification of Emotion: Strategies and Results from the Intersection with Music". Organised Sound, vol. 19, number 1, Cambridge University Press, 2014, pages 60–69. DOI: 10.1017/S1355771813000411.

2013

Delphine Chadefaux, Jean-Loïc Le Carrou, Benoît Fabre, Marcelo M. Wanderley and Laurent Daudet. "Gestural strategies in the harp performance". Acta Acustica united with Acustica, vol. 99, number 6, S. Hirzel Verlag, 2013, pages 986–996. DOI: 10.3813/AAA.918677.

Joseph Thibodeau and Marcelo M. Wanderley. "Trumpet Augmentation and Technological Symbiosis". Computer Music Journal, vol. 37, number 3, MIT Press, 2013, pages 12–25. DOI: 10.1162/COMJ_a_00185.

Rachel M. Brown, Joyce L. Chen, Avrum Hollinger, Virginia B. Penhune, Caroline Palmer and Robert J. Zatorre. "Repetition Suppression in Auditory-Motor Regions to Pitch and Temporal Structure in Music". Journal of Cognitive Neuroscience, vol. 25, number 2, MIT Press, 2013, pages 313–328. DOI: 10.1162/jocn_a_00322.

2012

Alexandre Bouënard, Sylvie Gibet and Marcelo M. Wanderley. "Hybrid Inverse Motion Control for Virtual Characters Interacting with Sound Synthesis - Application to Percussion Motion". The Visual Computer Journal, vol. 28, number 4, Springer, 2012, pages 357–370. DOI: 10.1007/s00371-011-0620-9.

Baptiste Caramiaux, Marcelo M. Wanderley and Frédéric Bevilacqua. "Segmenting and Parsing Instrumentalist's Gestures". Journal of New Music Research, vol. 41, number 1, Routledge, 2012, pages 13–29. DOI: 10.1080/09298215.2011.643314.

R. Michael Winters, Alexandre Savard, Vincent Verfaille and Marcelo M. Wanderley. "A Sonification Tool for the Analysis of Large Databases of Expressive Gesture". The International Journal of Multimedia & Its Applications (IJMA), vol. 4, number 6, AIRCC Publishing Corporation, 2012, pages 13–26. DOI: 10.5121/ijma.2012.4602.

Delphine Chadefaux, Jean-Loïc Le Carrou, Benoît Fabre, Marcelo M. Wanderley and Laurent Daudet. "Étude expérimentale de l'interaction musician/instrument dans le cas de l'harpe de concert". Acoustique et Techniques – Trimestriel d'information des professionnels de l'acoustique, number 69, 2012, pages 29–34.

2011

Alexandre Bouënard, Marcelo M. Wanderley, Sylvie Gibet and Fabrice Marandola. "Virtual Gesture Control and Synthesis of Music Performances: Qualitative Evaluation of Synthesized Timpani Exercises". Computer Music Journal, vol. 35, number 3, MIT Press, 2011, pages 57–72. DOI: 10.1162/COMJ_a_00069.

Bradley W. Vines, Carol L. Krumhansl, Marcelo M. Wanderley, Ioana M. Dalca and Daniel J. Levitin. "Music to my eyes: Cross-modal interactions in the perception of emotions in musical performance". Cognition, vol. 118, number 2, Elsevier, 2011, pages 157–170. DOI: 10.1016/j.cognition.2010.11.010.

2010

Marlon Schumacher and Jean Bresson. "Spatial Sound Synthesis in Computer-Aided Composition". Organised Sound, vol. 15, number 3, Cambridge University Press, 2010, pages 271–289. DOI: 10.1017/S1355771810000300.

Sean Ferguson and Marcelo M. Wanderley. "The McGill Digital Orchestra: An Interdisciplinary Project on Digital Musical Instruments". Journal of Interdisciplinary Music Studies, vol. 4, number 2, 2010, pages 17–35.

Alexandre Bouënard, Marcelo M. Wanderley and Sylvie Gibet. "Gesture Control of Sound Synthesis: Analysis and Classification of Percussion Gestures". Acta Acustica united with Acustica, Special issue on Natural and Virtual Instruments: Control, Gesture and Player Interaction, vol. 96, number 4, S. Hirzel Verlag, 2010, pages 668–677. DOI: 10.3813/AAA.918321.

Vincent Verfaille, Philippe Depalle and Marcelo M. Wanderley. "Detecting Overblown Flute Fingerings from the Residual Noise Spectrum". Journal of the Acoustical Society of America, vol. 127, number 1, Acoustical Society of America, 2010, pages 534–541. DOI: 10.1121/1.3257205.

2009

Manfred Nusseck and Marcelo M. Wanderley. "Music and Motion -- How Music-related Ancillary Body Movements Contribute to the Experience of Music". Music Perception: An Interdisciplinary Journal, vol. 26, number 4, University of California Press, 2009, pages 335–353. DOI: 10.1525/mp.2009.26.4.335.

Mark T. Marshall, Max Hartshorn, Marcelo M. Wanderley and Daniel J. Levitin. "Sensor Choice for Parameter Modulations in Digital Musical Instruments: Empirical Evidence from Pitch Modulation". Journal of New Music Research, vol. 38, number 3, Routledge, 2009, pages 241–253. DOI: 10.1080/09298210903085865.

Stephen Sinclair and Marcelo M. Wanderley. "A run-time programmable simulator to enable multi-modal interaction with rigid-body systems". Interacting with Computers, vol. 21, number 1–2, Elsevier Science Inc., 2009, pages 54–63.

2008

Vincent Verfaille, Arnaud Rebillout, Philippe Guillemain and Marcelo M. Wanderley. "Refining mapping strategies to improve the sound quality of physically controlled synthesis". Journal of the Acoustical Society of America, vol. 123, number 5, Acoustical Society of America, 2008. DOI: 10.1121/1.2934968.

Vincent Verfaille, Marcelo M. Wanderley and Philippe Depalle. "Indirect acquisition of flutist gestures: a case study of harmonic note fingerings". Journal of the Acoustical Society of America, vol. 123, number 5, Acoustical Society of America, 2008. DOI: 10.1121/1.2935474.

2006

Bradley W. Vines, Carol L. Krumhansl, Marcelo M. Wanderley and Daniel J. Levitin. "Cross-modal Interactions in the Perception of Musical Performance". Cognition, vol. 101, number 1, Elsevier, 2006, pages 80–113.

Doug Van Nort. "Noise/Music and representation systems". Organised Sound, vol. 11, number 2, Cambridge University Press, 2006, pages 173–178. DOI: 10.1017/S1355771806001452.

Vincent Verfaille and Marcelo M. Wanderley. "Mapping strategies for sound synthesis, digital audio effects, and sonification of performer gestures". Journal of the Acoustical Society of America, vol. 119, number 5, Acoustical Society of America, 2006. DOI: 10.1121/1.4786924.

Vincent Verfaille, Marcelo M. Wanderley and Philippe Depalle. "Mapping Strategies for Gestural and Adaptive Control of Digital Audio Effects". Journal of New Music Research, vol. 35, number 1, Routledge, 2006, pages 71–93. DOI: 10.1080/09298210600696881.

2005

Marcelo M. Wanderley, Bradley Vines, Neil Middleton, Cory McKay and Wesley Hatch. "The Musical Significance of Clarinetists' Ancillary Gestures: An Exploration of the Field". Journal of New Music Research, vol. 34, number 1, Routledge, 2005, pages 97–113. DOI: 10.1080/09298210500124208.

2004

Marcelo M. Wanderley and Philippe Depalle. "Gestural control of sound synthesis". Proceedings of the IEEE, vol. 92, number 4, 2004, pages 632–644.

2003

Andy Hunt, Marcelo M. Wanderley and Matthew Paradis. "The Importance of Parameter Mapping in Electronic Instrument Design". Journal of New Music Research, vol. 32, number 4, 2003, pages 429–440. DOI: 10.1076/jnmr.32.4.429.18853.

2002

Andy Hunt and Marcelo M. Wanderley. "Mapping Performance Parameters to Synthesis Engines". Organised Sound, vol. 7, number 2, 2002, pages 97–108. DOI: 10.1017/S1355771802002030.

Marcelo M. Wanderley and Nicola Orio. "Evaluation of Input Devices for Musical Expression: Borrowing Tools from HCI". Computer Music Journal, vol. 26, number 3, MIT Press, 2002, pages 62–76.

1997

Philippe Depalle, Stéphan Tassart and Marcelo M. Wanderley. "Instruments Virtuels". Resonance, number 12, 1997, pages 5–8.

Conference Papers

2019

Aditya Tirumala Bukkapatnam, Philippe Depalle and Marcelo M. Wanderley. "Autoregressive Parameter Estimation for Equalizing Vibrotactile Systems". In Proceedings of the International Workshop on Haptic and Audio Interaction Design, 2019.

Eduardo A. L. Meneses, Johnty Wang, Sergio Freire and Marcelo M. Wanderley. "A Comparison of Open-Source Linux Frameworks for an Augmented Musical Instrument Implementation". In Proceedings of the International Conference on New Interfaces for Musical Expression, 2019.

Johnty Wang, Axel Mulder and Marcelo M. Wanderley. "Practical Considerations for MIDI over Bluetooth Low Energy as a Wireless Interface". In Proceedings of the International Conference on New Interfaces for Musical Expression, 2019.

2018

Catherine Massie-Laberge, Isabelle Cossette and Marcelo M. Wanderley. "Kinetic Analysis of Hip Motion During Piano Playing". In Proceedings of the 5th International Conference on Movement Computing (MOCO'18), 2018.

Eduardo A. L. Meneses, Sergio Freire and Marcelo M. Wanderley. "GuitarAMI and GuiaRT: two independent yet complementary Augmented Nylon Guitar projects". In Proceedings of the 2018 International Conference on New Interfaces for Musical Expression, 2018.

Alex Nieva, Johnty Wang, Joseph Malloch and Marcelo M. Wanderley. "The T-Stick: Maintaining a 12 year-old digital musical instrument". In Proceedings of the 2018 International Conference on New Interfaces for Musical Expression, 2018.

John Sullivan, Alexandra Tibbitts, Brice Gatinet and Marcelo M. Wanderley. "Gestural Control of Augmented Instrumental Performance: A Case Study of the Concert Harp". In Proceedings of 5th International Conference on Movement Computing (MOCO'18), 2018.

John Sullivan and Marcelo M. Wanderley. "Stability, Reliability, Compatibility: Reviewing 40 Years of DMI Design". In Proceedings of the Sound and Music Computing Conference (SMC), 2018.

2017

Jeronimo Barbosa, Marcelo M. Wanderley and St' ephane Huot. "Exploring Playfulness in NIME Design: The Case of Live Looping Tools". In Proceedings of the 2017 International Conference on New Interfaces for Musical Expression, 2017.

Baptiste Caramiaux, Frédéric Bevilacqua, Marcelo M. Wanderley and Caroline Palmer. "Individuality in Piano Performance Depends on Skill Learning". In Proceedings of the 4th International Conference of Movement Computing, 2017.

Patrick Ignoto, Ian Hattwick and Marcelo M. Wanderley. "Development of a Vibrotactile Metronome to Assist in Conducting Contemporary Classical Music". In Proceedings of the 8th International Conference on Applied Human Factors and Ergonomics (AHFE), 2017.

Ian Hattwick, Ivan Franco and Marcelo M. Wanderley. "The Vibropixels: A Scalable Wireless Tactile Display System". In Proceedings of the Human-Computer Interaction International Conference, 2017.

Ian Hattwick and Marcelo M. Wanderley. "The Design Process for Creating Hardware Systems in Collaborative Artistic Projects". In Proceedings of the 2017 International Conference on New Interfaces for Musical Expression, 2017.

Eduardo A. L. Meneses and Marcelo M. Wanderley. "New developments on the augmentation of a classical guitar: Addition of embedded sound synthesis and OSC communication over network". In Proceedings of the 16th Brazilian Symposium on Computer Music, 2017.

Johnty Wang, Joseph Malloch, Stéphane Huot, Fanny Chevalier and Marcelo M. Wanderley. "Versioning and Annotation Support for Collaborative Mapping Design". In Proceedings of the 14th Sound and Music Computing Conference (SMC), 2017.

Johnty Wang, Bob Pritchard, Bryn Nixon and Marcelo M. Wanderley. "Explorations with Digital Control of MIDI-enabled Pipe Organs". In Proceedings of the 14th Sound and Music Computing Conference, 2017.

2016

Sandeep Bhagwati, Marcello Giordano, Joanna Berzowska, Alex Bachmayr, Julian Stein, Joseph Browne, Felix Del Tredici, Deborah Egloff, John Sullivan, Marcelo Wanderley and Isabelle Cossette. "Musicking the Body Electric. The "body:suit:score" as a polyvalent score interface for situational scores.". In Richard Hoadley, Chris Nash and Dominique Fober , eds. Proceedings of the International Conference on Technologies for Music Notation and Representation – TENOR'16, Anglia Ruskin University, 2016, pages 121–126. ISBN: 978-0-9931461-1-4.

Sylvie Gibet Lei Chen, Pierre-François Marteau, Fabrice Marandola and Marcelo M. Wanderley. "Quantitative Evaluation of Percussive Gestures by Ranking Trainees versus Teacher". In Proceedings of the International Symposium on Movement and Computing (MOCO2016), 2016.

Marcelo M. Wanderley, Joseph Malloch, Jérémie Garcia, Wendy Mackay, Michel Beaudouin-Lafon and Stéphane Huot. "Human Computer Interaction meets Computer Music: The MIDWAY Project". In CHI '16 Extended Abstracts on Human Factors in Computing Systems, ACM, 2016.

Ivan Franco and Marcelo M. Wanderley. "The Mitt: Case Study in the Design of a Self-contained Digital Music Instrument". In Proceedings of the 12th International Symposium on Computer Music Multidisciplinary Research (CMMR), 2016.

Catherine Massie-Laberge, Isabelle Cossette and Marcelo M. Wanderley. "Hearing the Gesture: Perception of Body Actions in Romantic Piano Performances". In Proceedings of ICMPC 2016 International Conference for Music Perception and Cognition (ICMPC), 2016.

Catherine Massie-Laberge, Isabelle Cossette and Marcelo M. Wanderley. "Motion Kinematics and Auditors’ Perception of Expressive Gesture in Romantic Piano Performances". In Proceedings of ICMPC 2016 International Conference for Music Perception and Cognition (ICMPC), 2016.

2015

Alfonso Perez Carrillo, Marcelo M. Wanderley and Josep-Luis Arcos. "Estimation of Guitar Fingering and Plucking Controls based on Multimodal Analysis of Motion, Audio and Musical Score". In Proceedings of the 11th International Symposium on Computer Music Multidisciplinary Research (CMMR), 2015.

Jeronimo Barbosa, Joseph Malloch, Stéphane Huot and Marcelo M. Wanderley. "What does 'Evaluation' mean for the NIME community?". In Proceedings of the International Conference on New Interfaces for Musical Expression, 2015.

Jeronimo Barbosa, Filipe Calegario, João Tragtenberg, Giordano Cabral, Geber Ramalho and Marcelo M. Wanderley. "Designing DMIs for Popular Music in the Brazilian Northeast: Lessons Learned". In Proceedings of the International Conference on New Interfaces for Musical Expression, 2015.

Ian Hattwick and Marcelo M. Wanderley. "Interactive Lighting in the Pearl: Considerations and Implementation". In Proceedings of the International Conference on New Interfaces for Musical Expression, 2015.

Ivan Franco and Marcelo M. Wanderley. "Practical Evaluation of Synthesis Performance on the BeagleBone Black". In Proceedings of the International Conference on New Interfaces for Musical Expression, 2015.

Valerie Lamontagne, Ian Hattwick, Ivan Franco, Marcello Giordano, Deborah Egloff, Maurizio Martinucci, Christopher L. Salter and Marcelo M. Wanderley. "The Ilinx Garments: Whole-body tactile experience in a multisensorial art installation". In Proceedings of the International Symposium on Electronic Art, 2015.

Mickaël Tits, Joëlle Tilmanne and Marcelo M. Wanderley Nicolas d. "Feature Extraction and Expertise Analysis of Pianists? Motion-Captured Finger Gestures". In Proceedings of the International Computer Music Conference, 2015.

John Sullivan. "Noisebox: Design and Prototype of a New Digital Musical Instrument". In Proceedings of the International Computer Music Conference, 2015.

Ian Hattwick, Ivan Franco, Marcello Giordano, Deborah Egloff, Valerie Lamontagne, Ian Arawjo, Maurizio Martinucci, Christopher L. Salter and Marcelo M. Wanderley. "Compositional Approaches to the Design and Use of A Vibrotactile Garment". In Proceedings of the International Computer Music Conference, 2015.

Marcello Giordano, Ian Hattwick, Ivan Franco, Deborah Egloff, Valerie Lamontagne, TeZ, Christopher L. Salter and Marcelo M. Wanderley. "Design and Implementation of a Whole-Body Haptic Suit for "Ilinx", a Multisensory Art Installation". In Proceedings of the SMC Conference, 2015.

Marcello Giordano and Marcelo M. Wanderley. "Follow the Tactile Metronome: Vibrotactile Stimulation for Tempo Synchronization in Music Performance". In Proceedings of the SMC Conference, 2015.

2014

Clayton Rosa Mamedes, Mailis Rodrigues, Marcelo M. Wanderley, Jônatas Manzolli, Denise H. L. Garcia and Paulo Ferreira-Lopes. "Composing for DMIs ? Entoa, a dedicated piece for Intonaspacio". In Proceedings of the International Conference on New Interfaces for Musical Expression, 2014, pages 597–600.

Ian Hattwick, Preston Beebe, Zachary Hale, Marcelo M. Wanderley, Philippe Leroux and Fabrice Marendola. "Unsounding Objects: Audio Feature Extraction for the Control of Sound Synthesis". In Proceedings of the International Conference on New Interfaces for Musical Expression, 2014, pages 597–600.

Ian Hattwick, Joseph Malloch and Marcelo M. Wanderley. "Forming Shapes to Bodies: Design for Manufacturing in the Prosthetic Instruments". In Proceedings of the International Conference on New Interfaces for Musical Expression, 2014, pages 443–448.

Ian Hattwick, Seth Woods and Marcelo M. Wanderley. "Almost Human: Moving Expressive Gesture from Cello to Spine". In Proceedings of the Workshop on Practice-Based Research in New Interfaces for Musical Expression, 2014.

Emma Frid, Marcello Giordano, Marlon Schumacher and Marcelo M. Wanderley. "Physical and Perceptual Characterization of a Tactile Display for a Live-Electronics Notification System". In Proceedings of the Joint ICMC/SMC 2014 Conference, 2014.

Benjamin Bacon, Marcelo M. Wanderley and Fabrice Marandola. "The Effects of Handedness in Percussion Sight Reading". In Proceedings of the 2014 International Workshop on Movement and Computing (MOCO14), 2014.

Vanessa Yaremchuk and Marcelo M. Wanderley. "Brahms, Bodies and Backpropagation". In Proceedings of the 2014 International Workshop on Movement and Computing (MOCO14), 2014, pages 88–93.

Mailis Rodrigues, Marcelo M. Wanderley and Paulo Ferreira-Lopes. "Intonaspacio: A Digital Musical Instrument for Exploring Site-Specificities in Sound". In Mitsuko Aramaki, Olivier Derrien, Richard Kronland-Martinet and Sølvi Ystad , eds. Sound, Music, and Motion: 10th International Symposium, CMMR 2013 Revised Selected Papers, LNCS, vol. 8905, Springer-Verlag, 2014, pages 393–415. DOI: 10.1007/978-3-319-12976-1_24.

2013

Håkon Knutzen, Tellef Kvifte and Marcelo M. Wanderley. "Vibrotactile Augmentation of an Open-air Gestural Controller". In Proceedings of the 10th International Symposium of Computer Music Multidisciplinary Research (CMMR2013), 2013.

Benjamin Bacon and Marcelo M. Wanderley. "The Effects of Handedness in Percussion Performative Gesture". In Proceedings of the 10th International Symposium of Computer Music Multidisciplinary Research (CMMR2013), 2013.

Mahtab Ghamsari-Esfahani, Amandine Pras and Marcelo M. Wanderley. "Combining musical tasks and improvisation in evaluating novel Digital Musical Instruments". In Proceedings of the 10th International Symposium of Computer Music Multidisciplinary Research (CMMR2013), 2013.

Ioana Dalca, Bradley W. Vines, Marcus T. Pearce and Marcelo M. Wanderley. "Expressivity as Time-Dependent Movement for Music Performance: A Statistical Exploration". In Proceedings of the 10th International Symposium of Computer Music Multidisciplinary Research (CMMR2013), 2013, pages 845–854.

Clayton Rosa Mamedes, Marcelo M. Wanderley, Jônatas Manzolli and Denise Lopes Garcia. "Strategies for mapping control in interactive audiovisual installations". In Proceedings of the 10th International Symposium of Computer Music Multidisciplinary Research (CMMR2013), 2013.

Marlon Schumacher, Marcello Giordano, Marcelo M. Wanderley and Sean Ferguson. "Vibrotactile Notifications for Live Electronics Performance: A Prototype System". In Proceedings of the 10th International Symposium of Computer Music Multidisciplinary Research (CMMR2013), 2013.

Mailis Rodrigues, Marcelo M. Wanderley and Paulo Ferreira-Lopes. "Intonaspacio: A Digital Musical Instrument for Exploring Site-Specificities in Sound". In Proceedings of the 10th International Symposium of Computer Music Multidisciplinary Research (CMMR2013), 2013.

Marcello Giordano and Marcelo M. Wanderley. "Perceptual and Technological Issues in the Design of Vibrotactile-Augmented Interfaces for Music Technology and Media". In Proceedings of the 2013 Haptics-Audio Interaction Design Workshop (HAID2013), 2013.

Avrum Hollinger and Marcelo M. Wanderley. "MRI-Compatible Optically-Sensed Cello". In Proceedings of the IEEE SENSORS 2013 Conference, 2013.

R. Michael Winters, Ian Hattwick and Marcelo M. Wanderley. "Emotional Data in Music Performance: Two Audio Environments for the Emotional Imaging Composer". In Proceedings of the 3rd International Conference on Music & Emotion (ICME2013), 2013.

Gregory Burlet, Marcelo M. Wanderley and Ichiro Fujinaga. "Stompboxes: Kicking the Habit". In Proceedings of the 2013 International Conference on New Interfaces for Musical Expression (NIME2013), 2013, pages 41–44.

R. Michael Winters and Marcelo M. Wanderley. "Sonification of Emotion: Strategies for Continuous Display of Arousal and Valence". In Proceedings of the 3rd International Conference on Music & Emotion (ICME2013), 2013.

Euler C. F. Teixeira, Mauricio Loureiro, Hani Yehia and Marcelo M. Wanderley. "Motion Recurrence Analysis in Music Performances". In Proceedings of the 2013 International Conference on Sound and Music Computing (SMC2013), 2013, pages 317–322.

Marcello Giordano and Marcelo M. Wanderley. "Measuring the Haptic Behavior of an Acoustic Guitar as Perceived by the Player by Means of a Vibrating Actuator". In Proceedings of the 2013 International Congress on Acoustics (ICA2013), 2013.

Flávio Luiz Schiavoni, Marcelo Queiroz and Marcelo M. Wanderley. "Alternatives in network transport protocols for audio streaming applications". In Proceedings of the 2013 International Computer Music Conference (ICMC13), 2013.

Flávio Luiz Schiavoni, Marcelo Queiroz and Marcelo M. Wanderley. "Network music with Medusa: A comparison of tempo alignment in existing MIDI APIs". In Proceedings of the 2013 International Conference on Sound and Music Computing (SMC2013), 2013.

Thor Kell and Marcelo M. Wanderley. "A Quantitative Review of Mappings in Musical iOS Applications". In Proceedings of the 2013 International Conference on Sound and Music Computing (SMC2013), 2013.

Rodrigo A. Seger, Alessandro L. Koerich and Marcelo M. Wanderley. "Detecção de Movimentos Auxiliares de Clarinetistas Através de Visão Computacional". In Proceedings of the 14th Brazilian Symposium on Computer Music, 2013.

Joseph Malloch, Stephen Sinclair and Marcelo M. Wanderley. "Libmapper (A Library for Connecting Things)". In CHI '13 Extended Abstracts on Human Factors in Computing Systems, ACM, 2013, pages 3087–3090. DOI: 10.1145/2468356.2479617. ISBN: 978-1-4503-1952-2.

2012

Alfonso Perez Carrillo and Marcelo M. Wanderley. "Learning and Extraction of Violin Instrumental Controls from Audio Signal". In Proceedings of the MIRUM Workshop, ACM Multimedia Conference, 2012.

R. Michael Winters and Marcelo M. Wanderley. "New Directions for the Sonification of Expressive Movement in Music Performance". In Proceedings of the 18th International Conference on Auditory Display, 2012.

François G. Germain, Jonathan S. Abel, Philippe Depalle and Marcelo M. Wanderley. "Uniform Noise Sequences for Nonlinear System Identification". In Proceedings 15th International Conference of Digital Audio Effects (DAFx-12), 2012.

Gabriel Vigliensoni and Marcelo M. Wanderley. "A Quantitative Comparison of Position Trackers for the Development of a Touch-less Musical Interface". In Proceedings of the International Conference on New Interfaces for Musical Expression (NIME12), 2012.

Avrum Hollinger and Marcelo M. Wanderley. "Optoelectronic Acquisition and Control Board for Musical Applications". In Proceedings of the International Conference on New Interfaces for Musical Expression (NIME12), 2012.

Ian Hattwick and Marcelo M. Wanderley. "A Dimension Space for Evaluating Collaborative Musical Performance Systems". In Proceedings of the International Conference on New Interfaces for Musical Expression (NIME12), 2012.

Olivier Tache, Jean-Loup Florens, Stephen Sinclair and Marcelo M. Wanderley. "Exploring Audio and Tactile Qualities of Instrumentality with Bowed String Models". In Proceedings of the International Conference on New Interfaces for Musical Expression (NIME12), 2012.

Marcello Giordano, Stephen Sinclair and Marcelo M. Wanderley. "Bowing a Vibration-enhanced Force-feedback Device". In Proceedings of the International Conference on New Interfaces for Musical Expression (NIME12), 2012.

Delphine Chadefaux, Marcelo M. Wanderley, Jean-Loïc Le Carrou, Benoît Fabre and Laurent Daudet. "Experimental study of the musician / instrument interaction in the case of the concert harp". In Proceedings of Acoustics 2012, 2012.

2011

Carolina Brum Medeiros and Marcelo M. Wanderley. "Evaluating of sensor technologies for The Rulers, a kalimba-like Digital Musical Instrument". In Proceedings of the 8th Sound and Music Computing (SMC) Conference, 2011.

Marcello Giordano and Marcelo M. Wanderley. "A Learning Interface for Novice Guitar Players using Vibrotactile Stimulation". In Proceedings of the 8th Sound and Music Computing (SMC) Conference, 2011.

Stephen Sinclair, Marcelo M. Wanderley, Vincent Hayward and Gary Scavone. "Noise-free haptic interaction with a bowed-string acoustic model". In Proceedings of the IEEE World Haptics Conference, 2011.

Erika Donald, Benjamin Duinker and and Eliot Britton. "Designing the EP trio: Instrument identities, control and performance practice in an electronic chamber music ensemble". In Proceedings of the International Conference on New Interfaces for Musical Expression (NIME11), 2011.

Mark T. Marshall and Marcelo M. Wanderley. "Examining the Effects of Embedded Vibrotatile Feedback on the Feel of a Digital Musical Instrument". In Proceedings of the International Conference on New Interfaces for Musical Expression (NIME11), 2011.

Jean Bresson and Marlon Schumacher. "Representation and Interchange of Sound Spatialization Data for Compositional Applications". In Proceedings of the 2011 International Computer Music Conference (ICMC11), 2011.

2010

Gabriel Vigliensoni and Marcelo M. Wanderley. "Soundcatcher: Explorations in Audio-looping and Time-freezing using an Open-air Gestural Controller". In Proceedings of the International Computer Music Conference (ICMC), ICMA, 2010, pages 100–103.

D. Andrew Stewart. "Vigorous Music-Making: The Inherent ``Liveliness'' of a T-Stick Instrumentalist". In Proceedings of the 2010 International Computer Music Conference (ICMC2010), ICMA, 2010.

Avrum Hollinger, Joseph Thibodeau and Marcelo M. Wanderley. "An Embedded Hardware Platform for Fungible Interfaces". In Proceedings of the International Computer Music Conference (ICMC), ICMA, 2010, pages 56–59.

Marije A. J. Baalman, Vincent De Belleval, Joseph Malloch, Joseph Thibodeau, Christopher L. Salter and Marcelo M. Wanderley. "Sense/Stage - Low Cost, Open Source Wireless Sensor Infrastructure For Live Performance And Interactive, Real-Time Environments". In Proceedings of the International Computer Music Conference (ICMC), ICMA, 2010, pages 242–249.

Florian Grond, Thomas Hermann, Vincent Verfaille and Marcelo M. Wanderley. "Methods for the Effective Sonification of of Clarinetists' Ancillary Gestures". In Stefan Kopp and Ipke Wachsmuth , eds. Gestures in Embodied Communication and Human-Computer Interaction - 8th International Gesture Workshop, GW 2009, Bielefeld, Germany, February 2009, Revised Selected Papers, LNAI, vol. 5934, Springer Verlag, 2010, pages 171–181.

Marlon Schumacher and Jean Bresson. "Compositional Control of Periphonic Sound Spatialization". In Proceedings of the 2nd International Symposium on Ambisonics and Spherical Acoustics, 2010.

Jean Bresson and Marlon Schumacher. "Représentation des données de contrôle pour la spatialisation dans OpenMusic". In Actes des Journées d'Informatique Musicale, 2010.

Florian Grond, Alexandre Bouënard, Thomas Hermann and Marcelo M. Wanderley. "Virtual Auditory Myography of Timpani-playing Avatars". In Proceedings of the International Conference on Digital Audio Effects (DAFX), 2010, pages 135–142.

Tommaso Bianco, Marcelo M. Wanderley and Frédéric Bevilacqua. "Mimicry of tone production: results from a pilot experiment". In Proceedings of the 7th of Sound and Music Computing (SMC) Conference, 2010.

Stephen Sinclair, Jean-Loup Florens and Marcelo M. Wanderley. "A Haptic Simulator for Gestural Interaction with the Bowed String". In Proceedings of the Congrès Français d'Acoustique (CFA), 2010.

Bruno L. Giordano, Federico Avanzini, Marcelo M. Wanderley and Stephen McAdams. "Multisensory Integration in Percussion Performance". In Proceedings of the Congrès Français d'Acoustique (CFA), 2010.

D. Andrew Stewart and Joseph Malloch. "Everybody to the power of one, for soprano T-Stick". In CHI '10 Extended Abstracts on Human Factors in Computing Systems, ACM, 2010, pages 3093–3096.

2009

Mark T. Marshall, Joseph Malloch and Marcelo M. Wanderley. "Gestural Control of Sound Spatialization for Live Musical Performance". In Miguel Sales Dias, Sylvie Gibet, Marcelo M. Wanderley and Rafael Bastos , eds. Gesture-Based Human-Computer Interaction and Simulation · 7th International Gesture Workshop, GW 2007, Lisbon, Portugal, May 23-25, 2007, Revised Selected Papers, LNCS, vol. 5085, Springer Verlag, 2009, pages 227–238. DOI: 10.1007/978-3-540-92865-2_25.

Nicolas H. Rasamimanana, Delphine Bernardin, Marcelo M. Wanderley and Frédéric Bevilacqua. "String Bowing Gestures at Varying Bow Stroke Frequencies: A Case Study". In Miguel Sales Dias, Sylvie Gibet, Marcelo M. Wanderley and Rafael Bastos , eds. Gesture-Based Human-Computer Interaction and Simulation - 7th International Gesture Workshop, GW 2007, Lisbon, Portugal, May 23-25, 2007, Revised Selected Papers, LNCS, vol. 5085, 2009, pages 216–226. DOI: 10.1007/978-3-540-92865-2_24.

Barbara Mazzarino, Manuel Peinado, Ronan Boulic, Gualtiero Volpe and Marcelo M. Wanderley. "Improving the Believability of Virtual Characters using Qualitative Gesture Analysis". In Miguel Sales Dias, Sylvie Gibet, Marcelo M. Wanderley and Rafael Bastos , eds. Gesture-Based Human-Computer Interaction and Simulation · 7th International Gesture Workshop, GW 2007, Lisbon, Portugal, May 23-25, 2007, Revised Selected Papers, LNCS, vol. 5085, 2009, pages 48–56. DOI: 10.1007/978-3-540-92865-2_5.

Caroline Palmer, Erik Koopmans, Christine Carter, Janeen D. Loehr and Marcelo M. Wanderley. "Synchronization of Motion and Timing in Clarinet Performance". In Proceedings of the International Symposium on Performance Science, 2009.

Sean Ferguson and Marcelo M. Wanderley. "The McGill Digital Orchestra: Interdisciplinarity in Digital musical Instrument Design". In Proceedings of the International Conference on Interdisciplinary Musicology (CIM), 2009, pages 70–71.

Alexandre Bouënard, Marcelo M. Wanderley and Sylvie Gibet. "Advantages and Limitations of Simulating Percussion Gestures for Sound Synthesis". In Proceedings of the International Computer Music Conference (ICMC), 2009, pages 255–261.

Mark Zadel, Stephen Sinclair and Marcelo M. Wanderley. "Haptic feedback for Different Strokes using DIMPLE". In Proceedings of the International Computer Music Conference (ICMC), 2009, pages 291–294.

Stephen Sinclair, Gary Scavone and Marcelo M. Wanderley. "Audio-Haptic Interaction with the Digital Waveguide Bowed String". In Proceedings of the International Computer Music Conference (ICMC), 2009, pages 275–278.

Xenia Pestova, Erika Donald, Heather Hindman, Joseph Malloch, Mark T. Marshall, Fernando Rocha, Stephen Sinclair, D. Andrew Stewart, Marcelo M. Wanderley and Sean Ferguson. "The CIRMMT/McGill Digital Orchestra Project". In Proceedings of the International Computer Music Conference (ICMC), 2009, pages 295–298.

Fernando Rocha and Joseph Malloch. "The Hyper-Kalimba: Developing and Augmented Instrument from a Performer's Perspective". In Proceedings of the Sound and Music Computing Conference (SMC), 2009, pages 25–29.

Otso Lähdeoja, Marcelo M. Wanderley and Joseph Malloch. "Instrument Augmentation using Ancillary Gestures for Subtle Sonic Effects". In Proceedings of the Sound and Music Computing Conference (SMC), 2009, pages 327–330.

Alexandre Bouënard, Sylvie Gibet and Marcelo M. Wanderley. "Hybrid Motion Control combining Inverse Kinematics and Inverse Dynamics Controllers for Simulating Percussion Gestures". In Proceedings of the International Conference on Computer Animation and Social Agents (CASA), 2009, pages 17–20.

Michael Collicutt, Carmine Casciato and Marcelo M. Wanderley. "From Real to Virtual: A Comparison of Input Devices for Percussion Tasks". In Proceedings of the International Conference on New Interfaces for Musical Expression (NIME), 2009, pages 1–6.

Jason A. Hockman, Marcelo M. Wanderley and Ichiro Fujinaga. "Real-time Phase Vocoder Manipulation by Runner's Pace". In Proceedings of the International Conference on New Interfaces for Musical Expression (NIME), 2009, pages 90–93.

Marije A. J. Baalman, Harry C. Smoak, Christopher L. Salter, Joseph Malloch and Marcelo M. Wanderley. "Sharing Data in Collaborative, Interactive Performances: the SenseWorld DataNetwork". In Proceedings of the International Conference on New Interfaces for Musical Expression (NIME), 2009, pages 131–134.

2008

Mitchel Benovoy, Mark Zadel, Rafa Absar, Mike Wozniewski and Jeremy R. Cooperstock. "Towards immersive multimodal gameplay". In GAMEON-NA, 2008.

Joseph Malloch, Stephen Sinclair and Marcelo M. Wanderley. "A network-based framework for collaborative development and performance of digital musical instruments". In Richard Kronland-Martinet, Sølvi Ystad and Kristoffer Jensen , eds. Computer Music Modeling and Retrieval - Sense of Sounds, LNCS, vol. 4969, Springer-Verlag, 2008, pages 401–425.

Mark Zadel and Gary Scavone. "Recent developments in the Different Strokes environment". In Proceedings of the 2008 International Computer Music Conference (ICMC), 2008.

Cléo Palacio-Quintin and Mark Zadel. "Interactive Composition and Improvisation on the Hyper-Flute". In Proceedings of the 2008 International Computer Music Conference (ICMC), 2008.

Alexandre Bouënard, Marcelo M. Wanderley and Sylvie Gibet. "Analysis of Percussion Grip for Physically Based Character Animation". In Proceedings of the International Conference on Enactive Interfaces (ENACTIVE), 2008, pages 22–27.

Georgios Marentakis, Joseph Malloch, Nils Peters, Mark T. Marshall, Marcelo M. Wanderley and Stephen McAdams. "Influence of Performance Gestures on the Identification of Spatial Sound Trajectories in a Concert Hall". In Proceedings of the International Conference on Auditory Display (ICAD), 2008.

Alexandre Bouënard, Sylvie Gibet and Marcelo M. Wanderley. "Enhancing the Visualization of Percussion Gestures by Virtual Character Animation". In Proceedings of the International Conference on New Interfaces for Musical Expression (NIME), 2008, pages 38–43.

2007

Erwin Schoonderwaldt and Marcelo M. Wanderley. "Visualization of Bowing Gestures for Feedback: The Hodgson Plot". In Proceedings of the I-Maestro Workshop 2007, 2007.

Stephen Sinclair and Marcelo M. Wanderley. "Extending DIMPLE: a Rigid Body Simulator for Interactive Control of Sound". In Proceedings of the International Conference on Enactive Interfaces (ENACTIVE), 2007, pages 263–266.

Alexander Refsum Jensenius, Nicolas Castagné, Antonio Camurri, Esteban Maestre, Joseph Malloch and Douglas McGilvray. "A summary of formats for streaming and storing music-related movement and gesture data". In Proceedings of the International Conference on Enactive Interfaces (ENACTIVE), 2007, pages 125–128.

Alexander Refsum Jensenius, Antonio Camurri, Nicolas Castagné, Esteban Maestre, Joseph Malloch, Douglas McGilvray, Diemo Schwarz and Matthew Wright. "Panel: the Need of Formats for Streaming and Storing Music-Related Movement and Gesture Data". In Proceedings of the International Computer Music Conference (ICMC), 2007, pages 13–16.

Stephen Sinclair and Marcelo M. Wanderley. "Using PureData to control a haptically-enabled virtual environment". In Proceedings of the PureData Convention '07, 2007.

David Birnbaum and Marcelo M. Wanderley. "A Systematic Approach to Musical Vibrotactile Feedback". In Proceedings of the International Computer Music Conference (ICMC), 2007, pages 397–401.

Joseph Malloch, Stephen Sinclair and Marcelo M. Wanderley. "From controller to sound: Tools for collaborative development of digital musical instruments". In Proceedings of the International Computer Music Conference (ICMC), ICMA, 2007.

David Birnbaum, Freida Abtan, Sha Xin Wei and Marcelo M. Wanderley. "Mapping and Dimensionality of a Cloth-based Sound Instrument". In Proceedings of the Sound and Music Computing Conference (SMC), 2007.

Stephen Sinclair and Marcelo M. Wanderley. "Defining a control standard for easily integrating haptic virtual environments with existing audio/visual systems". In Proceedings of the International Conference on New Interfaces for Musical Expression (NIME), 2007, pages 209–212.

Rodolphe Koehly, Denis Curtil, Theodorus van de Ven and Marcelo M. Wanderley. "Carbon Black Loaded Paper: An Intelligent Substrate for Electronic Sensors Design". In Proceedings of the IARIGAI 2007 Conference, 2007.

Doug Van Nort, David Gauthier, Sha Xin Wei and Marcelo M. Wanderley. "Extraction of Gestural Meaning from a Fabric-Based Instrument". In Proceedings of the International Computer Music Conference (ICMC), 2007, pages 441–444.

Corey Kereliuk, Bertrand Scherrer, Vincent Verfaille, Philippe Depalle and Marcelo M. Wanderley. "Indirect Acquisition of Fingerings of Harmonic Notes on the Flute". In Proceedings of the International Computer Music Conference (ICMC), 2007, pages 263–266.

Avrum Hollinger, Christopher Steele, Virginia Penhune, Robert Zatorre and Marcelo M. Wanderley. "fMRI-compatible electronic controllers". In Proceedings of the 2007 International Conference on New Interfaces for Musical Expression (NIME2007), ACM Press, 2007, pages 246-249.

Manfred Nusseck, Marcelo M. Wanderley and Erwin Schoonderwaldt. "Validating Kinematic Displays for the Perception of Musical Performance". In Proceedings of the International Conference on Enactive Interfaces (ENACTIVE), 2007, pages 381–384.

Mark T. Marshall, Joseph Malloch and Marcelo M. Wanderley. "Non-Conscious Control of Sound Spatialization". In Proceedings of the International Conference on Enactive Interfaces (ENACTIVE), 2007, pages 377–380.

Carmine Casciato and Marcelo M. Wanderley. "Lessons from Long Term Gestural Controller Users". In Proceedings of the International Conference on Enactive Interfaces (ENACTIVE), 2007, pages 333–336.

Erwin Schoonderwaldt, Stephen Sinclair and Marcelo M. Wanderley. "Why do we need 5-DOF force feedback? The case of violin bowing". In Proceedings of the International Conference on Enactive Interfaces (ENACTIVE), 2007, pages 397–400.

Joseph Malloch and Marcelo M. Wanderley. "The T-Stick: From Musical Interface to Musical Instrument". In Proceedings of the 2007 International Conference on New Interfaces for Musical Expression (NIME2007), 2007, pages 66–69.

Doug Van Nort and Marcelo M. Wanderley. "Control Strategies for Navigation of Complex Sonic Spaces". In Proceedings of the International Conference on New Interfaces for Musical Expression (NIME), 2007, pages 379–382.

2006

Mark T. Marshall, Nils Peters, Alexander Refsum Jensenius, Julien Boissinot, Marcelo M. Wanderley and Jonas Braasch. "On the development of a system for gesture control of spatialization". In Proceedings of the International Computer Music Conference (ICMC), ICMA, 2006, pages 360–266.

Joseph Malloch, David Birnbaum, Elliot Sinyor and Marcelo M. Wanderley. "Towards a New Conceptual Framework for Digital Musical Instruments". In Proceedings of the International Conference on Digital Audio Effects (DAFx-06), 2006, pages 49–52.

Mark T. Marshall and Marcelo M. Wanderley. "Vibrotactile feedback in digital musical instruments". In Proceedings of the Conference on New Interfaces for Musical Expression, IRCAM—Centre Pompidou, 2006, pages 226–229. ISBN: 2-84426-314-3.

Rodolphe Koehly, Denis Curtil and Marcelo M. Wanderley. "Paper FSRs and latex/fabric traction sensors: Methods for the development of home-made touch sensors". In Proceedings of the International Conference on New interfaces for Musical Expression (NIME), IRCAM—Centre Pompidou, 2006, pages 230–233. ISBN: 2-84426-314-3.

Doug Van Nort and Marcelo M. Wanderley. "The LoM Mapping Toolbox for Max/MSP/Jitter". In Proceedings of the International Computer Music Conference (ICMC), 2006, pages 397–400.

Mark Zadel and Gary Scavone. "Different Strokes: a Prototype Software System for Laptop Performance and Improvisation". In Proceedings of the International Conference on New Interfaces for Musical Expression (NIME), 2006, pages 168–171.

Mark T. Marshall and Marcelo M. Wanderley. "Evaluation of Sensors as Input Devices for Computer Music Interfaces". In Richard Kronland-Martinet, Thierry Voinier and Sølvi Ystad , eds. CMMR 2005 - Proc. of Computer Music Modeling and Retrieval 2005 Conference, LNCS, vol. 3902, Springer-Verlag, 2006, pages 130–139.

Alexander Refsum Jensenius, Rodolphe Koehly and Marcelo M. Wanderley. "Building Low-Cost Music Controllers". In Richard Kronland-Martinet, Thierry Voinier and Sølvi Ystad , eds. CMMR 2005 - Proc. of Computer Music Modeling and Retrieval 2005 Conference, LNCS, vol. 3902, Springer-Verlag, 2006, pages 123–129.

Vincent Verfaille, Julien Boissinot, Philippe Depalle and Marcelo M. Wanderley. "Ssynth: a Real Time Additive Synthesizer With Flexible Control". In Proceedings of the International Computer Music Conference (ICMC), 2006, pages 523–526.

Mark Zadel and Gary Scavone. "Laptop Performance: Techniques, Tools, and a New Interface Design". In Proceedings of the International Computer Music Conference (ICMC), 2006.

Vincent Verfaille, Oswald Quek and Marcelo M. Wanderley. "Sonification of Musician's Ancillary Gestures". In Proceedings of the International Conference on Auditory Display (ICAD), 2006, pages 194–197.

Anne-Marie Burns and Marcelo M. Wanderley. "Visual Methods for the Retrieval of Guitarist Fingering". In Proceedings of the International Conference on New Interfaces for Musical Expression (NIME), 2006.

Marcelo M. Wanderley, Joseph Malloch, David Birnbaum, Elliot Sinyor and Julien Boissinot. "SensorWiki.org: A Collaborative Resource on Transducers for Researchers and Interface Designers". In Proceedings of the International Conference on New Interfaces for Musical Expression (NIME), 2006, pages 180–183.

Denis Lebel and Joseph Malloch. "The G-Spring Controller". In Proceedings of the International Conference on New Interfaces for Musical Expression (NIME), 2006, pages 85–88.

Anne-Marie Burns and Marcelo M. Wanderley. "Computer Vision Method for Guitarist Finger Retrieval". In Proceedings of the Sound and Music Computing Conference (SMC), 2006, pages 1–7.

Doug Van Nort and Marcelo M. Wanderley. "Exploring the Effect of Mapping Trajectories on Musical Performance". In Proceedings of the Sound and Music Computing Conference (SMC), 2006, pages 19–24.

2005

David Birnbaum, Rebecca Fiebrink, Joseph Malloch and Marcelo M. Wanderley. "Towards a Dimension Space for Musical Devices". In Proceedings of the International Conference on New Interfaces for Musical Expression (NIME), 2005, pages 192–195.

Alexander Refsum Jensenius, Rolf Inge Godøy and Marcelo M. Wanderley. "Developing Tools for Studying Musical Gestures within the MAX/MSP/JITTER Environment". In Proceedings of the International Computer Music Conference (ICMC), 2005, pages 282–285.

Elliot Sinyor and Marcelo M. Wanderley. "Gyrotyre: A Hand-held Dynamic Computer-Music Controller Based on a Spinning Wheel". In Proceedings of the International Conference on New Interfaces for Musical Expression (NIME), 2005, pages 42–45.

Andrey da Silva, Marcelo M. Wanderley and Gary Scavone. "On the Use of Flute Air Jet as a Musical Control Variable". In Proceedings of the International Conference on New Interfaces for Musical Expression (NIME), 2005, pages 105–108.

Paul Kolesnik and Marcelo M. Wanderley. "Implementation of the Discrete Hidden Markov Model in Max / MSP Environment". In Proceedings of the FLAIRS 2005 Conference, 2005.

2004

Brad Vines, Marcelo M. Wanderley, Carol Krumhansl, Regina Nuzzo and Daniel Levitin. "Performance Gestures of Musicians: What Structural and Emotional Information do they Convey?". In Antonio Camurri and Gualtiero Volpe , eds. Gesture-Based Communication in Human-Computer Interaction - 5th International Gesture Workshop, Springer-Verlag, 2004, pages 468–478.

Paul Kolesnik and Marcelo M. Wanderley. "Recognition, Analysis and Performance with Expressive Conducting Gestures". In Proceedings of the International Computer Music Conference (ICMC), 2004.

Gary Scavone and Marcelo M. Wanderley. "The Music Technology Program at McGill University". In Proceedings of the International Computer Music Conference (ICMC), 2004.

Manuel Peinado, Bruno Herbelin, Marcelo M. Wanderley, Benoit Le Callennec, Ronan Boulic and Daniel Thalmann. "Towards Configurable Motion Capture with Prioritized Inverse Kinematics". In Proceedings of the International Workshop on Virtual Rehabilitation (IWVR), 2004, pages 85–97.

Doug Van Nort, Marcelo M. Wanderley and Philippe Depalle. "On the Choice of Mappings based on Geometrical Properties". In Proceedings of the International Conference on New Interfaces for Musical Expression (NIME), 2004, pages 87–91.

Philippe Zaborowski. "ThumbTec: A New Handheld Input Device". In Proceedings of the International Conference on New Interfaces for Musical Expression (NIME), 2004, pages 112–115.

2002

Andy Hunt, Marcelo M. Wanderley and Matthew Paradis. "The importance of parameter mapping in electronic instrument design". In Proceedings of the 2002 International Conference on New Interfaces for Musical Expression (ICMC2002), 2002, pages 1-6. ISBN: 1-87465365-8.

2001

Marcelo M. Wanderley. "Gestural control of music". In Presented at the International Workshop on Human Supervision and Control in Engineering and Music, 2001.

Nicola Orio, Norbert Schnell and Marcelo M. Wanderley. "Input Devices for Musical Expression: Borrowing Tools from HCI". In Workshop on New Interfaces for Musical Expression - ACM CHI '01, 2001.

Marcelo M. Wanderley, Marie-Hélène Serra, Marc Battier and Xavier Rodet. "Gesture Control Research at Ircam". In Proceedings of the International Computer Music Conference, 2001.

Marcelo M. Wanderley. "Quantitative Analysis of Non-Obvious Performer Gestures". In IV Gesture Workshop, 2001.

2000

Andy Hunt, Marcelo M. Wanderley and Ross Kirk. "Towards a Model for Instrumental mapping in Expert Musical Interaction". In Proceedings of the International Computer Music Conference, International Computer Music Association, 2000, pages 209–212.

Marcelo M. Wanderley, Jean-Philippe Viollet, Fabrice Isart and Xavier Rodet. "On the Choice of Transducer Technologies for Specific Musical Functions". In Proceedings of the 2000 International Computer Music Conference (ICMC2000), 2000, pages 244–247.

Marcelo M. Wanderley, Nicola Orio and Norbert Schnell. "Towards an Analysis of Interaction in Sound Generating Systems". In Proceedings of ISEA2000 Conference, 2000.

1999

Stefania Serafin, Richard Dudas, Marcelo M. Wanderley and Xavier Rodet. "Gestural Control of a Real-Time Physical Model of a Bowed String Instrument". In Proceedings of the 1999 International Computer Music Conference (ICMC1999), ICMA, 1999, pages 375–377.

Marcelo M. Wanderley, Philippe Depalle and Olivier Warusfel. "Improving Instrumental Sound Synthesis by modeling the Effects of Performer Gesture". In Proceedings of the 1999 International Computer Music Conference (ICMC1999), 1999, pages 418–421.

Marcelo M. Wanderley. "Non-Obvious Performer Gestures in Instrumental Music". In Gesture Based Communication in Human-Computer Interaction – 5th International Gesture Workshop, (GW 2003), Springer-Verlag, 1999, pages 37–48.

1998

Marcelo M. Wanderley, Marc Battier, Philippe Depalle, Shlomo Dubnov, Vincent Hayward, Francisco Iovino, Véronique Larcher, Mikhail Malt, Patrice Pierrot, Joseph Butch Rovan and Christophe Vergez. "Gestural Research at Ircam: A Progress Report". In Proceedings Journées d'Informatique Musicale, 1998.

Marcelo M. Wanderley, Norbert Schnell and Joseph Rovan. "Escher - Modeling and Performing "Composed Instruments" in Real-time". In IEEE International Conference on Systems Man and Cybernetics, 1998.

1997

Joseph Rovan, Marcelo M. Wanderley, Shlomo Dubnov and Philippe Depalle. "Instrumental Gestural Mapping Strategies as Expressivity Determinants in Computer Music Performance". In Proceedings of the Kansei - The Technology of Emotion Workshop, 1997.

Joseph Butch Rovan, Marcelo M. Wanderley, Shlomo Dubnov and Philippe Depalle. "Instrumental Gestural Mapping Strategies as Expressivity Determinants in Computer Music Performance". In Proceedings of Kansei - The Technology of Emotion Workshop, 1997.

1996

Geraldo Henrique Torres Lima, Marcelo M. Maes, Márlio Bonfim, Marcus V. Lamar and Marcelo M. Wanderley. "Dance-Music Interface based on ultrasound sensors and computers". In Proceedings of the 3rd Brazilian Symposium on Computer Music , 1996, pages 12–16.

Vinicius Auer, Marcelo M. Maes, Márlio Bonfim, Marcelo M. Wanderley and Marcus V. Lamar. "3D Position Signals Acquisition System with Application in real-time Processing". In Proceedings of the International Congress on Signal Processing Applications Technology - ICSPAT, 1996.

Conference Abstracts

2010

Erika Donald, Marcelo M. Wanderley and Isabelle Cossette. "Effects of Tempo on Bow Arm and Center of Mass Movements in Highly Skilled Cellists and Their Pedagogical Implications". In ICMPC 2010 Conference, 2010.

2009

Alexandre Bouënard, Marcelo M. Wanderley and Sylvie Gibet. "Analysis of Timpani Preparatory Gesture Parameterization". In International Gesture Workshop, 2009.

2007

Mark T. Marshall, Joseph Malloch and Marcelo M. Wanderley. "A Framework for Gesture Control of Spatialization". In International Gesture Workshop, 2007.

Barbara Mazzarino, Manuel Peinado, Ronan Boulic, Gualtiero Volpe and Marcelo M. Wanderley. "Improving the believability of virtual characters using qualitative gesture analysis". In International Gesture Workshop, 2007.

Nicolas Rasamimanana, Delphine Bernardin, Marcelo M. Wanderley and Frédéric Bevilacqua. "Case study of string bowing gestures in tremolo". In International Gesture Workshop, 2007.

2006

Louise Campbell, Vincent Verfaille, Marie-Julie Chagnon, Oswald Quek and Marcelo M. Wanderley. "Different Approaches to the Understanding of Expressive Movements of Clarinetists". In Second International Conference on Music and Gesture, 2006.

Eugenia Costa-Giomi, Charlene Ryan and Marcelo M. Wanderley. "Expressiveness in Music: The Movements of the Performer and Their Effects on the Listener". In International Conference on Music Perception and Cognition - ICMPC06, 2006.

Barbara Mazzarino, Manuel J. Peinado, Ronan Boulic, Marcelo M. Wanderley and Antonio Camurri. "Improving Human Movement Recovery Using Qualitative Analysis". In International Conference on Enactive Interfaces, 2006, pages 177–178.

Barbara Mazzarino, Manuel Peinado, Ronan Boulic and Marcelo M. Wanderley. "A Case Study on Qualitative Evaluation of Avatar Believability". In 2nd Enactive Workshop, 2006.

Vincent Verfaille and Marcelo M. Wanderley. "Mapping Strategies for Sound Synthesis, Digital Audio Effects and Sonification of Performer Gestures". In Acousical Society America Meeting, 2006.

Bradley W. Vines, Ioana Dalca and Marcelo M. Wanderley. "Variation in Expressive Physical Gestures of Clarinetists". In International Conference on Music Perception and Cognition - ICMPC06, 2006.

2005

Anne-Marie Burns and Barbara Mazzarino. "Finger Tracking Methods Using EyesWeb". In 6th International Workshop on Gesture in Human-Computer Interaction and Simulation (Gesture Workshop 2005), 2005.

Carmine Casciato, Alexander Refsum Jensenius and Marcelo M. Wanderley. "Studying Free Dance Movements to Music". In ESCOM 2005 Performance Matters! Conference, 2005.